Director of Photography
たび重なる偶然から知り合った品子という謎の美女の誘いで現世ともあの世ともつかぬ世界で翻弄される劇作家の姿を描く。
Director of Photography
旅に出た、士官学校教授の青地豊二郎と友人の中砂糺。その途中、彼らは弟の葬式に出席してきたという芸者の小稲と出会う。それから1年、中砂から結婚の報を受けた青地は、彼の家を訪ねることに。だが、妻だという園が小稲とうり二つであることに驚かされる。やがて、園は生まれたばかりの娘を残して逝去。中砂の様子を見に行く青地だが、今度は小稲が乳母として娘を抱いていることに驚く。
Director of Photography
Kuroda (Jô Shishido) is a mob hitman who turns on his employers after being forced to execute his lover. Joining forces with his similarly wronged brothers, hot-headed Eiji (Tatsuya Fuji) and aspiring boxer Saburô (Jirô Okazaki), the trio escalate their mob retaliation to all-out turf war where no one will stop until one faction emerges victorious.
Director of Photography
飯の炊けた匂いが好きな殺し屋ナンバー3、花田は殺しの依頼を遂行し損ねて逆に組織から追われるハメになるのだったが…。
Director of Photography
Cinematography
The film focuses on the romantic life of Tetsu (Watari), the drifter, and the girls he loves but can never quite bring himself to settle down with. To make matters even more atmospheric, our story is set in a picturesque harbor town. Yoshida is Tetsu's double-crossing rival who pays in the end with his life. Fairly superficial, but the tone isn't particularly light; in fact, it is downright melancholic, which is the picture's salvation. The emphasis on Tetsu never being able to escape his criminal life despite his tender side, the downbeat undercurrent of cynical gang activity amidst the sunset-dappled waves, actually makes this an entertaining sequel. However, Suzuki's irreverent surrealism is replaced by Morinaga's Monet-like impressionism.
Director of Photography
Daisuke Honda, a war photographer in Vietnam, meets Yuriko Sawanouchi, a stewardess on his plane back to Japan. After drinking with her at a Tokyo bar, he becomes involved in saving Yuriko from assassination by stylish, female ninjas. When trying to rescue Yuriko from kidnappers, Daisuke discovers a group of foreigners are hunting for a WWII-era treasure hidden on an island by Yuriko's father.
Cinematography
Mourning the death of her boyfriend, Yukiko wanders aimlessly from one city to another. During her mourning, she becomes addicted to gambling. One day, a man that resembles her deceased lover asks for help. He's being pursued by a dangerous gang of yakuza.
Director of Photography
ある夜、町を牛耳る五光会の五人のボスのうち一人が射殺された。現場にはスペードのエースのカード。慌てた残りの四人は至急対策を協議し、殺し屋プロダクションに早速護衛の殺し屋を注文した。というのも、彼らは終戦のどさくさに紛れて当時の上司であった須藤氏を殺し、莫大な物資を横領して町を支配していた。その須藤の息子である丈太郎の通り名がスペードのジョーであり、彼から五光会のそれぞれの元に殺す順番として一から五までの数字が書かれたカードが送られてきていたのだった。こうしてボスらの護衛のため、プロダクションの厳重なテストをくぐり抜けた殺し屋たちが一同に集められた。爆薬入りのソロバンを扱う者、下駄に手裏剣を仕込んだ者…などなど、自分の仕事にこだわりをもつ個性的な殺し屋たちが今、ジョーを探して始末するべく一斉に町に繰り出した。
Director of Photography
やくざ、上級生、くそ喰らえ!女なんていちころや!大胆奔放、青春を生きるなんでもこいの悪たれ野郎!昭和初期、大阪南部に生まれ育った鈴木重吉は、中学校の風紀委委員からクラスメイトが滅茶苦茶な制裁を加えられたことに怒りを爆発させる...。
Director of Photography
Volunteering as a "comfort woman" on the Manchurian front, where she is expected to service hundreds of soldiers, Harumi is commandeered by the brutal Lieutenant Narita but falls for the sensitive Mikami, Narita's direct subordinate. Seijun Suzuki's Story of a Prostitute is a tragic love story as well as a rule-bending take on a popular Taijiro Tamura novel, challenging military and fraternal codes of honor, as seen through Harumi's eyes.
