Bruce Wagner

Carlos Castaneda (1925–1998) has been called the “godfather” of the human potential movement. In this film, Castaneda’s closest apprentices—in addition to contemporary practitioners of spiritually-oriented psychology—discuss his quest to become real.

Rick is a screenwriter living in Los Angeles. While successful in his career, his life feels empty. Haunted and confused, he finds temporary solace in the decadent Hollywood excess that defines his existence. Women provide a distraction to his daily pain, and every encounter brings him closer to finding his place in the world.

セレブを相手にしているセラピストの父ワイス、ステージママの母クリスティーナ、人気子役の息子ベンジーから成るワイス家は、誰もがうらやむ典型的なハリウッドのセレブ一家。しかし、ワイスの患者で落ち目の女優ハバナが、ある問題を起こして施設に入所していたワイス家の長女アガサを個人秘書として雇ったことで、一家が秘密にしてきたことが白日の下にさらされる。

Riffing on the topics covered in his brilliant "best selling, award winning" 1996 book My Dark Places, Ellroy takes us on a tour of his hometown both past and present in this short, entertaining film.

Three women in Hollywood talk to the camera one summer (with a coda six months later). Sara is a casting director; her soliloquies are addressed to Samson (her blind infant son) and to Holly Hunter. She talks about her husband's refusal to touch their son and her discovery of his affair. Gina is a masseuse - blithe, solipsistic, scheming to steal the energy of Hollywood players. She frequently refers to her dead sister Wanda, kidnaped by their father. Phyllis, sexually abused by her father when a teen, addresses her son Eric. She's a producer, working on remaking Pasolini's "Teorema." As the project falls apart, so does she. All three hum or sing, "You made me love you."

Three women in Hollywood talk to the camera one summer (with a coda six months later). Sara is a casting director; her soliloquies are addressed to Samson (her blind infant son) and to Holly Hunter. She talks about her husband's refusal to touch their son and her discovery of his affair. Gina is a masseuse - blithe, solipsistic, scheming to steal the energy of Hollywood players. She frequently refers to her dead sister Wanda, kidnaped by their father. Phyllis, sexually abused by her father when a teen, addresses her son Eric. She's a producer, working on remaking Pasolini's "Teorema." As the project falls apart, so does she. All three hum or sing, "You made me love you."

Three women in Hollywood talk to the camera one summer (with a coda six months later). Sara is a casting director; her soliloquies are addressed to Samson (her blind infant son) and to Holly Hunter. She talks about her husband's refusal to touch their son and her discovery of his affair. Gina is a masseuse - blithe, solipsistic, scheming to steal the energy of Hollywood players. She frequently refers to her dead sister Wanda, kidnaped by their father. Phyllis, sexually abused by her father when a teen, addresses her son Eric. She's a producer, working on remaking Pasolini's "Teorema." As the project falls apart, so does she. All three hum or sing, "You made me love you."

A wealthy businessman Perry Krohn attempts to juggle the needs of his dedicated wife, demanding mistress and grown children while facing his own certain death from lung cancer.

A wealthy businessman Perry Krohn attempts to juggle the needs of his dedicated wife, demanding mistress and grown children while facing his own certain death from lung cancer.

A wealthy businessman Perry Krohn attempts to juggle the needs of his dedicated wife, demanding mistress and grown children while facing his own certain death from lung cancer.

In a distant future New York medical student Driscoll Rampart accomplishes his internship at Rusta, a rural planet that doesn't revolve around its axis and therefore is divided into contrasting halves of eternal day vs. eternal night. One is a Victorian-styled colony, the other a medieval kingdom. Both leave Rampart in a state of constant wonder, as he finds his way among humans and aliens, strange dreams and even stranger reality, a dark keep and a red sea, and more universal matters of war and peace, good and bad, love and hate and sickness and health.

In a distant future New York medical student Driscoll Rampart accomplishes his internship at Rusta, a rural planet that doesn't revolve around its axis and therefore is divided into contrasting halves of eternal day vs. eternal night. One is a Victorian-styled colony, the other a medieval kingdom. Both leave Rampart in a state of constant wonder, as he finds his way among humans and aliens, strange dreams and even stranger reality, a dark keep and a red sea, and more universal matters of war and peace, good and bad, love and hate and sickness and health.

After being sent to the electric chair, a serial killer uses electricity to come back from the dead and carry out his vengeance on the football player who turned him in to the police.

The widow's houseboy and the divorcee's chauffeur bet on which will bed the other's employer first.

The widow's houseboy and the divorcee's chauffeur bet on which will bed the other's employer first.

The widow's houseboy and the divorcee's chauffeur bet on which will bed the other's employer first.

The widow's houseboy and the divorcee's chauffeur bet on which will bed the other's employer first.

A bookshop clerk starts seeing the disfigured killer from her favorite 1950s pulp novels come to life and start killing people around her.

"Police Academy" clone, about some nerds who inherit an academy for morticians, which is run by a corrupt closet necropheliac. Of course, the most incompetent students possible are accepted, so that the academy will fail, and all sorts of wacky hijinks ensue.

It's been many years since Freddy Krueger's first victim, Nancy, came face-to-face with Freddy and his sadistic, evil ways. Now, Nancy's all grown up; she's put her frightening nightmares behind her and is helping teens cope with their dreams. Too bad Freddy's decided to herald his return by invading the kids' dreams and scaring them into committing suicide.

It's been many years since Freddy Krueger's first victim, Nancy, came face-to-face with Freddy and his sadistic, evil ways. Now, Nancy's all grown up; she's put her frightening nightmares behind her and is helping teens cope with their dreams. Too bad Freddy's decided to herald his return by invading the kids' dreams and scaring them into committing suicide.

An aspiring teenage cartoonist and his friends come to the aid of a singer trying to save her family property from developers.

In this comic take on big-business wheelings and dealings, an ambitious senator's son (Judge Reinhold) moves up the corporate ladder through undeserved promotions. But against his better judgment, he falls for a woman (the chairman's daughter, no less) who's leading a protest against the company's shady business practices. "Saturday Night Live" writer-performer Michael O'Donoghue scripted this satire co-starring Danny DeVito and Jane Seymour.

A soap opera parody along the lines of Young Doctors in Love (1982).

"Mother Tongue" is the story of a high-profile relationship between an Academy Award-winning actress (Josie Ho) and her much-younger partner, who has yet to find his true career path. The actress had a baby when she was very young, a daughter whom she was forced to give away because she wasn't financially independent and wanted her little girl to have a better life. But now that she's older, she realizes that it's time to find her long-lost daughter, now in her twenties, and hires a detective to find her. The mystery of what happened to her provides the film's drama and tension; also, the actress' partner doesn't know about her search--and the urgency and distraction of the search begins to erode their relationship, until he suspects that she's having an affair. By the end, the actress reunites with her daughter and salvages her marriage.