Bernardino Zapponi

Luca, a young man from a rich family, travels to Rome. Here he encounters Gino, who makes a living with petty theft.

7 segments about life in 1990s Italy: two MPs from the opposite sides of the political spectrum spend the night together; during their honeymoon, a woman cheats on her husband with her favorite soap opera star; a married man pretends to be ill to seduce his younger nurse; a family discovers that their son's beautiful fiancée is transgender; an unsatisfied single woman is duped by her celebrity crush for Kevin Costner; two best friends want to have fun; a couple on a tropical holiday is fascinated by their indigenous masseuse.

7 segments about life in 1990s Italy: two MPs from the opposite sides of the political spectrum spend the night together; during their honeymoon, a woman cheats on her husband with her favorite soap opera star; a married man pretends to be ill to seduce his younger nurse; a family discovers that their son's beautiful fiancée is transgender; an unsatisfied single woman is duped by her celebrity crush for Kevin Costner; two best friends want to have fun; a couple on a tropical holiday is fascinated by their indigenous masseuse.

After five years of marriage, Diana discovers the joys of adultery, claiming that she can save her failing relationship through betrayal.

A young country girl comes to town and works in a brothel in order to help her fiance get the money to start his own business. "Paprika" is the name given to her by the madam.

After eighteen years of psychiatric care, the former bank manager Augusto Scrivani returns home from his daughter-in-law Carla. Dino Risi directs a melancholy and scratchy Gassman.

After eighteen years of psychiatric care, the former bank manager Augusto Scrivani returns home from his daughter-in-law Carla. Dino Risi directs a melancholy and scratchy Gassman.

Teresa is a young widow who is concentrated on her little business until she hires Gino.

3 episodes set in Monte Carlo. In the first one a priest is compelled to become the lover of a princess. In the second, a con woman tries to cheat an insurance man. In the third, a man has to deal with his wife's suicidal attempts.

Funny, entertaining comedy with a few storylines. All of them have one thing in common - a resort town of Rimini in Italy.

Roberto Razzi, skeptical and convinced atheist, is the conductor of the Futuro program, in which he unmasks the most common tricks and deceptions that make the miracle cry out to everyone.

Roberto Razzi, skeptical and convinced atheist, is the conductor of the Futuro program, in which he unmasks the most common tricks and deceptions that make the miracle cry out to everyone.

Two reckless friends Leonardo (Adriano Celentano) and Luciano (Renato Potstsetto) are just doing whatever they want and getting into endless alterations. When one of them decides to marry, their friendship is in a crisis ...

Two reckless friends Leonardo (Adriano Celentano) and Luciano (Renato Potstsetto) are just doing whatever they want and getting into endless alterations. When one of them decides to marry, their friendship is in a crisis ...

Two episodes. The 1st is 'Amore impossibile' (Impossible love). Giulio is a comic book draftsman. He is passing through a creativity depressed period. One day his editor makes him meet a blond nice girl. Immediately Giulio fall in love and starts to draw his impossible love story into a new comic book. The 2nd is 'Quello dal basco rosso' (the one with the red beret). Sandro, a mature man, meets one of his former girlfriend and her daughter Daniela. Daniela couldn't have sex with her boyfriend because of a childhood remembrance. In fact she always remember her mother having sex with a man wearing a red beret. She discovers that man is Sandro, makes love with him and soon recovers from her obsession.

Around the year 1500, the Italian priest Don Filippo Neri helps street kids and orphans in his poor little chapel. He is no clergyman by the book, but a true believer in terms good and bad and he teaches this to his children. Neri is not very well-seen by the church and his only "friend" is the dry, humorless Ignatius De Loyola. But Neris real counterpart is the devil himself, working in endless incarnations in Neris direct neighborhood, trying to seduce his kids. His newest kid is the young thief Cirifischio, making a lot of problems. When Cirifischio has an argument with a young boy of a local aristocrat, the boy turns out to be a girl, the young Leonetta, some kind of a sex slave for her owner. Neri adopts her too, and the young people fall in love. 15 Years later, the devil is back and leads Cirifiscio onto a murder. Now lawless, the thief must flee Neri and leave Leonetta back...

