“Breaking Myths” aims to open the world’s eyes to the fragile and “catastrophic masculinity” of Brazil’s current President Jair Bolsonaro, a fanatical far-right politician who can best be described as the Brazilian Donald Trump — and who is up for a second term this October. The story is told through the lens of the critically acclaimed Brazilian filmmaker and LGBTQ activist Fernando Grostein Andrade (“Abe” Sundance 19), who directed, wrote, and produced the feature alongside creative partner Fernando Siqueira as the first release under his production company in California, FilmSoul Studios.
Oscar-winner Michael Moore dives right into hostile territory with his daring and hilarious one-man show, deep in the heart of TrumpLand in the weeks before the 2016 election.
After bassist Jason Newsted quits the band in 2001, heavy metal superstars Metallica realize that they need an intervention. In this revealing documentary, filmmakers follow the three rock stars as they hire a group therapist and grapple with 20 years of repressed anger and aggression. Between searching for a replacement bass player, creating a new album and confronting their personal demons, the band learns to open up in ways they never thought possible.
Pootie Tang, the musician/actor/folk hero of the ghetto, is chronicled from his early childhood to his battles against the evil Corporate America, who try to steal his magic belt and make him sell out by endorsing addictive products to his people. Pootie must learn to find himself and defeat the evil corporation for all the young black children of America, supatime.
Tommy, a talented Puerto Rican painter living in the South Bronx, befriends Allen, a white kid who's faced constant harassment since moving to the neighborhood with his single mother, Susan.
Norman Reedus stars as Harry Odum, a henpecked, 18-year-old momma's boy in Youngstown, Ohio, who -- with his violent temper -- impresses a local boss of the Jewish Mafia. Soon he's found his calling as a hit man alongside his crack addict partner Arnie Finklestein (Adrien Brody), and he discovers that his rage and complicated psychosis fuel his murderous abilities. Harry also falls for the organization's limping, Hungarian-born maid Iris (Elina Lowensohn), a romance complicated by Harry's Oedipal, sexual relationship with his domineering mother Kate (Deborah Harry).