Kaori Mizushima

Toshihide works as a doctor at a clinic located by the sea. One day, he meets Ako. She looks exactly like the woman he admires. Due to her, his heart flutters. Soon, Toshihide realizes that Ako is not his ideal woman. A case leads to Ako to begin living with Toshihide and his family. Living with the warm-hearted family, Ako slowly regains herself and becomes a person with a truthful and honest mind.

Suzuki Sora is a cheerful country girl from the small town of Bie. She made a promise to her father, and following this promise applies and is accepted for a magic intership in Tokyo, where she will face the life in a big city. While training to get better with her magic, she meets a mysterious boy also practicing to become a mage. While he can not use magic that well and he seems distant and cold at first, Sora’s fate intertwines with his and the two are thrown together, learning a lot of new things about life and each other.

中学生になったばかりのまい（高橋真悠）は登校拒否になり、大好きなおばあちゃん（サチ・パーカー）の住む田舎で過ごすことになる。日本に長年住むイギリス人のおばあちゃんは、西の魔女と呼ばれていた。まいはおばあちゃんから魔女の手ほどきを受け、何でも自分で決めるということを教わる。

This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.

Kasumi is in the midst of an affair with Ishiyama, one of her husband's clients. When Kasumi and her family visit Ishiyama's villa in Hokkaido, she plans to abandon them to be with Ishiyama. The next morning, her daughter Yuka disappears, which throws Kasumi's life into turmoil. Years later, Yuka remains missing, and Kasumi journeys back to Hokkaido with Utsumi, a terminally-ill former detective, and tries to follow any leads she can.

The police are tracking a man who shoots at people. But the young sister of a detective finds that he's not the mad vigilante portrayed in newspapers.

A tough woman is dragging a weaker man deeper and deeper into crime. Woman cop Miki is chasing a wanted man when she stumbles on a crashed car and sees the driver, Koichi, ignite spilled petrol to kill himself and his passenger. She drags Koichi to safety, but the passenger dies. Miki says nothing to challenge the inquest finding of `accidental death', and when she visits Koichi in hospital he begins to understand that her complicity in his crime implies a sexual invitation. But a gumshoe has photos of the crash, and the only way to stall his blackmail is to kill him, the first of several murders...

タイプも生き方も違う二人の男、不動産業者の柴田と市役所勤めの安西。二人がひとりの奔放な女性・霧子と出会った。３人でいる時、彼らの心は何故か浮き立ち、１０代の少年少女のように自由になっていく。それぞれの思いや人生を抱きかかえながら、３人のガラス細工のような時間が過ぎていく。

In four chapters, the film anatomises the chaotic life of a radio agony uncle.who is having simultaneous affairs with a sado-masochistic call-girl and the wife of an aggrieved tour-bus driver

A drama about a nurse starring Hiroko Yakushimaru

1960年代中頃の四国の田舎町を舞台に、ベンチャーズに憧れ、ロックバンドに情熱を燃やす高校生たちの姿を軽妙でノスタルジックに描いた青春ドラマ。直木賞を受賞した芦原すなおの同名小説を、「転校生」「さびしんぼう」の大林宣彦監督が映画化。1965年の春休み。四国・香川県の観音寺市。高校入学を目前に控えた藤原竹良は、昼寝中にラジオから流れてきたベンチャーズの「パイプライン」に衝撃を受け、高校に入るや仲間を集めてロックバンドを結成する……。

Kono Takeshi has given up work as an electrician to run a gift-shop business with his partner/mistress Rieko, who's a couple of years older than him. When the company faces bankruptcy Kono wants to quit, but Rieko strings him along with the promise of a large cash investment, the proceeds of a real-estate deal. Her actual plan to raise the money is to kidnap a young woman and demand a ransom for her release. The trouble is, it never occurs to her to keep the victim alive before trying to extort the cash. And when things start to go wrong, Rieko responds by murdering another girl and attempting another ransom scam..

父親のコネで就職も決まっていた教立大学4年の秋平は、ある日、卒論指導教授の穴山に呼び出され、授業に一度も出席しなかったことを理由に、卒業と引き換えに穴山が顧問をする相撲部の試合に出るよう頼まれる。しかし、その廃部寸前の相撲部にいたのはまだ一度も勝ったことのない8年生の清水ひとりだった。

A major electronics company on the verge of developing technology to create a 3D image that can be physically handled is thrown into turmoil when a murderous demon is unleashed in the headquarters office. Can the slow witted son of the company founder and a punk rock band of monsters (don’t ask) stop the evil forces before the employees are butchered?

西暦2025年、太平洋上の無人島8JOに設置された全自動ロボット工場を制御する巨大コンピューター「カイロン5」は突如、人類に宣戦布告。人類は鎮圧のため自動可変戦闘ロボット「ガンヘッド」大隊を投入。長い戦いの末、カイロン5を守護する「エアロボット」にガンヘッド大隊は全滅。カイロン5は勝利を宣言するとその活動を停止した。 それから13年後、コンピューターチップを狙うトレジャー・ハンター“Bバンガー”の一団が、カイロンタワーの屋上に侵入するが、カイロン5の命で連邦政府の研究所から超伝導物質テキスメキシウムを奪って逃亡してきたバイオドロイドにより、彼らは青年ブルックリンを残して抹殺されてしまう。 生き残ったブルックリンと、バイオロイドを追って8JOにやってきたテキサス・エア・レンジャーの女レンジャー・ニムは、カイロン5の陰謀を阻止すべく、破壊され破棄されていたガンヘッド507号機を有人型に修復し、カイロン5とそれを守るエアロボットに戦いを挑む…。

On August 9, 1945, the Americans dropped an atomic bomb on Nagasaki. This film, based on a story by Mitsukaru Inoue, describes the daily life of people in Nagasaki the day before that fateful event. It presents the human drama of people's lives, and their feelings of joy and sadness. These include a newlywed couple, an expectant mother, and lovers who must say farewell because the boy is called to serve in the army. Each of these people, like others in the city, hoped to live with their dreams for ‘tomorrow’. But tomorrow never comes for them, as their lives are brought to an abrupt and unexpected end. Knowing how the story ends, in this case, doesn't detract from it at all; rather, it enhances the emotional impact, which is further heightened by the poignant musical score from Teizo Matsumura. 'Ashita' is the first film in Kazuo Kuroki's 'War Requiem Trilogy,' which also includes 'Utsukushii Natsu Kirishima' (2002) and 'Chichi to Kuraseba' (2004).

The tragic story of Gonza, a handsome ladies man, set in the Tokagawa Period, a time in which appearences are very important. Gonza competes with Bannojo for the honor to perform the tea ceremony to celebrate the birth of an heir to the lord of their clan. To see the sacred tea scrolls Gonza promises to marry the daughter of the family which possesses them, even though he is unofficially engaged to another. When studying the scrolls with Osai, the mother of the house, Bannajo sneaks into the house and steals their obis and runs through the town proclaiming the two as adulterers.

Detective Muramatsu's wife, Fusae, is killed by a drug addict. After the criminal climbs to the roof of the house with a hostage, Muramatsu shoots him dead in order to rescue the hostage, but the public denounces his actions as stemming from the personal grudge of a detective whose wife was just murdered, and he is demoted.

高校2年生の三田村由香は、自分が超能力を持っていることに気づく。そんな中、由香のクラスに高見沢みちるという少女が転入してくる。みちるは怪しい力を使って生徒会長の座につき、自分の思うままに学園を支配していく。やがて由香は、すべての元凶が謎の少年・魔王子率いる「英光塾」にあることを突き止める。