Isabelle Adjani

逃亡生活に疲れ、引退を決意したプロの泥棒。頼れる相棒、そして新しく仲間に迎えたタフなドライバーとともに、最後に引き受けた簡単な仕事に挑むが...。

Returning to Paris, a man moves through memories of his past and surreal fragments of the present, searching for connection with his estranged father. On his journey, he meets a French-Algerian woman. As their intimacy grows, he is confronted with his shame and fears while exploring his lost Arab identity… Behind Paris is Algiers.

Adrien, an attractive dancer whose career was shattered by a motorbike accident, wastes his youth in the laziness of the French Riviera, where he is looked after by Martha, a former movie star. Adrien’s life is turned upside down when he meets Margot, a captivating beauty who lives for the thrill of scams and romantic entanglements. Together, they fantasise about a better life and set up a diabolical scheme, an emotional masquerade.

Peter von Kant, a successful, famous director, lives with his assistant Karl, whom he likes to mistreat and humiliate. Through the great actress Sidonie, he meets and falls in love with Amir, a handsome young man of modest means. He offers to share his apartment and help Amir break into the world of cinema. Several months later, Amir becomes a star. But as soon as he acquires fame, he breaks up with Peter, leaving him alone to face himself.

In May 1974, Valéry Giscard d'Estaing became President of the Republic and wanted to bring about a new era of modernity. One of his first decisions was to break up the ORTF with the creation of three new television channels: TF1, Antenne 2 and FR3. Three new public channels but autonomous and competing. It is a race for the audience which is engaged then, and from now on the channels will make the war! This competition will give birth to a real golden age for television programs, with variety shows in the forefront. The stars of the song are going to invade the living rooms of the French for their biggest pleasure. This unedited documentary tells the story of the metamorphosis of this television of the early 1970s, between freedom of tone, scandals, political intrigues and programs that have become mythical.

For thirty years, French-Algerian sisters Zorah, Nohra and Djamila have been living in the hope of finding their brother Rheda, abducted by their father, and hidden in newly decolonised Algeria. Their relationship is shaken when Zorah, the eldest sister, decides to write a play based on the traumatising events of their childhood that haunted them their whole life. But when they learn that their father is dying, the three sisters decide to go to Algeria to seize their last opportunity to have him reveal where their brother is. When the past catches up, the three sisters have no choice but to put their differences aside.

A walk through the career of French filmmaker André Téchiné, from his own point of view and that of those who worked with him: Catherine Deneuve, Daniel Auteuil, Emmanuelle Béart, Juliette Binoche and Sandrine Kiberlain, among others.

An intimate portrait, in his own words, of the Indian writer Salman Rushdie, author of The Satanic Verses (1988), thirty years after the fatwa uttered by the Iranian Ayatollah Khomeini: his youth in multicultural Bombay, his life in England, his many years of forced hiding, his thoughts on President Trump's United States of America.

To escape his life of crime, a Paris drug dealer takes on one last job involving Spain, unhinged gangsters, his longtime crush and his scheming mother.

Isabelle Adjani is Carole Matthieu – a workplace physician employed in a call centre who has become emotionally involved in the suffering of her humiliated co-workers.

Isabelle Adjani is Carole Matthieu – a workplace physician employed in a call centre who has become emotionally involved in the suffering of her humiliated co-workers.

A story about 11 girls living in Paris. Each of them has its own problems: career, love life, children. Every girl has their complexes and virtues. They always look elegant, hiding their inner feelings. Will they reach all the goals and overcome all their difficulties?

The story of the gold-plated statuette that became the film industry's most coveted prize, AND THE OSCAR GOES TO... traces the history of the Academy itself, which began in 1927 when Louis B. Mayer, then head of MGM, led other prominent members of the industry in forming this professional honorary organization. Two years later the Academy began bestowing awards, which were nicknamed "Oscar," and quickly came to represent the pinnacle of cinematic achievement.

Akash nd Ishkq meet on a train from Rome to Paris and spend a romantic evening in the city.

Documentary that retraces Isabelle Adjani's life and career.

David is an occupational therapist who has recently arrived at a clinic for wealthy patients. One morning, he is entrusted with Madame Hansen-Bergmann, a wealthy woman suffering from transient amnesia and post-traumatic stress , with the mission of taking her to the nearby village to buy a new pair of shoes. Against his will, he embarks with her on a breathtaking chase during which he discovers the past life of his patient and the origins of the illness from which she suffers.

