Serena Vergano

Daniel is a man who wants to escape from a reality that overwhelms him. That is why he imagines, invents and lies for pleasure. Such invention will lead him to live strange and unusual adventures, giving rise to a magical comedy about everyday life seen through his eyes.

A man (José Luis López Vázquez) walks into a bar and shoots four people dead. Next day everybody is talking about the murders. The police know who the killer is and have his photo, but the man himself remains at large. Blanca (Serena Vergano), a lonely librarian, receives a letter from him, declaring his love for her. Apparently he has been a regular at the municipal library, although Blanca denies ever having noticed him.

A chronicle of the different reactions of a girl when she finds that her boyfriend decides to end their relationship.

A prostitute promises to the Virgin Mary not to practice her trade for a year if she heals her sick child.

Feature film directed by Ricardo Bofill, one of the last films of the Barcelona School.

A drug has been discovered, Liberxina 90, which will erase "establishment" conditioning from the human mind. It has fallen into the hands of some diversely anarchistic revolutionaries who spend most of the film discussing how and whether to use it; should they wait for the forces of "history" to undermine society or speed things up using the drug? They are finally forced into action by the police who are, somewhat ineptly, hunting them down.

John leaves for Barcelona in search of Cristina, who two years ago went to the city. On arrival he is hosted in a cousin's house and there he meets Monica that falls madly in love with him. When he finally finds Cristina, things do not happen as he expected, the time and the city have changed her and she is not sure to continue the relationship. Meanwhile, Monica tries unsuccessfully to call the attention of John.

Without a family, penniless and separated from her sister, a beautiful chaste woman will have to cope with an endless parade of villains, perverts and degenerates who will claim not only her treasured virtue but also her life.

The cigar-smoking French writer, George Sand (Lucia Bose) and her lover, the composer-pianist Chopin (Christopher Sandford) have rented a former monastery in Mallorca as a winter retreat. They have even shipped a piano to the site, so that Chopin can continue his work. However, what promised to be a warm, sunny vacation turns sour as the locals disapprove of Sand, the servants are surly and mysterious, and the monastery is cold. She has her revenge, however. She wrote the book A Winter in Mallorca about her miserable winter retreat. This film follows that book closely, with concern for historical accuracy, which did not increase the Spanish filmmakers' popularity with their countrymen.

Raphael plays a singer who searches for his classical pianist brother in Buenos Aires, with the brother eventually revealed playing in the squalid bar.

Along with narrating the adventures and misadventures of its protagonists, the film presents a fresco of Spain in the 60s, with its rock music, fashion, and a visual style clearly indebted to the French New Wave.

An aspiring young writer lives with his pregnant wife and works for a newspaper to provide for his growing family. When his sister-in-law comes to visit, there is a mutual attraction between the guest and the writer.

A woman uselessly insists on entertaining a man by telling him stories that don’t interest him as much as his works. A film about the impossibility of telling a story that, to this end, concentrates on the story of two people who have a relationship that is destined to fail.

A famous singer and actor is at the peak of his career but fatigue, stress and harassment of the media makes feel unbalanced. His star began to fall rapidly and so goes into a clinic to cure his pain. Coming out, away from his audience, will spend some time at a house that is in the North, to the seashore. There he feels haunted by the story of characters who have lived in a nearby house, in one of which identifies his former secretary.

What opens as a playful evocation of natural shapes and hues quickly turns into an allegorical psycho drama set in a white cube and driven initially by Bach. The performers’ gestures, sudden intrusions of colour(s) as well as the chosen fabrics tell it all.

A man and a woman, both disappointed with their partners, meet by chance at the beginning of the night. They will spend the night together drinking red wine in Barcelona's Chinatown.

After WWII, a young man without perspective arrives in Rome. Living in a loft, he gradually discovers the city becoming a tour guide.

Enrico is a struggling journalist in the Rome of 1945. He receives a phone call informing him that his younger brother Lorenzo has died. Enrico recalls their long and difficult relationship; he was brought up by their poor but warm-hearted grandmother, Lorenzo was raised as a gentleman by a wealthy local aristocrat. Reunited in the Florence of the 1930s, Enrico becomes his spoilt brother's keeper, forever haunted by a sense of guilty responsibility towards a man he both hates and loves.

Tommaso Puzzilli is a boy who grew up in the suburb of Pietralata outside Rome. Not having a job, Tommaso and his friends are committing crimes to make money.

Inspired by a real-life event that took place in Calabria at the end of World War 2, the film is the story of a young farmer who led peasants to revolt, after being falsely accused of murder.