Moira Shearer

In 2001 Jack Cardiff (1914-2009) became the first director of photography in the history of the Academy Awards to win an Honorary Oscar. But the first time he clasped the famous statuette in his hand was a half-century earlier when his Technicolor camerawork was awarded for Powell and Pressburger's Black Narcissus. Beyond John Huston's The African Queen and King Vidor's War and Peace, the films of the British-Hungarian creative duo (The Red Shoes and A Matter of Life and Death too) guaranteed immortality for the renowned cameraman whose career spanned seventy years.

L. S. Lowry, one of the most celebrated English painters from the mid 20th century, liked to call himself just a "simple man". But was he?

A documentary film about dancing on the screen, from it's orgins after the invention of the movie camera, over the movie musical from the late 20s, 30s, 40s 50s and 60s up to the break dance and the music videos from the 80s.

Lively scenes of Paris, all narrated by Maurice Chevalier, link together four dramatic ballet choreographies by Roland Petit: La Croqueuse de diamants (The Gold Digger), Cyrano de Bergerac, Deuil en 24 heures (A Merry Mourning), and Carmen.

Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.

Framed in flashback, The Man Who Loved Redheads is an anecdotal comedy about a man (John Justin) whose life is defined by his first romantic experience. That liaison occurred in Justin's youth, when the young man matures and enters the diplomatic world, he spends the rest of his career searching for his first love.

Passengers on an ocean liner recall their greatest loves.

A young poet named Hoffman broods over his failed romances. First, his affair with the beautiful Olympia is shattered when he realizes that she is really a mechanical woman designed by a scientist. Next, he believes that a striking prostitute loves him, only to find out she was hired to fake her affections by the dastardly Dapertutto. Lastly, a magic spell claims the life of his final lover.

童話『赤い靴』になぞられたバレリーナの悲しい宿命を、華麗なダンスシーンや、幻想的な映像美で描く、イギリスの巨匠・パウエル&プレスバーガーの傑作バレエ映画。アカデミー美術・装置賞、劇・喜劇映画音楽賞受賞。 ヴィクトリア（モイラ・シアラー）はロンドンで、レルモントフ・バレエ団を率いるボリス（アントン・ウォルブルック）の目に留まる。同じころ、新進作曲家ジュリアン（マリウス・ゴーリング）も同バレエ団に採用される。プリマ（リュドミラ・チェリナ）の結婚によりヴィクトリアが主役に抜てきされ、新作「赤い靴」への企画がスタートするが……。