Michael Haneke
出生 : 1942-03-23, Munich, Bavaria, Germany
略歴
Michael Haneke (born 23 March 1942) is a German-Austrian filmmaker and writer best known for his bleak and disturbing style. His films often document problems and failures in modern society. Haneke has worked in television‚ theatre and cinema. He is also known for raising social issues in his work. Besides working as filmmaker he also teaches directing at the Filmacademy Vienna. At the 2009 Cannes Film Festival, his film The White Ribbon won the Palme d'Or for best film, and at the 67th Golden Globe Awards the film won the Golden Globe Award for Best Foreign Language Film. He has made films in French, German and English.
Description above from the Wikipedia article Michael Haneke, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Thanks
In a near-future Boston, an amateur stand up comedian with memory problems struggles to maintain his sobriety as he falls for his transgender best friend. After she rejects his affection, he hears of a company that can give him another chance with her. Introducing NuYou: a business that creates human clones for the modern day consumer.
Self
Features interviews with two-time Palme d'Or winner Michael Haneke and his key collaborators, alongside excerpts from his films.
Self (archive footage)
A portrait of a man of rare elegance and enigmatic charm, versatile and successful: Jean-Louis Trintignant, one of the most critically acclaimed French actors of the last sixty years, known for his numerous roles on stage and screen.
Himself
This historical and analytical documentary draws attention to the background of the roots of "New Austrian Cinema" and presents Austria as a film country to be taken seriously.
The audience gets to see rare early works by well-known filmmakers as well as shots of landscapes that served as a source of inspiration and locations that have produced important Austrian films since the end of the 19th century.
Self
Director Hüseyin Tabak explores the legacy of Yilmaz Güney — political dissident, convicted murderer, and visionary Kurdish filmmaker — who directed the 1982 Palme d'Or–winning Yol from inside prison and died in exile just two years later.
Writer
A well-to-do French family living in Calais deal with a series of setbacks and crises while paying little attention to the grim conditions in the refugee camps within a few miles of their home.
Director
A well-to-do French family living in Calais deal with a series of setbacks and crises while paying little attention to the grim conditions in the refugee camps within a few miles of their home.
Self
French Cinema Mon Amour is an ensemble film in which each contributor brings their own voice, their own particular approach, their culture, and their language to produce a portrait of French cinema.
Thanks
森と畑に囲まれた田舎の一軒家で母親の帰りを待つ9歳の双子の兄弟。ところが、帰ってきた母親は顔の整形手術を受けており、頭部が包帯でぐるぐる巻きになっていた。さらに性格まで別人のように冷たくなってしまい、兄弟は本当に自分たちの母親なのか疑いを抱くように。そして正体を暴くべく彼女を試しはじめるが、その行為は次第にエスカレートしていく。
Self
In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, left Stockholm and went to live there. When he died, the house was preserved. A group of very special cinephiles, came from all over the world, travel to Fårö in search of the genius and his legacy. (An abridged version of Bergmans video, 2012.)
Director
Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all. The Academy Award-winning director Michael Haneke once said that he was merely being precise and did not want to distort reality. In only his second opera production after Don Giovanni in 2006, he presents what ARTE described as a “disillusioned vision of love in an ice-cold, realistic interpretation”.
Self
Over the past twenty-five years, director Michael Haneke has established himself as a towering figure in modern cinema whose rigorous focus on the craft of filmmaking has produced works of profound artistry. This career-spanning documentary gives unprecedented access and covers the body of Haneke’s work, offering insight into his creative process through on-set footage and interviews with the man himself and collaborators including Emmanuelle Riva, Isabelle Huppert and Juliette Binoche.
