Rolando Villazón

Italian immigrant Francesca Cabrini arrives in 1889 New York City and is greeted by disease, crime, and impoverished children. Cabrini sets off on a daring mission to convince the hostile mayor to secure housing and healthcare for society's most vulnerable. With broken English and poor health, Cabrini uses her entrepreneurial mind to build an empire of hope unlike anything the world had ever seen.

17-year-old Tim Walker travels from London to the Austrian Alps to attend the legendary Mozart boarding school. There, he discovers a centuries-old forgotten passageway into the fantastic world of Mozart's "The Magic Flute."

This documentary tells the story of the creation and cultural impact of the world's most famous Christmas carol, composed in 1818 in Salzburg, Austria, and since then translated into about 140 languages.

A film about the importance of art in times of crisis. The year 2020 will go down in history. But how can art help us in these hard times? That's the main question, Salzburg. Eine Kunstgeschichte. is trying to answer.

O Come, Little Children features classic Christmas songs beloved by children and adults everywhere. Performed by the world-renowned Mormon Tabernacle Choir, accompanied by the Orchestra at Temple Square, and featuring the singularly beautiful voice of acclaimed tenor Rolondo Villazon, this album takes the listener on a joyful journey through timeless classics that celebrate the season. Rolando's powerful tenor voice shines on classic carols "I Saw Three Ships," "Deck the Hall," and "We Three Kings." Delightful renditions of "Christmas Children" from Scrooge and "Parade of the Wooden Soldiers" are performed by the Orchestra at Temple Square, followed by Rolando's tender reading of the celebrated short story "The Little Match Girl," by Charles Dickens. This album will whisk you away to once again see the childlike wonder of Christmas.

In the new production of the Return of Ulysses at the Théâtre des Champs-Elysées all the ingredients were gathered for a successful show: the music of Monteverdi, a mythological story, a wonderful orchestra on period instruments, baroque specialists like Magdalena Kožená, Isabelle Druet and Katherine Watson, and finally the exuberant Rolando Villazón.

Olga Peratyatko and Atalla Ayan star in Rolando Villazón's scintillating production of Verdi's La Traviata at the Festspielhaus in Baden Baden, Germany. Supported by the Balthasar-Neumann-Chor and the Balthasar-Neumann-Ensemble.

La Rondine (The Swallow) is possibly the least performed of Giacomo Puccinis later operas, but is still just as much a masterwork as its more performed counterparts. Originally conceived as the composers first operetta, the work is an artful blend of opera and operetta, with a lighter mood than Puccinis other works. This live production filmed at the Deutsche Oper Berlin stars Dinara Alieva and Charles Castronovo in the lead roles. Renowned stage director Rolando Villazon sets this rendition, and the Orchestra and Chorus of the Deutsche Oper Berlin is conducted here by acclaimed Maestro Roberto Rizzi Brignoli.

Rolando Villazon's Baden Baden version of the Donizetti's opera set as an early Hollywood shoot of a western.

Rolando Villazon's Baden Baden version of the Donizetti's opera set as an early Hollywood shoot of a western.

Live performance, Bayerische Staatsoper, 2011. The Tales of Hoffmann (French: LES CONTES D'HOFFMANN) is an opéra fantastique by Jacques Offenbach that combines three short stories by E.T.A. Hoffmann into a haunting whole: a melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer. One of the questions this opera poses for any director is how to link the 'tales' of Hoffmann's three lost loves together and knit them satisfactorily into the Prologue and Epilogue. In this production, Richard Jones solves the puzzle by turning it into an autobiographical journey which ends with a grand meet-up of all the characters Hoffmann has encountered: for once, Hoffmann is not presented as a rollicking kind of drunken story-spinner, but rather a sad-eyed, sobered-up depressive, who reaches for the bottle only because his disastrous love life has gone wrong yet again.

Live performance at the Grand Teatre del Liceu in Barcelona in 2009. When Donizetti s comedy, updated to the mid-20th century by the Uruguayan-born director Mario Gas, was mounted at Barcelona's magnificent Liceu opera house in 2005, Opera News wrote that: The absolute hit of the production was . . . Rolando Villazón, a commanding, vulnerable and hilarious Nemorino.

天才作曲家、ジャコモ・プッチーニの生誕150周年を記念し、112年もの間もっとも頻繁に上演されてきた傑作オペラを豪華絢爛に映画化したラブロマンス。1830年のパリを舞台に、クリスマスイブの夜に出会い恋に落ちた貧しい男女の波乱の愛と夢を描く。

Rolando Villazón Triumphantly Returns To The Stage As Don Carlo In The 2007/2008 Royal Opera House'S Producton Of Don Carlo. National Theatre director Nicholas Hytner's new staging of Verdi's grandest-- and arguably greatest -- opera, Don Carlo, was the highlight of the 2007/2008 Royal Opera House season. This new production marked Rolando Villazón's much anticipated and triumphant return. Set amidst the political, religious and sexual intrigue of the 16th century Spanish court, this epic work tells the tragic story of Don Carlo, a virtuous young prince who is pitted against the powers of a dominant, corrupt society. First staged at The Royal Opera House in 1886, this new production is the first new version of the 5-Act complete opera to be staged at Covent Garden in 50 years. With sets and costumes by Bob Crowley, direction by Nicholas Hytner, and an enviable cast, this production of Don Carlo is worthy of the greatness of Verdi's original, masterful work.

