Seng Chen

Everything Adam knows about love, he learned from the movies. Unfortunately, Adam is no Cary Grant, and the closest he's come to experiencing true romance is one drunken night with his unrequited love, Kate. But that evening failed to live up to Adam's expectations, so he casts himself and Kate in a movie recreation of their one night, hoping for a better ending. It's a total flop, and Adam is forced to cast a new Kate when she no longer wants any part of her part. But re-casting Kate leads to an ending that even Adam never saw coming, in this playful comedy about love, movies, and how our love of movies affects how we love.

Everything Adam knows about love, he learned from the movies. Unfortunately, Adam is no Cary Grant, and the closest he's come to experiencing true romance is one drunken night with his unrequited love, Kate. But that evening failed to live up to Adam's expectations, so he casts himself and Kate in a movie recreation of their one night, hoping for a better ending. It's a total flop, and Adam is forced to cast a new Kate when she no longer wants any part of her part. But re-casting Kate leads to an ending that even Adam never saw coming, in this playful comedy about love, movies, and how our love of movies affects how we love.

To Jim, speed in its various forms is everything -- a pursuit, a vice, and the thing that courses through his veins. Even though his boss still calls him 'Elizabeth,' Jim loves his bike messenger job, because it enables him to be doing one of his favorite things: going fast. Really fast. The other thing he loves doing is his genius punkstar stripper girlfriend, Ally, who keeps critical theory and lube on the nightstand. She'd live in a paper box with him, and Jim has given up speed (in its drug form) to be with her. But when he plays hooky for love and gets fired, addiction calls, and he gambles on the one person who really understands him.