Screenplay
パリ在住の80代の夫婦、ジョルジュとアンヌ。共に音楽教師で、娘はミュージシャンとして活躍と、充実した日々を送っていた。ある日、教え子が開くコンサートに出向いた2人だが、そこでアンヌが病で倒れてしまう。病院に緊急搬送され、かろうじて死だけは免れたものの、半身まひという重い後遺症が残ってしまう。家に帰りたいというアンヌの強い願いから、自宅で彼女の介護を始めるジョルジュ。しかし、少しずつアンヌの症状は悪化していき、ついに死を選びたいと考えるようになり……。
Director
パリ在住の80代の夫婦、ジョルジュとアンヌ。共に音楽教師で、娘はミュージシャンとして活躍と、充実した日々を送っていた。ある日、教え子が開くコンサートに出向いた2人だが、そこでアンヌが病で倒れてしまう。病院に緊急搬送され、かろうじて死だけは免れたものの、半身まひという重い後遺症が残ってしまう。家に帰りたいというアンヌの強い願いから、自宅で彼女の介護を始めるジョルジュ。しかし、少しずつアンヌの症状は悪化していき、ついに死を選びたいと考えるようになり……。
Self
In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, left Stockholm and went to live there. When he died, the house was preserved. A group of very special cinephiles, came from all over the world, travel to Fårö in search of the genius and his legacy. (Released in 2013, edited and abridged, as Trespassing Bergman.)
Self
Self
His new film "The White Ribbon" received the Palme d'or at Cannes this year. Felix and Gero von Boehm have accompanied the German and French film director for several months and were able for the first time watch him exclusively in work and in private. An interesting insight into one of the worlds most notable modern directors.
Story
第一次世界大戦前夜のドイツ北部。プロテスタントの教えを信じる村人たちに、不可解な事故が次々と襲い掛かる。小さな村は不穏な空気に包まれ、村人は疑心暗鬼に陥り、子どもたちは苦悩を感じ始めていた。
Screenplay
第一次世界大戦前夜のドイツ北部。プロテスタントの教えを信じる村人たちに、不可解な事故が次々と襲い掛かる。小さな村は不穏な空気に包まれ、村人は疑心暗鬼に陥り、子どもたちは苦悩を感じ始めていた。
Director
第一次世界大戦前夜のドイツ北部。プロテスタントの教えを信じる村人たちに、不可解な事故が次々と襲い掛かる。小さな村は不穏な空気に包まれ、村人は疑心暗鬼に陥り、子どもたちは苦悩を感じ始めていた。
himself
Screenplay
When Ann, husband George, and son Georgie arrive at their holiday home they are visited by a pair of polite and seemingly pleasant young men. Armed with deceptively sweet smiles and some golf clubs, they proceed to terrorize and torture the tight-knit clan, giving them until the next day to survive.
Director
When Ann, husband George, and son Georgie arrive at their holiday home they are visited by a pair of polite and seemingly pleasant young men. Armed with deceptively sweet smiles and some golf clubs, they proceed to terrorize and torture the tight-knit clan, giving them until the next day to survive.
Screenplay
A married couple is terrorized by a series of videotapes planted on their front porch.
Director
A married couple is terrorized by a series of videotapes planted on their front porch.
Self
A portrait of a dedicated filmmaker who is a charming yet elusive figure in thrall to cinema and the constant perfection of his craft.
Screenplay
When Anna and her family arrive at their holiday home, they find it occupied by strangers. This confrontation is just the beginning of a painful learning process.
Director
When Anna and her family arrive at their holiday home, they find it occupied by strangers. This confrontation is just the beginning of a painful learning process.
Screenplay
Erika Kohut, a sexually repressed piano teacher living with her domineering mother, meets a young man who starts romantically pursuing her.
Director
Erika Kohut, a sexually repressed piano teacher living with her domineering mother, meets a young man who starts romantically pursuing her.
Screenplay
A series of events unfold like a chain reaction, all stemming from a minor event that brings the film's five characters together. Set in Paris, France, Anne is an actress whose boyfriend Georges photographs the war in Kosovo. Georges' brother, Jean, is looking for the entry code to Georges' apartment. These characters' lives interconnect with a Romanian immigrant and a deaf teacher.
Director
A series of events unfold like a chain reaction, all stemming from a minor event that brings the film's five characters together. Set in Paris, France, Anne is an actress whose boyfriend Georges photographs the war in Kosovo. Georges' brother, Jean, is looking for the entry code to Georges' apartment. These characters' lives interconnect with a Romanian immigrant and a deaf teacher.
Interviewee
A making-of documentary featuring interviews with director Michael Haneke, actor Juliette Binoche, and producer Marin Karmitz, as well as on-set footage of cast and crew of "Code Unknown".
