Jaywant Pathare

参加作品

Kissi Se Na Kehna
Producer
Kailashpati is a widower, and father of an only son, Ramesh. He feels that his son has come of age, and must get married. He goes to see a number of young ladies for him, but is disappointed with them, as he feels they are too modern, speak English, and listen to foreign music. He feels that Ramesh will be better off marrying a non-English speaking lady, preferably from a small village. But the predicament of Ramesh is that he is already in love with Ramola, a very well qualified, English speaking Doctor, and he knows fully well that she will not be approved by his dad. So Ramesh, Ramola and Lalaji concocts a plot, making Ramola masquerade as a naive, non-English speaking village belle, with hilarious and unpredictable results.
Kissi Se Na Kehna
Director of Photography
Kailashpati is a widower, and father of an only son, Ramesh. He feels that his son has come of age, and must get married. He goes to see a number of young ladies for him, but is disappointed with them, as he feels they are too modern, speak English, and listen to foreign music. He feels that Ramesh will be better off marrying a non-English speaking lady, preferably from a small village. But the predicament of Ramesh is that he is already in love with Ramola, a very well qualified, English speaking Doctor, and he knows fully well that she will not be approved by his dad. So Ramesh, Ramola and Lalaji concocts a plot, making Ramola masquerade as a naive, non-English speaking village belle, with hilarious and unpredictable results.
Rang Birangi
Director of Photography
Sparkling comedy about a meddling friend whose attempt to rekindle the spark in his friend's relationship with his wife of seven years leads to complications to their lives, and to the lives of his secretary and her boyfriend he has not 'scripted' ... Splendid performances by Amol Palekar, Deepti Naval, Parveen Babi and Farooq Shaikh, a perfectly pitched script, witty dialogue and a plethora of aptly placed film references make this a film one can watch over and over and never fail to laugh out loud.
Naram Garam
Director of Photography
Ramprasad is appointed as a house-keeper for Bhavani Shankar Bajpai's ancestral home, won after a hard-fought legal battle. Ramprasad wants to marry Kusum but cannot as he doesn't earn enough or has a decent place to live. Circumstances change and Kusum and her father come and live in the Bhavani Shankar's ancestral home. Bhavani Shankar, his brother and Bhavani Shankar's manager come one by one to evict the trespassers and are infatuated by Kusum. Ramprasad somehow manages to deal with all of them and marries Kusum after assurances to better pay and a nice place to live.
Khubsoorat
Director of Photography
Nirmala Gupta runs her household and family in a very strict and authoritarian manner. While most of her family resents this, they do obey her and carry out her instructions, so as to be on her good side. Things start to change after her second son gets married to Anju. Manju, Anju's sister, comes over to stay for a few days with the Gupta family, and is accepted by everyone except Nirmala. Nirmala's third son intends to marry Manju. But Manju does not like the manner in which his mom bosses everyone, and feels some changes are needed in the Gupta household
Gol Maal
Cinematography
A man's simple lie to secure his job escalates into more complex lies when his orthodox boss becomes suspicious.
Alaap
Director of Photography
Dedicated to the memory of the great singers K. L. Saigal and Mukesh, this charming and unpretentious film offers a palate-cleansing change from the spicy “masala” epics that dominated its era, and features their superstar Amitabh Bachchan in a decidedly offbeat role.
Chupke Chupke
Director of Photography
Mischievous botany professor Parimal Tripathi plays a little trick on his brother-in-law Raghav. Jealous of the high esteem in which his own wife, Sulekha, holds the other man, Parimal decides to impersonate Raghav's new driver. Laying the groundwork for a series of hilarious misunderstandings, the disguised professor throws doubt on his wife's fidelity and gets his best buddy, Sukumar, to help out by impersonating Parimal.
Mili
Director of Photography
Shekhar Dayal (Amitabh Bachhan) has moved into a new neighborhood, and is unhappy with the new surroundings. He resents the noise children make while playing, as he prefers quiet and solitude. His reclusion is shattered when his neighbor, Mili, comes into his life. At first he hates the intrusion, but then grows fond, and ultimately falls in love with her. When the time comes for him to propose to this sunny, cheerful, and positive young lady, he learns that she has only a few more months to live..
Abhimaan
Subeer Kumar (Amitabh) is well on his way to becoming India's top pop singer. He has no intention of getting married, but when he goes to visit his Durga Mausi (Mausi=mother's sister), he falls in love with religious, simple Uma, by whose voice he's enchanted. He marries her and returns to Bombay where he announces that he will never sing without Uma again. However, Subeer encourages Uma to sing alone and when her popularity is soon greater than his own, the seed of jealousy begins to grow... The major difference between Uma and Subeer is that she sings for herself, whereas he sings for the public. It is the difference between geet and sangeet. This is the root of the thing that later causes problems, and based on which the movie is named.
