Jamie Babbit
出生 : 1970-11-16, Shaker Heights, Ohio, USA
略歴
Jamie Babbit (born November 16, 1970) is an American film director, producer and screenwriter. She directed the films But I'm a Cheerleader, The Quiet and Itty Bitty Titty Committee. She has also directed episodes of television programs including Gilmore Girls, Malcolm in the Middle, Nip/Tuck and The L Word. She is involved with film production company POWER UP.
Description above from the Wikipedia article Jamie Babbit, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director
When ordered to serve a year in rehab, actress Candy hires her on-set stand-in to take her place. The unassuming woman flips the script and steals her identity, career and boyfriend in this hilarious comedy about trading places.
Herself
At a pivotal moment for gender equality in Hollywood, successful women directors tell the stories of their art, lives and careers. Having endured a long history of systemic discrimination, women filmmakers may be getting the first glimpse of a future that values their voices equally.
Director
Two co-dependent sisters, a recovering sex addict and a lonely lesbian who work as hotel maids in Fresno, go to ludicrous lengths to cover up an accidental crime.
Director
A naive college student loses a scholarship at the hands of a classmate and makes a pact with a mysterious friend to kill off each other's enemies.
Director
Tale of life, love and the pursuit of happiness... in Cleveland. Nine vignettes about love: an old war hero defends the honor and memory of a long-lost love; a man's past comes to light in the midst of a perfect date; a recently separated paramedic gets more than he bargains for when he is thrust in the middle of a domestic dispute; a desperate man employs his friends in an elaborate scheme to meet the girl of his dreams, a recovering sex addict returns home to start a new life. There are thousands of stories of love, lust, loss and despair all over Cleveland-these are just a few of them.
Executive Producer
“Hooters!” explores lesbian culture, with humor, insight, and artistry, through the collaborative film making process used in Cheryl Dunye’s new seminal film, “The Owls”.
Production Consultant
Two middle-aged lesbian couples accidentally kill a younger girl and decide to cover it up. But their crime comes back to haunt them when an unexpected stranger appears in their lives, bringing tension and discord.
Story
High School grad and all American gal, Anna, finds her purpose and herself after she hooks up with the radical feminists in The Itty Bitty Titty Committee.
Director
High School grad and all American gal, Anna, finds her purpose and herself after she hooks up with the radical feminists in The Itty Bitty Titty Committee.
Self - Director of 'But I'm a Cheerleader'
Kirby Dick's provocative documentary investigates the secretive and inconsistent process by which the Motion Picture Association of America rates films, revealing the organization's underhanded efforts to control culture. Dick questions whether certain studios get preferential treatment and exposes the discrepancies in how the MPAA views sex and violence.
Director
After her widowed father dies, deaf teenager Dot moves in with her godparents, Olivia and Paul Deer. The Deers' daughter, Nina, is openly hostile to Dot, but that does not prevent her from telling her secrets to her silent stepsister, including the fact that she wants to kill her lecherous father.
Director
Two aging lesbians have a heated argument that leads to an unexpected outcome involving a traffic accident deep in the California desert.
Story
Megan is an all-American girl. A cheerleader. She has a boyfriend. But Megan doesn't like kissing her boyfriend very much. And she's pretty touchy with her cheerleader friends. Her conservative parents worry that she must be a lesbian and send her off to "sexual redirection" school, where she must, with other lesbians and gays learn how to be straight.
Director
Megan is an all-American girl. A cheerleader. She has a boyfriend. But Megan doesn't like kissing her boyfriend very much. And she's pretty touchy with her cheerleader friends. Her conservative parents worry that she must be a lesbian and send her off to "sexual redirection" school, where she must, with other lesbians and gays learn how to be straight.
Director
A morgue beautician is trying to get over her ex-girlfriend.
Script Supervisor
大富豪だった父の財産を引き継いだ実業家・ニコラスは、父親が自殺した年齢である48歳の誕生日を迎える。久しぶりに会った弟は誕生日プレゼントとして、CRSという会社の紹介状を渡す。その後、たまたまCRS社のオフィスを見つけたニコラスは軽い気持ちでCRSの提供するゲームに参加することとなったが、その後、次々とニコラスの身の回りで不思議な出来事が起き始める。
Script Supervisor
Claude and Ellen are best friends who live in a not-so-nice area of New York. They're involved in the subculture of 90s youth, complete with drugs, live music, and homophobia. All is changed one night when a violent and meaningless death rocks their lives.
Script Supervisor
A powerful, intimate portrait of three women living in the same house during different eras who all face unplanned pregnancies. The vignettes follow a recently widowed nurse struggling to take control of her life in the early 50s, a mother of four balancing raising a family and maintaining a career in the 70s, and a student making a difficult decision with the help of one woman that will change the course of both their lives in the 90s.
Director
A granola-cruncher, too Earth-conscious to swat away a fly that lands on his cheek, bicycles to the countryside. He aims to celebrate the titular creature's mating season and protect its path across a country road. Unfortunately, other humans driving by aren't quite so respectful of nature’s dignity or his. Ari Gold co-wrote and co-directed with Jamie Babbit.
Julie
Imagine a treacly high-school docudrama about acceptance, cliques, and the secret shames of peer pressure. Now imagine it set in a world where all anyone cares about is plumbing, and the ultimate social crime is to cast a longing glance at a box of electrical supplies.
Director
Jamie Babbit's student film.