Graciela Borges

A group of old actors and filmmakers tries to resist the efforts of a young couple to kick them out of their mansion.

In the 60s and thanks to the epistolary exchange, the young filmmaker Manuel Antín and the famous writer Julio Cortázar devised four films. An ocean away, a fruitful collaboration and genuine friendship are born.

Against the backdrop of a military dictatorship, Eugenia is reunited with her estranged family following her father’s stroke and is forced to confront dark secret.

There are very few icons in Argentine culture capable of appealing to both popular and elitist tastes. Leonardo Favio was undoubtedly one of them. An unseasonable Peronist attached to the liturgy of his land, the director, born in the province of Mendoza, was and artist at every craft. a Renassaince man, but above all, a filmmaker. This is how "Favio: Chronicle of a Director" recaptures him, as a man of film who fed from radio, acting, music and painting in order to build up the handful of rhapsodies with which he adorned argentinean cinematography

The Cenacle, a unique restaurant offers single-table work. In a ruined temple every night there is a last supper. Diners sitting at the table, define something important in their lives. Four stories plus the secret that bond the owners. Superb music.

The story of two strangers who decide to overcome distance and loneliness, turning a casual meeting into an opportunity for a new beginning.

An art dramatic teacher, with melancholic eyes and some sort of charge over his shoulders, manages El Sotano Club by the nights, a comedy pub and gives comedy classes to other adult people by the day. All his life changes when he meets a very special student that breaks with all his schemas. Love, that strange thing.

A married man's death puts his widow and mistress in an unusual living arrangement.

Miss Tacuarembó is a unique mixture of drama, comedy, musical with touches of parody and nostalgia which for its beautiful narration will attract many open-minded viewers not only in Latin American world. The story of Natalia, the main hero, and her life's struggles is shown in different three eras of her life.

They are both alone. They need each other but, at the same time, they despise each other. Siblings Marcos and Susana are unable to heal the old wounds festering within them after the death of their mother. When Susana sells their mother's flat, she deprives her brother of the home where he had cared for their mother his whole life. Marcos's need to start living again surfaces when his sister forces him to leave Buenos Aires for Uruguay.

The priest Mario Pantaleo discovers he has some power to diagnose and cure diseases through the laying on of hands. But the police and the church hierarchy will against him.

The godmother and Perla are the world to "the little girl," a world defined by the four walls of a studio apartment with one window looking nowhere. Only space and alter the monotony, the blood transfusion sessions to which must be submitted Pearl and almost anonymous sexual encounters of the baby.

A unfulfilled man tries to find something to ling to, traveling from town to town, in one of them he'll find enough reason to stay.

When his pet is killed by a probe from earth, Mercano, a Martian, travels to earth angered. Landing in Buenos Aires, at first noone takes any notice of him.

The life of two women and their families in a small provincial town of Salta, Argentina.

In a Mockuocumentary format, led by the personage represented by Leonardo Sbaraglia, in 2499 the research is presented - carried out by scientists from the University of Heidelberg, Germany, whose exposition is in charge of Helmut Strasse, founder of the first school of Argentinology - about the remote existence of Argentina, an unknown country of great potential inexplicably disappeared from the face of the Earth.

A German baroness and her ailing husband arrive at a mansion in the middle of the countryside in Argentina in the decade of the 30s.

A group of musicians, prostitutes, gamblers, and laborers, react to the arrival of a tango pianist at a saloon.

Graciela and Arturo operate a kindergarten in their mansion. Graciela is particularly keen on one boy, Luciano, on whom she makes sexual advances.

A turbulent era in Argentine politics is highlighted in this well-wrought drama, set in Buenos Aires at the end of 1945, about Clara (Graciela Borges), a young, half-Jewish woman awakening to the reasons behind the political conflicts of her time and place. Clara's father was a Communist who fought the Nazis in Argentina and possessed a list of the top Nazi exiles and their contacts. Through a former lover, Clara -- a successful broadcast journalist -- begins to see her Jewish roots (and the leftists) in a whole new light. Meanwhile, the political storms sweeping through Argentina are setting the stage for the Peronist government to come.

It's about three women, three stories, or perhaps a single story in different projections of time and space. The Mistress wishes to unravel the meaning of being a woman is the victim of Hollywood. Ana is the product of a society ruled or dominated by men.

A man's terminal illness disrupts the happiness of his marriage.

A journalist begins to receive envelopes containing erotic pictures, which he connects to a relationship he once had with an actress.

A separated woman faces her future and revises her goals.

In a boring marriage a model-photographer attracts the husband and a young man to the woman.

A woman who has been traumatized by her brother's accidental death from electrocution in the subways of Buenos Aires learns to readjust.

Following the death of a close friend, a woman caught in an unhappy marriage looks for ways to improve her life.

Fernandez is a lonely man leading a lonely life. All he does is work for an old man in a hardware store. But all that changes, when he meets the girl of his dreams... and her family.

The story of rebel gaucho Martin Fierro, his people, and their life in the Argentine Pampas. Based on José Hernández's epic poem.

Henchmen of the dictator from a South American country blackmail Nick Thomas into being a government spy. The former smuggler is to pose as a priest and enter a monastery thought to be sympathetic with rebel guerrillas. The release of the film coincided with real-life events, as Catholic priests continued to be the victims of government persecution throughout Latin America.

The daughter of an American marriage in Puerto Rico forces her parents to find a doll that her father mistakenly sent in a box of aid during a flood.

The film shows as a documentary the trip to London of Palito Ortega and Graciela Borges

Upon learning of the murder of a friend, a police inspector sets out to take justice on his own. This attitude, contrary to his usual convictions, will gradually destroy him.

A vagabond receives a large fortune as an inheritance and summons his peers to decide what to do with it.

"The Vicious Ones" - The police investigates a drug trafficking network. Other social issues are discloses. A rare film including the famous Coccinelle.

Delia Mañara is notorious in her quarter of Buenos Aires for the mysterious deaths of two of her fiancés. She lives in a twilight world and gains most satisfaction through the exercise of power over others.

A man whose wife was murdered on the wedding night returns to town to marry another and is resisted by the locals.

A group of young aristocrats lock themselves up, for fun, on a terrace in a wealthy building in Buenos Aires. Their parents try to get them out, but they threaten to jump down if any adults enter the terrace.

In this drama, a still-young grandmother has a suitor whose son is suffering from an incurable illness. The woman knows that the son has fallen in love with her granddaughter, but the granddaughter does not reciprocate his feelings. Convinced she should do something about that situation, grandmother talks her granddaughter into going on a trip to Paris with the young man -- intent on bringing the two together. But this simple plan, it turns out, has unforeseen consequences

This routine drama set in Argentina during the 1930s draws parallels between a family patriarch and a political despot who stoops to any corrupt means to increase his power and wealth. The parallels are easy to make because the man is the same in both cases. The grandfather in the family has a rigid, tight-fisted control over his grandchildren, who eventually begin to rebel against his authoritarian and ironically puritanical behavior. At first, there is no real awareness of his opposite, criminal behavior outside the home. But as one of the grandsons begins to mature in his political savvy, the grandfather comes under well-deserved fire at last.

A social drama centered on the miserable conditions experencied by cane cutters in Argentina's north.

The head of a criminal gang has all the power among his men until one decides to testify against him.

The love story between two teenagers, children of incomprehensible parents.