George Figgs

In CINEVANGELIST: A LIFE IN REVIVAL FILM, film historian and artist George Figgs tells the story of his life's work in bringing revival cinema to Baltimore and beyond. From his role in Baltimore's underground film scene of the 1960s and his involvement with the Orson Welles Cinema in Cambridge during the early '70s, to helping manage Baltimore's celebrated Charles Theatre in the '80s, owning and operating the Orpheum Cinema during the '90s, and continuing with the "third wave" of revival cinema today, Figgs has made it his mission to bring alternative films to the audiences who want to see them, in the way they were meant to be seen.

A rich housewife enlists her maid's help to murder her husband; they go on the lam and end up in Mortville, a homeless community built into a garbage dump.

The life and times of Dawn Davenport, showing her progression from bratty schoolgirl to crazed mass murderer - all of which stems from her parents' refusal to buy her cha-cha heels for Christmas.

Notorious Baltimore criminal and underground figure Divine goes up against Connie & Raymond Marble, a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".

野原に建てられたテント小屋では、アブノーマル・セックス、吐き出したゲロを喰う男、ヘロインの禁断症状などを売り物にした変態ショーが行われている。その一団の座長が、ディヴァインだ。集まった客を射殺しては逃げ回るなど、その悪行は留まるところを知らない。内縁の夫デヴィッドがたまらずディヴァインを殺そうとするが、そう簡単にやられるわけもなく、常軌を逸した殺し合いが繰り広げられる。

A day in the lives of a hit-and-run driver and her victim, and the bizarre things that happen to them before and after they collide (sexual assault by a crazed foot-fetishist, visions of the Virgin Mary, strange chicken-foot grafting operations).

John Waters' first sixteen-millimetre film, about a deranged nanny who kidnaps young girls and forces them to 'model themselves to death' in front of her boyfriend and their crazed friends. It was never shown commercially.

An incomplete project, Dorothy the Kansas City Pothead stars John Waters' long-time casting agent Pat Moran in the role of Dorothy.