Around the year 1500, the Italian priest Don Filippo Neri helps street kids and orphans in his poor little chapel. He is no clergyman by the book, but a true believer in terms good and bad and he teaches this to his children. Neri is not very well-seen by the church and his only "friend" is the dry, humorless Ignatius De Loyola. But Neris real counterpart is the devil himself, working in endless incarnations in Neris direct neighborhood, trying to seduce his kids. His newest kid is the young thief Cirifischio, making a lot of problems. When Cirifischio has an argument with a young boy of a local aristocrat, the boy turns out to be a girl, the young Leonetta, some kind of a sex slave for her owner. Neri adopts her too, and the young people fall in love. 15 Years later, the devil is back and leads Cirifiscio onto a murder. Now lawless, the thief must flee Neri and leave Leonetta back...

At carnival, a girl disguised as a devil seduces the parish priest of a village. She becomes pregnant, but the priest can not support his intention to abort and drag her to court.

At carnival, a girl disguised as a devil seduces the parish priest of a village. She becomes pregnant, but the priest can not support his intention to abort and drag her to court.

Ten segments, all starring Johnny Dorelli and all having sex and sexual perversions as main theme.

The marquess of Grillo is a good-natured, clever and women-loving man who is always inventing stories and cracking all types of jokes. The film tells the story of his life.

Guerrino, a prematurely widowed businessman, falls in love with Chantal, a former paratrooper in the German army who changed sex a few years earlier.

Cristiano, aged thirteen, seems to be a teen-ager with clear ideas about his future. One evening he meets May, a stranger, who is probably drunk and, so, she ends up in his bed. An unforgettable night... The morning after, May leaves and vanishes. Some years later, a "surprise" knocks at Cristiano's door: a child, his child, sent there by May, who's vanished again. Abandoned by his own parents, Cristiano will assume his responsibilities and will leave with the child to know Milan, the city he lives in and its people.

Cristiano, aged thirteen, seems to be a teen-ager with clear ideas about his future. One evening he meets May, a stranger, who is probably drunk and, so, she ends up in his bed. An unforgettable night... The morning after, May leaves and vanishes. Some years later, a "surprise" knocks at Cristiano's door: a child, his child, sent there by May, who's vanished again. Abandoned by his own parents, Cristiano will assume his responsibilities and will leave with the child to know Milan, the city he lives in and its people.

Over two decades after their affair ended, a married man is haunted by the presence of his former lover.

Young Stefano falls in love with a Spanish girl, Habibi. The two become engaged, but after a happy period, Stefano will discover the girl's betrayals. This will lead the protagonists to drift apart and seek new paths; this will be an opportunity for them to reflect on themselves and the loss of values in life.

A businessman finds himself trapped at a hotel and threatened by women en masse.

A businessman finds himself trapped at a hotel and threatened by women en masse.

In Caro papá, Dino Risi is telling the story of the decadent lifestyle, and dysfunctional family, of a wealthy businessman (played to perfection by Risi's favorite leading man, Vittorio Gassman). Risi paints his portrait against a backdrop of an Italy where the new permissiveness has run rampant, traditional socio-cultural values have been usurped by consumerism, and the streets have become an open battleground for politically extremist groups (the '70s were dubbed "The Years of Lead" due to the great number of terrorist acts, and politically motivated assassinations).

In Caro papá, Dino Risi is telling the story of the decadent lifestyle, and dysfunctional family, of a wealthy businessman (played to perfection by Risi's favorite leading man, Vittorio Gassman). Risi paints his portrait against a backdrop of an Italy where the new permissiveness has run rampant, traditional socio-cultural values have been usurped by consumerism, and the streets have become an open battleground for politically extremist groups (the '70s were dubbed "The Years of Lead" due to the great number of terrorist acts, and politically motivated assassinations).

A large international cast takes part in this comedy in which the stories of numerous individuals whose cars are stalled in a massive Roman traffic jam are told.

15 years after the monumental "I mostri" which was a great example of Italian sketch comedy, 3 of the greatest Italian directors ever (Risi, Monicelli, Scola) the best Italian writers ever (Age, Scarpelli) the best Italian actors ever (Tognazzi, Gassmann, Sordi) one of the most beautiful woman in the world (Ornella Muti) participate to this great tribute.

