Kemal Hrustanović

参加作品

The Living and the Dead
Production Design
In 1943, group of Croatian soldiers overtake a strategically important point in western Bosnia with a goal to destroy a group of communist partisans. On the way they met some supernatural phenomena, and the action itself went very badly because the partisans ambushed them. The main character Martin inherits silver cigarette case from a dying soldier. This act connects to the story in 1993 when we meet Martins grandson Tomo. He is one of six soldiers of the Croatian army who have come to the same place in Bosnia to meet the same phenomena and similar fate.
The Border Post
Art Direction
At a small border-post on the Yugoslav-Albanian border, yet another generation of soldiers suffering the usual amount of boredom awaits the end of their service, counting days to the moment when they should take their uniforms off for good. It is the spring of 1987 and the thought never even crosses their mind that they would, in fact, put them back on quite soon and go to war.
The Border Post
Production Design
At a small border-post on the Yugoslav-Albanian border, yet another generation of soldiers suffering the usual amount of boredom awaits the end of their service, counting days to the moment when they should take their uniforms off for good. It is the spring of 1987 and the thought never even crosses their mind that they would, in fact, put them back on quite soon and go to war.
Grbavica: The Land of My Dreams
Production Design
A woman and her daughter struggle to make their way through the aftermath of the Balkan war.
Fuse
Production Design
Two years after the Bosnian civil war, a town that is slowly rebuilding itself must whip together a democracy when it's announced the U.S. President Bill Clinton might be paying a visit.
Summer in the Golden Valley
Production Design
At the traditional Muslim funeral service for his father Fikret Varupa, sixteen year old boy from Sarajevo, learns that his father owes money to Hamid, a man he does not even know. The debt is considerable and Hamid does not want it to go to the grave with the body, so the debt automatically passes from the father to the son. Since in Bosnia this way of collecting debts, at a funeral, is considered to be utterly humiliating, it is never, ever applied. Fikret and his entire family become subjects of ridicule. Fikret, who is practically still a child, is decisive to "redeem his father's soul". Wishing to repay his father's debt and to secure the forgiveness, Fikret wanders into the real world of Sarajevo, the world that is ruled by post-war chaos, misery and poverty and becomes an ideal target for two corrupted policemen who wish to "help" him: they plant the kidnapped girl on him.
Remake
Production Design
This film follows father Ahmed and son Tarik Karaga during WWII and the Siege of Sarajevo.
Welcome to Sarajevo
Art Direction
Follow a group of international journalists into the heart of the once cosmopolitan city of Sarajevo—now a danger zone of sniper and mortar attacks where residents still live. While reporting on an American aid worker who’s trying to get children out of the country, a British correspondent decides to take an orphaned girl home to London.
Welcome to Sarajevo
Production Design
Follow a group of international journalists into the heart of the once cosmopolitan city of Sarajevo—now a danger zone of sniper and mortar attacks where residents still live. While reporting on an American aid worker who’s trying to get children out of the country, a British correspondent decides to take an orphaned girl home to London.
Kuduz
Production Design
After the release from prison, small-time criminal is marrying his girlfriend and lives a straight and poor, but happy life with her and her daughter. However, his happiness is shattered by wife's infidelity. Driven mad by jealousy, he kills her and her lover and runs into mountains, thus escaping law for months. This film is based on the true story about Junuz Kečo, last Bosnian outlaw.
Ænigma
Production Design
The spirit of a comatose teenage girl possesses the body of a newcomer to her girls' boarding school in order to enact bloody revenge against the elitist, lingerie-clad coeds responsible for her condition.
A Little Bit of Soul
Production Design
A bitter coming-of-age story about boy who grows up in a remote Bosnian village shortly after World War II.
Do You Remember Dolly Bell?
Production Design
A young man grows up in Sarajevo in the 1960s, under the shadow of his good, but ailing father, and gets attracted by the world of small-time criminals.
Love and Rage
Production Design
The richest merchant in XIX century Sarajevo and his fellow travelers are captured by a group of bandits. In order to learn more about merchant’s riches, the bandits’ leader investigates the group and discovers that merchant’s wife, who cheated on merchant during one of his travels, later – in fear of his vengeance played to be possessed by “rage”. Looking for the cure, the merchant brings his wife to Ahmed Jusuf – former warrior and man of authority. Jusuf advised the merchant to take his wife and move into another region – having an idea on what was the story behind wife’s rage, bat also in an attempt to protect himself from the feelings that have already stifled.
Treasure in the Wall
Production Design
A greedy trader who becomes convinced that a house is hidden in the wall of a house, decides to buy the house at all costs.