Juan Díaz

While carrying a mysterious package, Mikel notices he is being followed by a black car. In an attempt to get away, he ends up at a roadside bar where he meets Sara, a girl who doesn't trust easily.

In medical school of an elite university, campus starts sown with corpses. The police have no clue who is responsible for the carnage. Nobody suspected Barbara, a beautiful young innocent looking whose only concern seems to be the fashion. However, under the facade of frivolity, hides the most lethal and unforgiving of the killer: Barbykiller…

Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.

Tristan is about to turn fifteen. He enjoys the good life his parents have built for him. And yet, it won't be long before his environment of protection, affection and comfort crumbles. From then on, he will learn the taste of loneliness, sadness and that survival is often more important than life.