The naked floodgates burst open in the Saucy 70s and the 80s continued the trend. Welcome to the 80s, Jerry Falwell, Reagan conservatism, VCRs, pay tv, big hair and AIDS. Drive-ins and grindhouses were replaced by multiplex theaters, but the VCR and Pay TV came to the rescue with a flood of direct to video sexy features. Remember trying to watch scrambled Pay TV looking for some skin?

Following a series of unsolved robberies, the authorities decide to give carte blanche to commander Clara Damico to neutralize a particularly organized gang. Manual Makarov, a well-known figure in organized crime, is currently serving a sentence of twelve years in prison. Commander Damico promises him freedom in exchange for his cooperation. He refuses. There is no other solution, she is obliged to compel him by force.

Serge Pilardosse has just turned 60. He has worked since the age of 16, never unemployed, never sick. But the hour of retirement has come, and it is disillusionment: he is missing points, some employers having forgotten to declare it! Pushed by Catherine, his wife, he gets on his old motorcycle from the 70s, a "Mammut" which earned him his nickname, and sets off in search of his pay slips. During his journey, he rediscovers his past and his quest for administrative documents soon becomes incidental...

A troubled and emotionally fragile woman finds herself at the center of a firestorm, in this gut-wrenching psychological drama.

A collective film of 33 shorts directed by different directors about their feeling about cinema.

Documentary featuring footage from six decades of Cannes Film Festivals.

Paris, 1960s. Momo, a resolute and independent Jewish teenager who lives with his father, a sullen and depressed man, in a working-class neighborhood, develops a close friendship with Monsieur Ibrahim, an elderly Muslim who owns a small grocery store.

On the eve of World War II four Parisians cope with the impending invasion of their city by German forces. While the French government braces for impact, the intersected lives of a young writer, a vain movie star, a French politician and a young scientist are examined as they attempt to deal with war and evade German spies.

In the nineteenth century, Adolphe, a young man of twenty four carefree years, plans to obtain favors Ellenore, a beautiful woman of thirty years, much more vulnerable. This yields to his advances and he disclaims all. But already, Adolphe loves less. Yet the idea of ​​the pain is unbearable.

A mysterious woman, dressed in black and carrying a small suitcase, arrives in Nice and tries in vain to get a job in a luxury goods shop. She ends up in a plush hotel where a solitary middle-aged man, engages her to be his companion. They introduce themselves - she is Charlotte, he is Paul. Both are reluctant to talk about their past; both need someone to make their present predicament more tolerable. Unbeknownst to either of them, Charlotte is being followed by another man, who seems intent on revenge...

全寮制の聖アンセルム男子校。野心家の理事長ガイ・ブランは、生まれつき心臓の弱い学校長の妻ミアと結婚したおかげでその地位と財産を手に入れた男。そのうえ教師の一人、ニコルと、公然の愛人関係にあった。ニコルはガイとのセックスに溺れる一方で、ガイの酷い仕打ちからミアを常に庇っていた。ある嵐の夜、浴室で心臓発作を起こして倒れたミアをガイは冷たく置き去りにした... 。

Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made. Also a line of movie stars comes to visit him giving him back the pleasure of life - but amongst them there are also some young students only striving after his money for the realization of their film projects. The two stories - Monsieur Cinema's and the young people's life - are told in parallel until they come together in the end when the old man plays a role in the film made by the students.

16世紀フランス、摂政のカトリーヌは対立するカトリックとプロテスタントを和解させるため、娘マルゴを政略結婚させる。文豪デュマ原作の小説をパトリス・シェローが監督した歴史大作。

In this erstwhile comedy, Penelope (Isabelle Adjani) is already sufficiently unsettled by the fact that she is no longer a top model, and must cast around for another occupation. When her boyfriend leaves her, she becomes quite hysterical, conjuring up schemes for revenge, contemplating suicide, and so on. These dramatics eventually exasperate her best friend Sophie (Clementine Celarie) so much that she contemplates killing Penelope, her ex-boyfriend, or the two of them together, just to stop the whining.