Bawarchi
Director of Photography
Squabbling Sharma family has a dubious reputation of not having any cook last there for more than a few months. Word spreads out about this family to such an extent that no person wants to be employed as a cook in this household, ironically named Shanti Nivas. Then one day a young man named Raghu offers to work as a cook, and he is hired. Raghu quickly gets a grip on his job and on each of the family members, and soon the squabbles and arguments come to an end. And then the Sharmas find the family jewels and Raghu missing
Anand
Director of Photography
Dr. Bhaskar Bannerjee struggles with his patients' suffering and the darkness and poverty he confronts daily. He treats cancer patient Anand who upon learning of his impending death determines to use the time he has left to the absolute fullest.
Guddi
Director of Photography
A teenage girl will not accept her family's attempt to arrange a marriage for her, as her heart is currently too full of love for the movies and heartthrob actor "Dharmendra."
Rootha Na Karo
Director of Photography
Neeta loves Sudhir, but Naina tries to convince her that Sudhir's love is a scam to get her money.
Pyar Ka Sapna
Cinematography
In order to study abroad in Great Britain, Ramesh agrees to marry an illiterate village girl named Sudha, but refuses to love her. Heartbroken, Sudha tries to kill herself, but is rescued by Shankernath, who coaches her etiquette and teaches her English so she can go to England to win back her husband. The plan seems to work perfectly, until Shankernath discovers his own daughter, Jenny, has fallen in love with Ramesh.
Sanjh Aur Savera
Director of Photography
Shankar Chaudhry, a wealthy man gets married to Maya assuming she is the daughter of Ambala-based Advocate Madhusudan. He is shocked to realize that Maya and her brother Prakash have cheated him.
Chhaya
Director of Photography
Young and attractive Sarita Choudhary lives a wealthy lifestyle with her widowed dad, Jagatnarayan in a palatial house with her aunt, Rukmani; cousin, Lalli, and a maid-servant, Manorama Lal. Her dad recruits a tutor, Arun, to teach her essay-writing, and both Arun and Sarita end up falling in love with each other, especially when Sarita finds out that he is really a famous poet by the name of 'Rahee'. But her aunt would like to see her married to her nephew, Ramu alias Romeo, and she has Jagatnarayan recruit him to teach Sarita music. Jagatnarayan himself would like Sarita to get married to the son of a wealthy man, Moti Lal, and openly rejects any alliance with Arun, who comes from a poor family. Watch what happens when Moti Lal gets an anonymous letter informing him that Sarita is not the real daughter of Jagatnarayan, and that her parentage. religion, and caste are unknown.
Mem-didi
Director of Photography
Memdidi tells a simple and endearing story of Mrs. Roy (Memdidi), who moves in as a new neighbor to the two local tough guys, Bahadur Singh (David) and Sher Khan (Jayant), with a heart of gold. Hrishikesh Mukherjee's direction and screenplay makes this movie a gem and worth watching again and again.
Anuradha
Director of Photography
There are moments in our lives when our whole being is put to the test. Our ideals, our ambitions, are forgotten and we crave for escape. Escape into our world of dreams. And such is Anuradha's (Leela Naidu) story. The daughter of a rich man, she has everything she desired, yet she goes on to marry Dr. Nirmal Chowdhary (Balraj Sahni), an idealistic doctor, who wants to serve the poor in the villages of India. Later when she is shown what she is missing by living with this poor doctor, she has to make the choice. The choice of her life or her love.
Ab Dilli Dur Nahin
Director of Photography
Ab Dilli Dur Nahin is a journey of a small boy, Rattan, from his small village to New Delhi in the hope of meeting the Prime Minister of India and plead for his father's release from Prison. Set in 1951, Hariram lives in a small village with his wife Bela and son Rattan. On Diwali night, Bela dies of a snake bite and Hariram's world falls apart and he takes to Alcohol. Unable to pay bills, he threatens the Money Lender. Coincidentally the Money Lender is killed the same night and Hariram is tried and convicted of the crime. Rattan, now alone, gets help from Con-Man Ghasita and a young bunch of street children in his quest to reach New Delhi and free his father.
Awaara
Assistant Camera
A petty thief is put on trial for the attempted murder of a lawyer. Through a series of flashbacks, the intertwining lives of the thief, the lawyer, and the thief's defense lawyer are illustrated.