Don McGlashan

Darcy, a composer, sees colors when she plays musical notes. When she notices her usually subtle colors changing, she realizes a profound change is upon her. Over a summer month, Darcy creates a time of music and reflection that help her make a final choice.

Written and directed by Tearepa Kahi (Mt Zion) and starring Maaka Pohatu (The Modern Maori Quartet, Two Little Boys) the film tells the story of musician Dalvanius Prime and the origin of the song “Poi E”, a ground-breaking fusion of 1980s pop and traditional Māori music. “Poi E”, composed by Dalvanius and Ngoingoi Pēwhairangi and performed by the Patea Māori Club, remains the only song in Te Reo Māori to reach No 1 in the charts, over 30 years since its 1984 release.

Hongi, a Maori chieftain’s teenage son, must avenge his father’s murder in order to bring peace and honour to the souls of his loved ones after his tribe is slaughtered through an act of treachery. Vastly outnumbered by a band of villains led by Wirepa, Hongi’s only hope is to pass through the feared and forbidden “Dead Lands” and forge an uneasy alliance with a mysterious warrior, a ruthless fighter who has ruled the area for years.

GISELLE is acclaimed director Toa Fraser's inter­pretation of the Royal New Zealand Ballet's production of Giselle. The classic story of love, erotism and death has been reinterpreted by Fraser to include both the on stage performance of the ballet, and an off-stage romance – interwoven with the ballet – that tells of two itinerant dancers, separated by time, distance and their abiding love for each other.

Adapted from Renee's 1995 novel Does This Make Sense to You?, the TV movie lays bare the pain caused by forced adoptions inflicted on unwed and teenage mothers in 1950s and 60s Aotearoa

Set in Edwardian England where upper lips are always stiff and men from the Colonies are not entirely to be trusted, Fisk Senior has little time or affection for his son, but when the pair visit an eccentric Indian, they start a strange journey that eventually allows the old man to find his heart.

Jess is a solo mother and reluctant parking warden. Tom is a self-obsessed greetings cards salesman with an addiction to competitions who will do anything to win. Together they are just two of the competitors in a gruelling endurance contest to win a car - whoever keeps their hand on it the longest wins. As the sleepless days wear by, what price will they pay for winning this competition?

A matriarch organizes a feast with her family, in which she will name her successor. The heart has gone out of Nanna Maria's family. There are no parties — they don't even fight anymore...

Unreasonable rhymes, preposterous characters and enchanting music come together in this remarkable animated short film of twenty-five delightful, surreal songs. Featuring music by Bend with a star line-up of New Zealand artists: Neil Finn, Tim Finn, Don McGlashan, Bic Runga, Boh Runga, The Topp Twins, Dave Dobbyn, Jenny Morris, Renée Geyer, John Clarke, Ché Fu, King Kapisi and Chris Knox.

Actor Sam Neill discusses New Zealand film and his own experiences within and without.

In 1942 Wellington, Daisy Edwards, 16 and pregnant, relies totally on her just-wed husband, Ed, who is little older than she. Ed is suddenly drafted into the army and is to be sent overseas to battle while Daisy is sent to her father in Auckland. When Ed's leave is cancelled at the last minute he takes the dangerous decision to go absent without leave to be with Daisy on her journey home. As a deserter, Ed is hunted, captured and imprisoned. Life inside is bad enought without the worry of what is going on outside. The film is based upon a true story.

Based on the autobiographical work of New Zealand writer Janet Frame, this production depicts the author at various stage of her life. Afflicted with mental and emotional issues, Frame grows up in an impoverished family and experiences numerous tragedies while still in her youth, including the deaths of two of her siblings. Portrayed as an adult by Kerry Fox, Frame finds acclaim for her writing while still in a mental institution, and her success helps her move on with her life.

An Ulster Volunteer Force vigilante, turned police informer, is sent by the British government to New Zealand to start a new life, leaving behind his eldest son. Although his wife and two young boys are also in New Zealand, they are no longer together, and he has a new love interest. After some eight years his past catches up with him when former comrades show up, intent on extracting revenge. After two nearly successful attempts by them (in Dunedin), the action moves to a final confrontation and shootout in the hills above Queenstown.

The zenith of Don McGlashan and Harry Sinclair's legendary Front Lawn collaborations, this iconic Kiwi short follows two men and one woman on a rainy night at a deserted bar. Pivoting on amnesia and woven together by music, two timeframes are seamlessly combined and a darkly humorous plot unfolds. The film had a wide international release (Ireland to Norway, Germany to the USA) and was a finalist in the inaugural American Film Festival.

The zenith of Don McGlashan and Harry Sinclair's legendary Front Lawn collaborations, this iconic Kiwi short follows two men and one woman on a rainy night at a deserted bar. Pivoting on amnesia and woven together by music, two timeframes are seamlessly combined and a darkly humorous plot unfolds. The film had a wide international release (Ireland to Norway, Germany to the USA) and was a finalist in the inaugural American Film Festival.

The zenith of Don McGlashan and Harry Sinclair's legendary Front Lawn collaborations, this iconic Kiwi short follows two men and one woman on a rainy night at a deserted bar. Pivoting on amnesia and woven together by music, two timeframes are seamlessly combined and a darkly humorous plot unfolds. The film had a wide international release (Ireland to Norway, Germany to the USA) and was a finalist in the inaugural American Film Festival.

The zenith of Don McGlashan and Harry Sinclair's legendary Front Lawn collaborations, this iconic Kiwi short follows two men and one woman on a rainy night at a deserted bar. Pivoting on amnesia and woven together by music, two timeframes are seamlessly combined and a darkly humorous plot unfolds. The film had a wide international release (Ireland to Norway, Germany to the USA) and was a finalist in the inaugural American Film Festival.

A Polynesian street-kid and a much older middle-class housewife are both incarcerated in the same mental hospital - she for attempted suicide and he for habitual crime. A friendship grows between them such that she offers him a place to stay upon his release. However, difficulties arise with his continued criminal activities and dependence on her for support - then his gang moves in with them. The film is based upon Sue McCauley's award winning autobiographical novel.