Producer
Kenshi Tokunaga runs an IT company in Tokyo. Due to a big company, he has a hard time in hiring engineers. He decides to find engineers for his company in his hometown of Minami, Tokushima Prefecture, Japan.
Producer
小学5年生の少女トモは荒れ放題の家で母親ヒロミと暮らしていたが、母親は男を追って家出してしまう。ひとりになったトモは前にも頼った叔父マキオの家に向かうが、そこで彼女を出迎えたのは叔父の美しい恋人で、トランスジェンダーの女性リンコだった。リンコは綺麗に部屋を整頓し、美しい彩りのおいしい手料理をトモに振る舞う。トモは家庭のぬくもりや優しさを与えてくれるリンコに、戸惑いながらも次第に信頼を寄せていき…。
Producer
One summer day, Tokiko (Kinoshita Misaki), whose life in Tokyo is going nowhere fast, gets on an overnight bus to the countryside. When she arrives, she meets Yohei (Izumisawa Yuki), a high school student struggling to deal with the sudden death of a young man who was like a big brother to him.
Producer
Thirty-year-old, unemployed Kenji (Kaku Tomohiro) spends his days listlessly at his parent's home, which is set to be torn down any day now. He relives his childhood when a third grader out for summer vacation nails Kenji with a water balloon, and Kenji fights back.
Producer
上京して5年、仕事も恋愛もうまくいかず妥協した日々を送る佐和子は、父親が病で倒れたことから帰郷。一人娘のため父が営むしじみ加工工場の後を継ぐことになるが、従業員のおばさんたちには相手にされず、会社の経営も倒産寸前に追い込まれていた。その上、一緒に工場の後継ぎになりたいと付いてきた恋人にまで浮気されてしまう。
Producer
Minako is at the age where her father is more like an alien to her than a person. The situation is exacerbated when he comes home drunk one night and tries to climb on top of her. Minako's mother deserted them for another man when Minako was a child. Now working as a hostess, she has little time for her own six year-old daughter, Yu, Minako's half sister. Both girls are yearning for their mother's love. Minako runs into Yu at a game center in the mall and proposes they take a trip. She changes out of her school uniform and into adult clothes and the pair hops on an overnight bus out of the city.
Producer
山間の小さな田舎町。男の子たちの髪形は、“バーバー吉野”のおばちゃん（もたいまさこ）が切る“吉野ガリ”に統一するのが慣わしだった。それを疑問に思う者は誰一人いなかったが、東京から茶髪の転校生がやって来たことで事態は一変する。
Producer
The film tells the story of a Drive-In worker and a young tramp who has been left alone by her boyfriend somewhere in Hokkaido. Things seem to work out at the beginning but as time goes by the newly formed relationship between the tramp and the Drive-In worker starts to show the workers harmful will of possession, which finally leads to the somehow sad but also optimistically interpretable ending.