The life of the Tibetan people, forty years after the Chinese invasion. Filmed in Amdo and Kham, regions forgotten by the world and absolutely forbidden to filmmakers and journalists until now, this is an exceptional document on the most mysterious civilization of humanity, now threatened with death.

近代彫刻の巨匠、ロダンの弟子であり愛人だった若き女性、カミーユ・クローデルの半生を描いた作品。愛と情熱にその身を捧げた挙げ句、精神のバランスが崩壊していくヒロインを、イザベル・アジャーニが熱演。

近代彫刻の巨匠、ロダンの弟子であり愛人だった若き女性、カミーユ・クローデルの半生を描いた作品。愛と情熱にその身を捧げた挙げ句、精神のバランスが崩壊していくヒロインを、イザベル・アジャーニが熱演。

Two terrible lounge singers get booked to play a gig in a Moroccan hotel but somehow become pawns in an international power play between the CIA, the Emir of Ishtar, and the rebels trying to overthrow his regime.

Short directed by Agnès Varda in 1986 on the occasion of the 50th anniversary of the French Cinematheque.

ある企業から重要書類を盗み出した男。彼は追っ手を逃れ、パリの地下に網の目のように拡がる地下道に紛れ込む。そこには地上とは異なる、別の世界があった……。近未来を舞台に、パリ地下水道をエキセントリックに描き出したＳＦアドヴェンチャー。ランベールとアジャーニの無機質な表情と作品世界が実にマッチしているＬ・ベッソン監督作品。

In spring 1976, a 19-year-old beauty, her German-born mother, and her crippled father move to the town of a firefighter nicknamed Pin-Pon. Everyone notices the provocative Eliane. She singles out Pin-Pon and soon is crying on his shoulder (she's myopic and hates her reputation as a dunce and as easy); she moves in with him, knits baby clothes, and plans their wedding. Is this love or some kind of plot? She asks Pin-Pon's mother and aunt about the piano in the barn: who delivered it on a November night in 1955? Why does she want to know, and what does it have to do with her mother's sorrows, her father's injury, this quick marriage, and the last name on her birth certificate?

A P.I. is obsessed with a cute woman, who seduces and kills rich men around W. Europe.

Anna is a psychologist undertaking research about famous suicidal women. She takes a specific interest in the case of Antonieta Rivas Mercado, who killed herself in 1931 in the Cathedral of Notre-Dame de Paris.

A New York taxi driver stalks a beautiful actress attending the Cannes Film Festival, which coincides with a series of violent killings of the lady's friends.

Victor Valance, an absent father and gambler, works with shady casino operations abroad. When he returns to Paris in need of money, he plans to take advantage that Pauline, his eldest daughter now fully responsible for the whole family, has begun to work for the Ministry of Finance. Pauline thwarts his new projects but when she realizes gangsters are looking for Victor she will put her life at risk to help him and save their family.

When her husband's arrest leaves her penniless, a woman accepts an invitation to move in with a strange couple.

Isabelle and Maxime are a pair of lighthearted lovers -- that is, until Isabelle gets the itch for motherhood. When she confesses her desire for a child, Maxime panics. As a cartoonist by trade he is far from financially stable, so he outright rejects the idea of parenthood. What follows is a roller-coaster romance full of recriminations and reconciliations, until Maxime must ultimately decide whether his fear of becoming a parent is a reason to leave.

長い単身赴任を終え、妻アンナのもとに戻ったマルクは、妻の冷やかな態度に傷つく。ようやく、その不倫相手ハインリッヒと対峙するが、彼から“第三の相手”の存在をほのめかされたマルクもまた愛に苦しむ。だが一人息子ボブの通う学校にやって来たマルクはそこで妻と瓜二つの教師ヘレンと出会い、彼女に強く惹かれていく…。

Three days in the lives of six friends who are nearly 30 years old, live in Grenoble, and have a rock band called the "Why Notes?". They're to play in Paris at Charles's school reunion. In getting to Paris and back, the characters interact with Aimee's ex-husband and her abrasive, cruel ex-mentor, Louise's would-be lover who turns out to have a husband, Mickey's long-time lover and her children, Bertrand's Germanic wife and their children who speak no French, and Frederic's distant mother. The band also meets Clara, a mercurial free spirit who beguiles Bertrand, then Mickey, then takes up with someone else in the band.