15 years after the monumental "I mostri" which was a great example of Italian sketch comedy, 3 of the greatest Italian directors ever (Risi, Monicelli, Scola) the best Italian writers ever (Age, Scarpelli) the best Italian actors ever (Tognazzi, Gassmann, Sordi) one of the most beautiful woman in the world (Ornella Muti) participate to this great tribute.

Bizarre events keep occurring in an old mansion, and it's soon become obvious that something mysterious is up in the attic.

Casanova is a libertine, collecting seductions and sexual feats. But he is really interested in someone, and is he really an interesting person? Is he really alive?

Italian romance starring Giovanna Ralli, Gigi Proietti and Cristiano Censi

This slight skewering of the mindset of the Fascist era when Italy’s “White Telephone” films (conservative minded sophisticated comedy-dramas revolving around the bourgeoisie) were in vogue gives Agostina Belli her best role – an ambitious Venetian girl that goes from chambermaid to prostitute to singer to film-star to mistress of ‘Il Duce’! – for which she received a special David Di Donatello award, the Italian equivalent of the Oscar.

This slight skewering of the mindset of the Fascist era when Italy’s “White Telephone” films (conservative minded sophisticated comedy-dramas revolving around the bourgeoisie) were in vogue gives Agostina Belli her best role – an ambitious Venetian girl that goes from chambermaid to prostitute to singer to film-star to mistress of ‘Il Duce’! – for which she received a special David Di Donatello award, the Italian equivalent of the Oscar.

Plot of Fear tells the story of a decadent weekend party full of orgies and drugs on the outskirts of Milan. After two deaths occur Inspector Lomenzo interrogates one of the guests, a fashion model who becomes his informant, as well as his lover. Clery reveals that after a “wildlife orgy”one of the hosts tried to jokingly feed one of the prostitutes to a tiger but she got so frightened that she died of heart attack. In his attempt to find a connection between the victims, he investigates a cutting-edge security and surveillance firm whose director has secrets of his own to hide.

When his wife wants a divorce -- in preference of a romantic Frenchman -- husband Livio seemingly accepts. But when he sets up a last weekend together with his secretary and his wife's lover, the trip turns out to be part of an elaborate plan to win his wife back.

Richard is a medieval nobleman. After his first wife dies in an accident and is buried in the family vault, he remarries and has children by his second wife. A mad longing for his first wife Leonor comes over him, and he sells his soul to the devil for a chance to get her back. But when she returns, she is a murderous vampire.

During his preparation for his film on Casanova Fellini asks a number of renowned actors to give him their view on the character of Casanova.

ローマで開催された欧州超心理学会で、超能力を持つヘルガが突然錯乱した。彼女は、かつて残忍な殺人を犯した人間が会場内にいると宣言する。その後、部屋に戻ったヘルガは何者かに惨殺される。偶然その瞬間を目撃したイギリス人のピアニスト、マークは、コートの男が逃げてゆく姿を目撃する。彼は女性記者のジェンナと事件の謎に挑むが、最後にたどり着いた真相は想像を絶するものだった。

The lives of two local professional dancers change suddenly as American soldiers stop in their town hoping to be entertained in accordance with the Broadway style. Effectively, they perform up to their expectations. However, as the army men have to march northward, their moment of glory finishes heartlessly.

A man and his mistress have just taken off for a weekend romp when they're kidnapped by a trio of bank robbers. They wind up becoming media "stars" as police and reporters follow them. They all wind up at the beat-up shack of a cranky old codger, with the police surrounding them and the robbers threatening to kill everybody.

A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens.

A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens.

Discovering her boyfriend is married, a young lady attempts to take her life, pausing only to phone a Help Line. Finding herself very much alive in hospital she meets the priest who took the call and, much taken with him, she starts trying to date him. He in turn succumbs to her charms and they soon realise their major problem is his Holy vow of celibacy.