Screenplay
ある夏の午後、ショーバー一家は休暇を過ごすためにレンジローバーでクラシック音楽のクイズをしながら別荘に向かっていた。途中、隣人のベーリンガーと挨拶をかわす。そこには白いシャツと白いズボン、白い手袋を身に着けた2人組の見知らぬ男たちがいた。
別荘につくと妻アンナは夕食の支度に取りかかり、夫ゲオルクと息子は明日のセーリングの準備をはじめる。そこに、ベーリンガーの所にいた2人組の男のうちの1人が、卵がなくなったので譲ってほしいとアンナに話しかけてきた。
アンナはそれを受け入れて卵を渡すが、男は2度も落として割ってしまう。そして3度目の訪問時、態度を見かねたゲオルグに平手打ちを食わされた途端に男の態度は豹変し、近くにあったゴルフクラブでゲオルクの脚を殴りつけ、一家全員をソファーに縛り付ける。2人は悪びれた態度を微塵も見せず、くつろぐように家を占領し続けた。
夜になると、2人は一家に「明日の朝まで君たちが生きていられるか賭けをしないか?」と持ち掛ける。
こうして、残酷でおぞましいゲームの幕開けが告げられた。
Director
ある夏の午後、ショーバー一家は休暇を過ごすためにレンジローバーでクラシック音楽のクイズをしながら別荘に向かっていた。途中、隣人のベーリンガーと挨拶をかわす。そこには白いシャツと白いズボン、白い手袋を身に着けた2人組の見知らぬ男たちがいた。
別荘につくと妻アンナは夕食の支度に取りかかり、夫ゲオルクと息子は明日のセーリングの準備をはじめる。そこに、ベーリンガーの所にいた2人組の男のうちの1人が、卵がなくなったので譲ってほしいとアンナに話しかけてきた。
アンナはそれを受け入れて卵を渡すが、男は2度も落として割ってしまう。そして3度目の訪問時、態度を見かねたゲオルグに平手打ちを食わされた途端に男の態度は豹変し、近くにあったゴルフクラブでゲオルクの脚を殴りつけ、一家全員をソファーに縛り付ける。2人は悪びれた態度を微塵も見せず、くつろぐように家を占領し続けた。
夜になると、2人は一家に「明日の朝まで君たちが生きていられるか賭けをしないか?」と持ち掛ける。
こうして、残酷でおぞましいゲームの幕開けが告げられた。
Writer
Michael Haneke's adaptation of Franz Kafka's unfinished novel Das Schloss. K arrives in a remote village a stranger. In attempting to establish himself there, he enters the nightmarish world of the castle bureaucracy.
Director
Michael Haneke's adaptation of Franz Kafka's unfinished novel Das Schloss. K arrives in a remote village a stranger. In attempting to establish himself there, he enters the nightmarish world of the castle bureaucracy.
Humourous interpretation of the poems and writings of Soviet dadaist Daniil Charms. These are organized into a sequence, suggesting a storyline, about a poor Russian poet who lives in Vienna, falls in love and has several bizarre adventures.
Director
40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.
Screenplay
Georg, who is happy with his job as a scientist, with his loving wife and with his three children, hears one day that an accident has happened in a chemical plant nearby. All of a sudden, he finds himself face to face with one of the victims. The man, whose face has been eaten away by the sour gas that escaped from the plant, is staring at him in despair. Does Georg really see the man or is this a mere hallucination? Is he becoming insane or is he more alert to the dangers of the world than the common man?
Writer
71 scenes revolving around multiple Viennese residents who are by chance involved with a senseless gun slaughter on Christmas Eve.
Director
71 scenes revolving around multiple Viennese residents who are by chance involved with a senseless gun slaughter on Christmas Eve.
Writer
The disabled ex-soldier Andreas Pum lost a leg for emperor and father land. After leaving the army he receives a license and a drehorgel. One day he gets into a controversy with a welldressed gentleman, disturbs the public order, and hits a policeman. Andreas Pum goes to jail, loses his license and becomes toilet guard in the Cafe Halali after his release. Only at the moment of death he recognizes that he was always too decent and too obedient.
Director
The disabled ex-soldier Andreas Pum lost a leg for emperor and father land. After leaving the army he receives a license and a drehorgel. One day he gets into a controversy with a welldressed gentleman, disturbs the public order, and hits a policeman. Andreas Pum goes to jail, loses his license and becomes toilet guard in the Cafe Halali after his release. Only at the moment of death he recognizes that he was always too decent and too obedient.
