Harold Budd

In 1988, a teenage girl's life is thrown into chaos when her mother disappears.

A teenage hustler and a young man obsessed with alien abductions cross paths, together discovering a horrible, liberating truth.

In a Rio de Janeiro after the catastrophe, only the hills were immune to a flood that left the asphalt submerged. While the Navy is rationing provisions and some are sacrificing themselves to avoid starvation, a diver goes to the bottom of the sea and finds a submerged civilization there.

A young woman tries to leave her troubled past behind. She meets her old flame by accident and they fall in love again, but this obsessive relationship threatens to consume them.

The film is a visual poem shot in the Anza-Borrego Desert. The work portrays the odyssey of a woman/goddess/mankind from birth into innocence, through growth into pride and sin, to death, and then a transcendental reunion to the One.

This is a silent film, with a musical soundtrack, shot during a boat journey along the waterways of Kashmir that took him to the festival. Using the simplest equipment, a Super-8-camera with a special lens, and directing his attention at simple things--the rhythmic splashing of a heart-shaped oar, the sparkle of evening sun on still waters--Albert Falzon has captured the timeless slow motion of Northern India.