Why are we still able, today, to view images that were captured over 125 years ago? As we enter the digital age, audiovisual heritage seems to be a sure and obvious fact. However, much of cinema and our filmed history has been lost forever. Archivists, technicians and filmmakers from different parts of the world explain what audiovisual preservation is and why it is necessary. The documentary is a tribute to all these professionals and their important work.
Mathieu Sapin, a successful comic books author (Gérard, cinq années dans les pattes de Depardieu), creates an album to mark the fortieth anniversary of François Mitterand’s election. He turns to the figures in the shadows of the Socialist Party, in the forefront of which is Julien Dray known as the “Baron Noir”. Through anecdotes and firsthand accounts of those who spent time in the highest spheres of the French state since 1981, Mathieu Sapin attempts to answer the big question: “who killed the French left?”.
On the occasion of the fourty years anniversary of François Mitterand's election, a look back to the relationship between the President and artists, from admiration to manipulation.
Oriza Hirata is Japan's leading playwright and director, who runs his own theatrical company, Seinendan. Theatre 2 (Observational Film Series #4) examines the dynamic relationship between theatre and the society through depicting Hirata's activities. In order for his art and his not-so-commercial company to survive this highly capitalistic modern society, what kind of strategy does Hirata have and practice?
"What could be more unsettling than a man close to death whose profound arrogance drives him relentlessly to hang onto both his power and his writing, to the bitter end?" In the twilight of his second seven-year term, François Mitterrand was alone. Ravaged by illness and abandoned by a large majority of the Socialist Party, who would not forgive him for the disastrous outcome of the March 1993 elections, the Head of State was preparing to tackle a second round of cohabitation with the right wing. However a series of unexpected tragedies and revelations would arise, casting a shadow over the end of his reign…
Voyage au centre du monde is, following an invitation from the new Belgrade town hall and the government of the Republika Serbska, the film brought back by Gérard Courant from his trip with a group of writers in Yugoslavia and Bosnia and Herzegovina.
When novelist Alessandro Battavia commits suicide, a taxi driver named Evangile and her brother Nord believe they are characters imagined in a novel, probably one written by God.
