Magdalena Dipont

A story about two sisters - Małgorzata, who is single by choice, and her younger sister, Łucja, a mother of two and an assistant in Małgorzata's law firm. The women embark on their first first trip in many years. It quickly turns out that one of them is terminally ill and her destination is Switzerland, where euthanasia is possible.

Anything is possible in Warsaw rising from the war rubble in 1953. The omnipresent uncertainty, denunciations, and the sense of constant surveillance are tamed with the help of vodka and good company. A renowned writer, Mister T. lives in a hotel for authors and makes a living by giving extra lessons. One day, a young countryside man moves into the next-door flat with big dreams of working as a journalist. Mister T. becomes his mentor and teacher. The pace of the protagonist's life quickens once the authorities begin to suspect him of an evil wish to blow up the Palace of Culture and Science, and Secret Police agents start to watch every move he makes. It is hard to stay serious in this ridiculous reality.

Karol, an ordinary young man, runs into a much older man, whom he believes to be a Red Spider, the terrifying serial killer, prowling the streets of Cracow in 1960s. Karol becomes obsessed with the man and spies on him.

A big shot prosecutor Teodor Szacki divorces his wife and leaves Warsaw to “start a new life” in picturesque town in south­east Poland ­ Sandomierz. After a short while he is called in to investigate a strange and mysterious murder case. Alienated in provincial reality he struggles to find a killer, when he stumbles upon more victims. While the investigation continues he realizes that all murders are connected to alleged historical Jewish ritual killings. Those murders prompt a wave of anti­Semitic hysteria in the town. In his investigation Szacki must wrestle with the painful tangle of Polish­Jewish relations and real findings of his work ­ that roots of some legends arefantasy, not a grain of truth…

A story about women, set in the present and in 1950s Warsaw. Sabina, a quiet, shy woman who has just turned thirty lacks a man in her life. Her mother knows all about it and tries at all costs to find her daughter a good candidate for a husband. The whole situation is controlled by the grandmother, an eccentric lady with a sharp tongue from whom no secrets can be kept.

As an aging woman married to a workaholic doctor by chance meets a young man who makes her feel young again. All of this is films by a director making a film about her which cuts in and out of the on camera and off camera drama.

第二次世界大戦中、ソ連の秘密警察によってポーランド軍将校が虐殺された「カティンの森事件」を、ポーランドの巨匠アンジェイ・ワイダ監督が映画化した問題作。長い間明らかにされてこなかった同事件の真相を、ソ連の捕虜となった将校たちと、彼らの帰還を待ちわびる家族たちの姿を通して描く。父親を事件で殺された過去を持つワイダ監督が歴史の闇に迫った本作は、第80回アカデミー賞外国語映画賞ノミネートをはじめ、世界各地の映画祭で高く評価された。

Three high school graduates prepare to start the next chapter of their lives, but the outbreak of World War II may derail their dreams forever.

From his birth in 1895 through his death in 1968, the gifted Polish naïve artist Nikifor Krynicki (AKA Epifan Drowniak) lived his life and eked out a career cloaked in obscurity - a casualty of both his extreme speech impediment (his tongue was attached to the roof of his mouth, which prompted others to errantly tag him as mentally incapacitated) and his self-effacing decision to sell the majority of his work for meager amounts. Krzysztof Krauze's biopic My Nikifor travels to the tail end of Krynicki's (Krystyna Feldman) life journey, dramatizing the period that surrounded his interaction with the well-established artist Marian Wlosinski (Roman Gancarczyk).

From his birth in 1895 through his death in 1968, the gifted Polish naïve artist Nikifor Krynicki (AKA Epifan Drowniak) lived his life and eked out a career cloaked in obscurity - a casualty of both his extreme speech impediment (his tongue was attached to the roof of his mouth, which prompted others to errantly tag him as mentally incapacitated) and his self-effacing decision to sell the majority of his work for meager amounts. Krzysztof Krauze's biopic My Nikifor travels to the tail end of Krynicki's (Krystyna Feldman) life journey, dramatizing the period that surrounded his interaction with the well-established artist Marian Wlosinski (Roman Gancarczyk).

Careerist Maciej gives a lift to a hitchhiker with opposite beliefs as they both head to their hometowns. In the meantime, the local community gets prepared for the annual Corpus Christi procession.

A film based on a Tolstoy novel about naïveté, idealism and love facing harsh reality.

Twenty years old prostitute and drug addict, Jola, by chance meets Andrzej, a "railway station gay". They try to stay together, in spite of numerous diffculties. They both are carriers of the HIV virus. At the end of their travels they find themselves in the Red Palace - formerly the recreation centre for Party dignitaries, now a home for AIDS sufferers - which is run by father Jan. In the nearby small town aggression begins to grow again the unwanted guests; the house have been promised to the local people for housing purposes... The lives and fates of Jola, Andrzej, and father Jan become increasingly intertwined with one another...

性的不能から妻に去られた男が、やがて金持ちになって、妻に奇妙な復讐をするまでを描く。

The story of Polish pedagogue Janusz Korczak and his dedication to protecting Jewish orphans during the war.

December, 1981. World-class champion Ewa Jaskólska is looking forward to a cruise around the world with her yacht. At her farewell party, several people are present that are connected to the new Solidarnośc movement. The guests are filmed by a TV journalist. The introduction of the martial law in Poland leads to problems for all people involved. Can Ewa go back to her home country after these dramatic changes in Poland?

19-year-old Tomek whiles away his lonely life by spying on his opposite neighbour Magda through binoculars. She's an artist in her mid-thirties, and appears to have everything - not least a constant stream of men at her beck and call. But when the two finally meet, they discover that they have a lot more in common than appeared at first sight...

Jacek climbs into the taxi driven by Waldemar, tells him to drive to a remote location, then brutally strangles him, seemingly without motive.

In Warsaw in 1980, the Communist Party sends Winkel, a weak, alcoholic TV hack, to Gdansk to dig up dirt on the shipyard strikers, particularly on Maciek Tomczyk, an articulate worker whose father was killed in the December 1970 protests. Posing as sympathetic, Winkel interviews the people surrounding Tomczyk, including his detained wife, Agnieszka.

A well-regarded engineer in a big enterprise is hounded by trumped up attacks on his integrity when he delves too deeply into how bonuses are handled by the management. He gets into an argument with the guard, is arrested and subsequently fired. An old friend, a journalist, tries to sort things out but the victim's stubbornness and past problems with his wife lead to lossess by both.

A well-regarded engineer in a big enterprise is hounded by trumped up attacks on his integrity when he delves too deeply into how bonuses are handled by the management. He gets into an argument with the guard, is arrested and subsequently fired. An old friend, a journalist, tries to sort things out but the victim's stubbornness and past problems with his wife lead to lossess by both.