Unit Production Manager
Michael has a great job, has his 4 best friends, and is in love with a beautiful girl at 30. He loves Jenna but his life seems predictable until someone else enters his life. It seems that everybody's having relationship problems.
Unit Production Manager
Four young men who belong to a supernatural legacy are forced to battle a fifth power long thought to have died out. Another great force they must contend with is the jealousy and suspicion that threatens to tear them apart.
Line Producer
Four young men who belong to a supernatural legacy are forced to battle a fifth power long thought to have died out. Another great force they must contend with is the jealousy and suspicion that threatens to tear them apart.
Production Manager
マシューがリサに初めて会った瞬間から、それは彼の強迫観念になります。 彼女は店の窓の前を通り、シカゴのウィッカーパーク周辺で働いています。彼は夢中になります。 彼女は彼に従い、彼らは出会い、すぐに恋に落ちます。 彼らの関係のすべては、ある日彼女が跡形もなく姿を消すまで完璧です。
Unit Production Manager
スティーブンキング小説に基づいたスリラー。 デップは悪い時代を経験している作家です。創造的な干ばつは、彼の妻 からの分離のプロセスによって悪化します。 このような状況では、奇妙なキャラクターが彼の人生の中で登場し、彼が彼の物語の1つを盗用したと非難します。
Line Producer
Neil Lawrence is sent to a boarding school by his father. During the first days he meets T.J. who he falls in love with. After being assigned a paper on Holden Caulfield - the main character in J.D. Salinger's "The Catcher in the Rye" - Neil decides to go on a journey to meet Salinger, who he feels has played a huge role in his life. Neil & T.J. take off on a journey to New York City. A journey that leads to more then they both ever could have imagined - and changes both their lives forever.
Line Producer
美女ジョアナの殺人現場を目撃した英国のスパイ。殺人を重ねながら逃亡するジョアナを追う彼は次第に彼女の魅力の虜になっていく……。ユアン・マクレガー、アシュレイ・ジャッド共演のサスペンス。
Associate Producer
Based on a true story. Annie Nolan is saved from domestic violence by Officer Craig Mitchell. Craig wants to be with Annie, and manipulates her into falling in love with him. He then persuades her to kill his wife, Wendy so that he does not have to go through the inconveniences of a divorce.
Production Manager
William McNamara plays a young man who was given away by his mother at birth, seeking revenge on her for abandoning him.
Production Manager
Catherine, a concert pianist, is surprised one night by the arrival of her best friend from childhood, Marie-Alexandrine (Max), whom she hasn't seen for 25 years. Catherine and Max were Québec's most promising young pianists in the mid-1960's when the adventurous Max gets pregnant. She wants to keep the child, but her mother forces her to give him up for adoption; afterwards, Max leaves Québec and music. Now, years later, she returns, obsessed with finding her son. She locates the adoption records, and social services contacts her son to ask if he wants to see her. He refuses, but she keeps trying. Is a relationship with him possible? And what about her musical talent?
