Bud Pollard

参加作品

Jivin in Be-Bop and Beware
Director
Jivin' in Be-Bop: A swinging variety show with Dizzy Gillespie and his all stars. Beware: A fundraising concert is planned to save a small southern college.
Black Shadows on the Silver Screen
Self (archive footage)
Ossie Davis narrates a history of "race films," films made before 1950 which catered to a primarily black audience.
Love Island
Editor
US-Navy pilot Lt. Richard Tabor crash-lands on a south Pacific isle called Love Island in English. Richard befriends the Balinese beauty Sarna. The bad and jealous Jaraka doesn't like their friendship, so he has Sarna's father Aryuna arrested on a vague charge. Jaraka tells Aryuna that he only will be released when his daughter marries him.
Love Island
Director
US-Navy pilot Lt. Richard Tabor crash-lands on a south Pacific isle called Love Island in English. Richard befriends the Balinese beauty Sarna. The bad and jealous Jaraka doesn't like their friendship, so he has Sarna's father Aryuna arrested on a vague charge. Jaraka tells Aryuna that he only will be released when his daughter marries him.
The Road to Hollywood
Producer
Exploitation film-maker Bud Pollard appears on screen to tell us of Bing Crosby's rise to fame, using scenes from four early Crosby shorts to illustrate his fictional biography.
The Road to Hollywood
Director
Exploitation film-maker Bud Pollard appears on screen to tell us of Bing Crosby's rise to fame, using scenes from four early Crosby shorts to illustrate his fictional biography.
Look-Out Sister
Director
A famous bandleader, suffering from overwork and exhaustion, goes to a sanitarium for a rest. While there he dreams of being out west at a dude ranch, where he finds himself involved in the beautiful owner's struggle to keep her ranch from falling into the hands of the villain, who wants either her or her ranch (or, preferably, both).
Beware
Director
Ware College is a small Black college in Ware, Ohio. Once prominent, it is now low in attendance, low in enrollment and low on money; and at a meeting with instructors Drury and Annabelle Brown, Dean Hargreaves reveals that CEO Benjamin Ware III, grandson of the college's founder, claims the estate of his late grandfather is now also destitute, which they believe is untrue and a result of Annabelle's having spurned his affections. They decide to appeal to their famous alumni for financial help thru a reunion, and invitations are sent. Many could help; but surely not Lucius Jordan, a timid lad who loved Annabelle too but dropped out under pressure from Ware. What they don't know is, he's now Louis Jordan, king of swing and leader of the Tympani Band.
Tall, Tan and Terrific
Editor
Professional gambler The Duke (Dots Johnson) attempts to cheat Handsome Harry Hansom (Monte Hawley), who owns a successful Harlem nightclub, out of his club and his contract with his lead singer and girlfriend Tall, Tan, and Terrific (Francine Everett). This leads to a murder that is solved by club comic Mantan Moreland and club photographer Butterbeans (Barbara Bradford). But the plot takes little screen time, most of which is devoted to stage acts at the nightclub.
Tall, Tan and Terrific
Producer
Professional gambler The Duke (Dots Johnson) attempts to cheat Handsome Harry Hansom (Monte Hawley), who owns a successful Harlem nightclub, out of his club and his contract with his lead singer and girlfriend Tall, Tan, and Terrific (Francine Everett). This leads to a murder that is solved by club comic Mantan Moreland and club photographer Butterbeans (Barbara Bradford). But the plot takes little screen time, most of which is devoted to stage acts at the nightclub.
Tall, Tan and Terrific
Director
Professional gambler The Duke (Dots Johnson) attempts to cheat Handsome Harry Hansom (Monte Hawley), who owns a successful Harlem nightclub, out of his club and his contract with his lead singer and girlfriend Tall, Tan, and Terrific (Francine Everett). This leads to a murder that is solved by club comic Mantan Moreland and club photographer Butterbeans (Barbara Bradford). But the plot takes little screen time, most of which is devoted to stage acts at the nightclub.
Big Timers
Director
A wealthy young society man is dating a beautiful young woman who he believes is also in his "class" because of her beautiful, classically trained singing voice. In actuality, she is the daughter of a poor hotel maid, and in order to keep the boyfriend from finding out just how poor the family is, the mother manages to get a fancy room in the hotel to try to convince him that her daughter is "good enough" for him.
Victims of Persecution
Director
Jewish judge, intent on ensuring a black man gets a fair trial, finds himself subject to acts of anti-Semitism and domestic terrorism
Forgotten Men
Director
Producer Samuel Cummins, along with five participants in World War I, discuss the key events of the war as illustrated by an assemblage of battlefield and other documentary footage. This film is not the same as, but seems likely to have either inspired or been inspired by, Norman Lee's British production of the same title (q.v.), apparently released the following year.
The Horror
Writer
A young woman in a creepy old house is terrorized by a killer and an ape-like monster.
The Horror
Director
A young woman in a creepy old house is terrorized by a killer and an ape-like monster.
The Black King
Producer
A confident and unscrupulous minister begins a 'back to Africa' movement, proclaiming himself Emperor of the United States of Africa.
The Black King
Judge
A confident and unscrupulous minister begins a 'back to Africa' movement, proclaiming himself Emperor of the United States of Africa.
The Black King
Director
A confident and unscrupulous minister begins a 'back to Africa' movement, proclaiming himself Emperor of the United States of Africa.
Alice in Wonderland
Director
The first "talking" movie version of "Alice in Wonderland," produced in Fort Lee, New Jersey, in 1931, two years before Paramount's all-star production. Ruth Gilbert stars as Lewis Carroll's heroine in this black and white featurette (running under an hour) directed by Bud Pollard.