Andrew Dickson

参加作品

ヴェラ・ドレイク
Original Music Composer
1950年ロンドン。家族を何よりも大切に、毎日を精一杯生きる主婦のヴェラ・ドレイクには、誰にも打ち明けたことのない秘密があった……。深い家族愛を円熟の演技で描いた珠玉の一篇。
All or Nothing
Original Music Composer
Penny works at a supermarket and Phil is a gentle taxi-driver. Penny’s love for Phil has run dry and they lead joyless lives with their two children, Rachel, a cleaner, and Rory, who is unemployed and aggressive.
秘密と嘘
Original Music Composer
若い黒人女性が養母の死をきっかけに、実の母探しを始める。が、彼女の本当の母親は白人だということが分かり……。『ネイキッド』のマイク・リー監督が贈るヒューマン・ドラマの佳作。
ネイキッド
Original Music Composer
An unemployed Brit vents his rage on unsuspecting strangers as he embarks on a nocturnal London odyssey.
High Hopes
Music
Slice-of-life look at a sweet working-class couple in London, Shirley and Cyril, his mother, who's aging quickly and becoming forgetful, mum's ghastly upper-middle-class neighbors, and Cyril's pretentious sister and philandering husband. Shirley wants a baby, but Cyril, who reads Marx and wants the world to be perfect, is reluctant. Cyril's mum locks herself out and must ask her snooty neighbors for help. Then Cyril's sister Valerie stages a surprise party for mum's 70th birthday, a disaster from start to finish. Shirley holds things together, and she and Cyril may put aside her Dutch cap after all.
Facelift
pit orchestra
In a dystopian future, the population is divided between the elite "numbers" and the destitute "names" who escape the hardships of the their lives at a magic cabaret run by Zax. When Zax falls for a slumming-it "number" he builds a robot replica of her.
Meantime
Original Music Composer
A working-class family in London's East End is struggling to stay afloat during the recession under Prime Minister Margaret Thatcher's premiership. Only the mother Mavis is working; father Frank and the couple's two sons Colin, a timid, chronically shy individual and Mark, an outspoken, headstrong young man, are on the dole. This situation is contrasted by the presence of Mavis's sister Barbara, and her husband John, whose financial and social loftiness appears to be a comfortable facade over the unspoken soreness of a lackluster marriage.