フェリーニは幼いときに見たサーカスに魅了され、道化師たちの本場イタリアとフランスを旅してまわる。しかし、かつてあんなに輝いていた道化師たちはすっかり時代に取り残され過去のものになっていた。フェリーニは道化師たちのために最後の大舞台を用意するのだった。

Brazil, the 1920s. The sadistic colonel Minas massacres the hometown of a famous cangaceiro (a kind of revolutionary bandit). The only survivor is a young farmer called Espedito; he is nursed back to health by a (crazy?) hermit who thinks he has been sent (= espedito) by God and therefore baptizes him the Redeemer. Espedito/The Redeemer forms his own gang of cangaceiros but doesn’t really understand what he’s doing until he befriends the proverbial European intellectual, a Dutch Oil prospector, who introduces him to important people. Espedito is hired (and of course double-crossed) by the Dutchman and a corrupt local governor, but then the Dutchman changes sides …

After his young lover, Gitone, leaves him for another man, Encolpio decides to kill himself, but a sudden earthquake destroys his home before he has a chance to do so. Now wandering around Rome in the time of Nero, Encolpio encounters one bizarre and surreal scene after another.

After his young lover, Gitone, leaves him for another man, Encolpio decides to kill himself, but a sudden earthquake destroys his home before he has a chance to do so. Now wandering around Rome in the time of Nero, Encolpio encounters one bizarre and surreal scene after another.

Seven sketches including the title sketch "I See Naked" in which a fashion editor begins to see naked women everywhere he goes.

Fellini discusses his views of making motion pictures and his unorthodox procedures. He seeks inspiration in various out of the way places. During this film viewers go with him to the Colisseum at night, on a subway ride past Roman ruins, to the Appian Way, to a slaughterhouse, and on a visit to Marcello Mastroianni's house. Fellini also is seen in his own office interviewing a series of unusual characters seeking work or his help.

Fellini discusses his views of making motion pictures and his unorthodox procedures. He seeks inspiration in various out of the way places. During this film viewers go with him to the Colisseum at night, on a subway ride past Roman ruins, to the Appian Way, to a slaughterhouse, and on a visit to Marcello Mastroianni's house. Fellini also is seen in his own office interviewing a series of unusual characters seeking work or his help.

Federico Fellini's adaptation of a story by Edgar Allan Poe. Originally appeared as a segment in the omnibus film "Spirits of the Dead" but has been theatrically presented as a separate film.

珍道中を続けているお調子者ティムとお人好しハリーの二人組。ある日、ハリーが極悪非道の駅馬車強盗に捕らわれてしまい……！ 『さすらいの用心棒』のタイトルでTV放映されたジェンマ後期の傑作。

エドガー・アラン・ポーの原作を三部作として、ロジェ・ヴァディム、ルイ・マル、フェデリコ・フェリーニといった監督がそれぞれの個性とスタイル生かして作ったオムニバス映画。

エドガー・アラン・ポーの原作を三部作として、ロジェ・ヴァディム、ルイ・マル、フェデリコ・フェリーニといった監督がそれぞれの個性とスタイル生かして作ったオムニバス映画。

The film consists of six short stories created by different directors, but all the stories share one thing: a warm irony to current events.

Five short stories loosely dealing with the roles of women in society. A superstar actress travels to a mountain resort, only to evoke jealousy from women and lust from men. A woman offers to take an injured man to the hospital. A widowed father and his son seek for a new wife/mother. A man seeks revenge for a woman's honor. A bored housewife tries to explain to her husband that he's not as romantic as he used to be.

Five short stories loosely dealing with the roles of women in society. A superstar actress travels to a mountain resort, only to evoke jealousy from women and lust from men. A woman offers to take an injured man to the hospital. A widowed father and his son seek for a new wife/mother. A man seeks revenge for a woman's honor. A bored housewife tries to explain to her husband that he's not as romantic as he used to be.

A naive clerk finds himself involved in the theft of a ring containing a dangerous liquid.

Video containing a fragment of the journalistic reportage "Roma 4 - Passeggiate per la città" (1967) by Bernardino Zapponi and Stefano De Stefani, where attention is directed to Cinecittà and in particular to the sets where, in that period, numerous scenes were shot of Italian western films, the so-called "spaghetti westerns".

Video containing a fragment of the journalistic reportage "Roma 4 - Passeggiate per la città" (1967) by Bernardino Zapponi and Stefano De Stefani, where attention is directed to Cinecittà and in particular to the sets where, in that period, numerous scenes were shot of Italian western films, the so-called "spaghetti westerns".