Jesse Fryckman

Two diverse families meet for the first time over Christmas dinner. The evening goes off the rails right from the start when the male host couple reveal a closely guarded secret: there's also a hostess in the house, and she's very pregnant! Of course, the frantic group of relatives don't take the news lightly and demand the paternity to be confirmed - which is no simple task. A series of misunderstandings drives the Christmas guests to the brink of a nervous breakdown, and as the evening progresses, Santa Claus himself is forced to look in the mirror. Their Christmas together seems doomed to failure until, to everyone's surprise, the evening culminates in a heart-melting Christmas miracle.

Woman whom have kids with 4 different guys invites her ex-husbands and kids to Christmas party.

A tough crisis comedy on a swing weekend where four different age couples face each other mentally and physically. Everyone has a crisis, either on the surface or hidden, and hence their own reasons to try to save their relationship. The weekend's dress code is with or without a bathrobe, and falling in love and jealousy are forbidden.

The career of Tuomas’ in the music industry is in a downhill spiral – but his plans of getting married with Leila are in full swing. Niklas and Antti decide to throw Tuomas the bachelor party of all times – but things don’t always turn out as planned – and the dudes end up in the funeral service of their old classmate.

Four children - Mari, Sadu, Olav and Anton form a secret society to play hide-and seek games invented by Mari's grandfather, a professor at the university. When the city is attacked by a mysterious poison which turns adults into children our gang embarks on a quest for the antidote.

Luokkakokous is a story about three men that travel back to their hometown to attend their high school class reunion.

25-year-old Iiris and Karoliina have been best friends since childhood. Karoliina has been travelling and living abroad for some years now, but is coming back home for the summer as Karoliina has gotten them a job as waitresses in Hanko, the best summer city in Finland!

Aliide experienced The Great Terror under Stalin’s regime, and decades after her hometown people were deported to Siberia, she lives alone in an isolated house. One night, she finds a young woman in her yard – Zara has just escaped from the claws of the Russian mafia that held her as a sex slave. Survivors both, Aliide and Zara engage in unearthing each other’s motives and gradually, and their stories merge into one, revealing the tragedy of a family during the cruelest years in Estonian history.

A buddy comedy about a fanatic small town football supporter who falls in love with a perfect girl, only to notice that his dream-girl supports the wrong football team. Now he has to befriend the enemy or forget the girl he loves.

Ville, 25, is a downbeat former child star who's successfully avoided his womanizing rock 'n' roll dad for years. Everything changes when his dad moves into his flat and they both fall in love with the same American line-dancing teacher.

Summer begins, Aku graduates high school and faces a great emptiness. As his girlfriend, parents and friends all leave the city, it looks to be the dullest summer ever. Everything changes at Midsummer when Aku meets Juli, a beautiful, strange and wild girl. Juli asks Aku for a ride to eastern Finland. Aku agrees – without any idea what he's getting himself into.

The director Lauri Nurkse tells that Veijarit is a film about "arjensietokyvyttömyys" (= inability to tolerate everyday life) and about the Peter Pan complex. The main actor Mikko Leppilampi says it's about "kolkyttoistavuotiaat" (= thirtyeenagers = people of thirty behaving like teenagers). An immediate reference point is the commedia all'italiana of the 1950s and the 1960s, the black comedy often exposing the infantile stage of development of the Italian male. Saku and Ässä are anti-heroes, but we never fail to sense the humanity behind their shallow and crazy ways. Veijarit is a satire and a parody of a superficial way of life, but there is a vitality in the protagonists that we feel can lead them to a more meaningful stage of existence after the prolonged youth full of sound and fury. There is a motif of transcendence in the imagery of flying: will the balloons carry me or will they burst.

The director Lauri Nurkse tells that Veijarit is a film about "arjensietokyvyttömyys" (= inability to tolerate everyday life) and about the Peter Pan complex. The main actor Mikko Leppilampi says it's about "kolkyttoistavuotiaat" (= thirtyeenagers = people of thirty behaving like teenagers). An immediate reference point is the commedia all'italiana of the 1950s and the 1960s, the black comedy often exposing the infantile stage of development of the Italian male. Saku and Ässä are anti-heroes, but we never fail to sense the humanity behind their shallow and crazy ways. Veijarit is a satire and a parody of a superficial way of life, but there is a vitality in the protagonists that we feel can lead them to a more meaningful stage of existence after the prolonged youth full of sound and fury. There is a motif of transcendence in the imagery of flying: will the balloons carry me or will they burst.

Reindeerspotting is a documentary film of a group of young guys living in Rovaniemi, Arctic Circle, dabbling in petty crime and hard drugs. One of them, Jani, has lost five years of his life and two fingers to his debotators. He wants to leave Lapland and his old life behind. Robbing a supermarket is a start for his getaway. A few years back a documentarist, Joonas Neuvonen, was a young men living on social welfare, using drugs on daily basis. He started to film his friends and their life. This is the story of Jani.

It is 1595. Brutal wars have just ended in an uneasy peace between Protestant Sweden and Orthodox Russia. We focus on the spiritual defeats of two conquered Finnish brothers, one a hardened near-psychopathic war hero, the other a gentle scientist in an age with no use for such men. They find themselves in the swampy interior, demarcating the new border with a unit of sadistic Russians.