Screenplay
A 14-year-old video enthusiast obsessed with violent films decides to make one of his own and show it to his parents, with tragic results.
Director
A 14-year-old video enthusiast obsessed with violent films decides to make one of his own and show it to his parents, with tragic results.
Writer
Autumn 1990, a young Austrian goes to a party held by some of his friends and provokes a hideous bloodbath. As a reflection of daily reality and its crass representation of the horror of this extreme crime, Michael Haneke has composed an experimental collage of material gathered from one day of ORF (Austrian TV) broadcasting, using each part in proportion to the time allocated to it in the programme schedule.
Director
Autumn 1990, a young Austrian goes to a party held by some of his friends and provokes a hideous bloodbath. As a reflection of daily reality and its crass representation of the horror of this extreme crime, Michael Haneke has composed an experimental collage of material gathered from one day of ORF (Austrian TV) broadcasting, using each part in proportion to the time allocated to it in the programme schedule.
Screenplay
Chronicles three years of a middle class family seemingly caught up in their daily routines, only troubled by minor incidents. Behind their apparent calm and repetitive existence however, they are actually planning something sinister.
Director
Chronicles three years of a middle class family seemingly caught up in their daily routines, only troubled by minor incidents. Behind their apparent calm and repetitive existence however, they are actually planning something sinister.
Dialogue
Josef "Schmutz" (german for "dirt"), a security guard obsessed with duty and cleanliness, is given the task of guarding a decommissioned industrial plant. While maintaining his devotion to the authority of property right, the self-proclaimed "Representative of Ownership" is himself slowly losing his sense of reality.
Writer
A German woman and a former French prisoner of war live in 1950s Germany. Instead of playing a role in rebuilding her country, the heroine remains preoccupied with her personal affairs.
Director
A German woman and a former French prisoner of war live in 1950s Germany. Instead of playing a role in rebuilding her country, the heroine remains preoccupied with her personal affairs.
Director
A nihilistic art student meets the mysterious Edgar Allen at a coffee shop in Venice. The fascination for the older man soon turns into paranoia.
Writer
The emotional story of an adulterous relationship between a journalist and a teacher.
Director
The emotional story of an adulterous relationship between a journalist and a teacher.
Writer
This two-part drama examines the fate of Haneke’s own generation which came of age after World War II. The first part depicts the generational gap between 1950s teenagers and their parents while the second shows this same group of characters twenty years later as they have grown up to be dysfunctional and suicidal adults. Regarded as the most significant of Haneke’s early works, Lemmings contains incipient treatments of many of the themes he would later elaborate on in his theatrical features.
Director
This two-part drama examines the fate of Haneke’s own generation which came of age after World War II. The first part depicts the generational gap between 1950s teenagers and their parents while the second shows this same group of characters twenty years later as they have grown up to be dysfunctional and suicidal adults. Regarded as the most significant of Haneke’s early works, Lemmings contains incipient treatments of many of the themes he would later elaborate on in his theatrical features.
Writer
This two-part drama examines the fate of Haneke’s own generation which came of age after World War II. The first part depicts the generational gap between 1950s teenagers and their parents while the second shows this same group of characters twenty years later as they have grown up to be dysfunctional and suicidal adults. Regarded as the most significant of Haneke’s early works, Lemmings contains incipient treatments of many of the themes he would later elaborate on in his theatrical features.
Director
This two-part drama examines the fate of Haneke’s own generation which came of age after World War II. The first part depicts the generational gap between 1950s teenagers and their parents while the second shows this same group of characters twenty years later as they have grown up to be dysfunctional and suicidal adults. Regarded as the most significant of Haneke’s early works, Lemmings contains incipient treatments of many of the themes he would later elaborate on in his theatrical features.
Screenplay
Elisabeth, a forty year old woman, visits her old father in the outskirts of Klagenfurt. There, she reflects about her childhood and her romantic life.
Director
Elisabeth, a forty year old woman, visits her old father in the outskirts of Klagenfurt. There, she reflects about her childhood and her romantic life.
Director
The second telefilm directed by Michael Haneke.
Writer
An encounter exploring how people can fail to communicate even when they are talking by either not saying anything, not listening or simply evading.
Director
An encounter exploring how people can fail to communicate even when they are talking by either not saying anything, not listening or simply evading.