Werner Herzog discusses the making of "Nosferatu" on set.

In a small presbytery in Yorkshire, England, living under the watchful eyes of their aunt and father, a strict Anglican pastor, the Bronte sisters write their first works and quickly become literary sensations.

Jonathan Harker, a real estate agent, goes to Transylvania to visit the mysterious Count Dracula and formalize the purchase of a property in Wismar. Once Jonathan is caught under his evil spell, Dracula travels to Wismar where he meets the beautiful Lucy, Jonathan's wife, while a plague spreads through the town, now ruled by death.

名匠ウォルター・ヒルがライアン・オニール主演で撮り上げた傑作カー・アクション。ギャングや強盗の逃走を請け負うプロの“逃がし屋”と、彼を執拗に追う刑事、謎めいた女ギャンブラーが三つ巴の戦いを繰り広げる。

In this most talky and personal of films, director Marguerite Duras and actor Gerard Depardieu do an on-camera read-through of a movie script. Occasionally, the director comments about the characters or their motivations, and sometimes the actor does. That's all -- there is no action, there are no location shots, no one pretends to be anything else. The script itself tells about an encounter between a blank-slate of a woman hitchhiker, and a communist truck driver. As the reading progresses, Duras comments bitterly about the failed ideals of communism and the glorious revolution that will probably never happen.

Violette and François are a couple with a child.As they cannot lead a good life with odd jobs,François starts to steal.

A woman falls in love with the man who killed her former boyfriend.

A quiet and inconspicuous man rents an apartment in France where he finds himself drawn into a rabbit hole of dangerous paranoia.

1863年、イギリスの植民地カナダの港に一人の娘が降り立つ。彼女の名はアデル・ユゴー。かのフランスの大文豪ヴィクトル・ユゴーの娘。彼女は父と共に亡命中に出逢い、恋に落ちたイギリス軍中尉ピンソンを追って単身大西洋を越えてきたのだ。しかしやっとの思いで見つけたピンソンの心は、既に冷め切っていたことを知る……。

In the forest, knight-errant Hans meets and falls in love with Ondine, a water-sprite who is attracted to the world of mortal man.

A dreamlike adaptation of the legend of Ariadne and the Minotaur.

A Parisian teacher loses his cool when his teenage daughter tells him she plans to drop out of school and move in with her boyfriend.

Harpagon, a miserly bourgeois, wishes to marry the young Mariane and marry his daughter Elise to Lord Anselme. He does not know that Cléante, his son, is in love with the young Mariane and that his daughter Elise loves a penniless young man, Valère, whom he has just hired as a steward.

A man makes clumsy attempts to marry his naive young ward.

Faustine suffers the wounds of first love. During a summer when she is staying with her grandmother, she comes to know the nearby neighbors. Two brothers live in the large house. One is divorced and one has recently remarried, both of them live there with their teenaged and adult children. Though the boys of the household are drawn to Faustine, she grows ever more smitten with the divorced older man...

When the long awaited departure day arrives, le Petit Bougnat, a child coal merchant eager to go to summer camp, realizes that his mother forgot to register his name with the rest of the group. Desperate to join them, the young coal merchant tries to find a way to integrate himself with the other campers. On the opposite end of the spectrum is Rose (Isabelle Adjani), who refuses to join the kids and goes so far as to run away from the bus. While the coal merchant is busy avoiding authorities who want to remove him from the rest of the group, Rose continues to sulk and search for a way back home. Despite her initial doubtfulness, Rose eventually comes to see the charms of the camp, and walks away from an offer to leave.

Late 1950s in France. One woman, two men. She, Ève Faugère, a glamorous diva at the peak of her career. The man, her husband, Maurice Faugère, an immense author who made her and propelled her for years to the firmament of the song. And finally the lover, Jean Leprat, her pianist who adores her and burns with passion for her. The atrocious poison of jealousy will consume them to the point of tragedy, the trap of a Machiavellian plot will take them all three. And she, the other one, the so pretty Florence, so fresh. This ambitious young singer, ready to do anything to overthrow the one she admires, is she not also caught in the trap of a diabolical game that is beyond her? Where does the danger come from? Who is orchestrating this fatal merry-go-round engraved in the vinyl of the brand new singles that brings its poisonous message every day? Who will die? Who will survive?