The sensational hit of Salzburg's 2008 festival season arrives on DVD! Starring tenor Rolando Villazón in a stunning performance, this was the must have ticket of the season. Soprano Nino Machaidze, only 25 years old, burst upon the Salzburg stage with an emotionally vulnerable and vocally spectacular performance. With movie star good looks and a large, warm voice, Machaidze wowed the press and audiences alike. Tony Award winner (South Pacific) Bartlett Sher directs this production of Gounod's classic opera. With sets by Michael Yeargan and costumes by Catherine Zuber, the visually vibrant production is sure to become the benchmark. Bonus materials includes "Salzburg Impressions--Behind the Scenes of Roméo et Juliette," "Love and Death in Verona" and Villazón giving an introduction to the opera.

Director Vincent Paterson creates an energetic staging with dramatic visual magnificence of Jules Massenet's opera "Manon," which is set in France and Louisiana in the early 18th century. Soprano Anna Netrebko and tenor Rolando Villazón deliver mesmerizing performances in a story about two lovers finally brought together, but ultimately torn apart. Conductor Daniel Barenboim leads the Staatskapelle Berlin in a passionate melodic presentation.

Natalie Dessay and Rolando Villazón bring Jules Massenet's classic opera to the stage in this dazzling production. In 18th-century France, Manon (Dessay) faces life as a nun, despite catching the eye of many men. When she meets the handsome but penniless des Grieux (Villazón), she falls deeply in love. The pair elopes, but their future together is threatened by outside forces.

Massenet's opera centres on its charming but contrary heroine, the vivacious young Manon who longs for luxury and excitement. We first encounter her en route to a convent, where her family are sending her to be educated. Along the way, she falls in love with the young student Des Grieux, and, impetuously, runs off with him. She soon leaves him, however, to become the mistress of a rich nobleman. Thus begins her descent into criminality and depravity, all too soon dragging the besotted Des Grieux with her, until she is imprisoned. Despite its tragic story, the opera is full of French charm and vitality – typified by the ambiguous Manon herself. Her plight is touching because of the subtle play of innocence and calculation in her character. The score contains many sparkling arias and ensembles, moving rapidly from moods of exuberance to tenderness, with perfect dramatic timing. Recorded live at the Staatsoper Unter den Linden, Berlin, April/May 2007.

Sparks fly in this video of the all-star concert from Berlin's equivalent of the Hollywood Bowl in July 2006, part of the World Cup festivities. The electricity is generated by the all-star trio of tenors Placido Domingo and Rolando Villazon and soprano Anna Netrebko in a program of operatic and vocal favorites. The crowd estimated at 20,000 eats it all up, and so will home viewers who'll relish the prospect of great singers performing great music.

Martin Kušej's brilliant 2006 Carmen represents a landmark interpretation of a truly timeless opera. Led by Rolando Villazón as Don José and Marina Domashenko in the title role, the virtuoso cast joins forces with the celebrated Staatskapelle Berlin under the direction of the legendary maestro Daniel Barenboim.

This superb 2006 production of the Los Angeles Opera's La Traviata stars Renée Fleming, who joins the ranks of the elite handful of sopranos whose vocal and acting talents make their portrayals memorable. Her Violetta Valéry is a vulnerable figure torn between self-indulgence and love, sacrificing personal happiness to become a victim of the social mores of mid-19th-century bourgeois France. Fleming's acting captures the complexity of the character and her vocalism is flawless. She negotiates the wild coloratura of Act One with aplomb, and is stunning in the lyric passages that pervade the opera, and touching in her scenes with her lover, Alfredo, and his father. Her singing is free of the mannerisms that have sometimes crept into her work and at the same time she brings countless personal touches to the role, phrasing and verbal emphases that shed fresh light on the character.

1914年。第1次世界大戦が勃発し、ドイツの有名オペラ歌手だったニコラウスも一兵卒として戦地に出征する。その愛妻でやはりオペラ歌手であるアナは、自ら積極的に働き掛けてクリスマスイヴにコンサートを開き、戦場から呼び戻された夫とともに、皇太子の御前でアリアを熱唱することに。無事務めを終え、塹壕に戻ってきたニコラウスはそこでも兵士たちのために美しい歌声を披露するが、そこで奇跡のような事態が起こる。

美しき歌姫として実力、人気ともにトップクラスのソプラノ歌手、アンナ・ネトレプコをヴィオレッタ役に迎えた歌劇《椿姫》の模様を収録。アルフレード役にはテノール歌手、ローランド・ビリャソンを迎え、ネトレプコと共に息の合った歌唱を披露する。

Donizetti's L'Elisir d'Amore is one of the staples of the comic opera repertory. The plot hinges on whether earnest but dim-witted Nemorino will snag Adina, the flirtatious heroine. She's a tease who takes up with Belcore, an army sergeant, to make Nemorino jealous. After numerous (and humorous) plot twists that include a phony love potion, it all ends happily. Adina and Nemorino declare their love for each other, Belcore is dumped, and the fraudulent Dulcamara does a landslide business in love potions. It's all a fast-moving bundle of fun, especially with the star-filled cast of this 2005 Vienna State Opera performance.