Director of Photography
A young yakuza in love with the girl who's to marry his clan oyabun, kidnaps the girl before fleeing with her. In Tokyo, he hides under the identity of a worker while the young woman becomes a waitress in a restaurant.
Director of Photography
One summer day, the chief monk of the Hojuin Temple dies. Harumichi rushes back to town hearing about his brother's death and requests for a grand funeral. He had been unwilling to take over the family business and had chosen a life as a middle school teacher far away from home, but considering the circumstances, he changes his mind. As the new chief of Hojuin, Harumichi scrambles around day after day for donations. He has kept strictly to the straight and narrow, until he passes a bicycle race track where the sounds of cheering fans induce him into a new way of life...
Director of Photography
When a mysterious stranger muscles into two rival yakuza gangs, Tokyo's underworld explodes with violence.
Cinematography
Joji Dan tries to find the heir of a prosperous Japanese millionaire who died in Mexico. However, the bandits want to take over the inheritance and Joji has to use his skills as a fast and accurate shooter!
Director of Photography
高校の空手部員・英次は正義感に燃える好青年。愚連隊に対抗するため、友人たちを誘い街をパトロールしていた。これを快く思わない新界興業は、乾分のトメやゲンに嫌がらせをはじめるが...。和田浩治扮する正義に燃える学生が、霧笛のの空手で街の愚連隊をなぎ倒す娯楽アクション巨篇。
Cinematography
A college student takes over the family business in the field of organised crime.
Director of Photography
This rarely seen gem from master Suzuki casts teenage heartthrob Koji Wada as a young misfit who suddenly finds himself the unwitting pawn in an escalating family feud that ultimately leads to tragedy. Lean, mean, and stylish as always, this tale of youth-gone-wild is both vibrant and touching. Suzuki contrasts tranquil glimpses of traditional regional life with the emergence of the new rock 'n' roll youth culture and the greed and seething cynicism of encroaching Westernism. Also released under the title "Go To Hell, Hoodlums!", this is a melodrama as colorful, shocking, and exhilarating as one would come to expect from Japan's master filmmaker.
Director of Photography
A youth film starring Kōji Wada and Mayumi Shimizu
Director of Photography
Sadao, is saved from death at the hands of Goro, a killer belonging to a rival gang by Joji just released from prison who has resolved to turn over a new leaf. He has returned, however, because of Keiko, his sweetheart, who he now finds is engaged to Noboru, a detective and son of Jinsaku, boss of the Otsu gang. That night at the night club, headquarters of the Highlight Group - which Noboru is investigating, Majima meets Joji who knows of his attempt to kill Jinsaku, and resolves to kill him.
Director of Photography
暗黒街を舞台に“決して相手を殺さず、利き腕を打ち砕く”抜き射ちの名手・竜二(赤木圭一郎)。彼は偶然見かけた、弟分で麻薬中毒の元ボクサーを救け出すために、同業者“コルトの銀”と死闘を繰り広げることになるが・・・。日活第三の男、赤木圭一郎の”拳銃無頼帖”シリーズの記念すべき第一作。
Director of Photography
Director of Photography
A jazz bandleader, falsely accused of murdering his girlfriend, tries to stay one step ahead of the police as he dives into Tokyo's sin-city in search of the real killer in this dark and beautiful noir from master Seijun Suzuki.
Cinematography
A tense action game that skillfully intertwines the human love between a criminal, his sister and his lover, and the desperate pursuit of a detective who is trying to catch a fleeing young criminal.
Director of Photography
Asako, a former telephone operator once heard the voice of a murder suspect which has continued to haunt her. Years later her husband invites his boss, Hamazaki, over for dinner and she realises his voice is suspiciously like that of the killer. Before she can investigate further, Hamazaki is found dead and her husband becomes the prime suspect.
Director of Photography
A delinquent young man (Kobayashi Akira) from a wealthy family decides to get in on a blackmailing scheme targeting his young stepmother (Watanabe Misako). However, he doesn't realize that his fellow blackmailers have their eyes on his girlfriend next.
Director of Photography
山間の小駅。この駅の灯だけが、真暗闇に侘しく光っていた。ホームには、水害で不通になった列車が立往生。午前二時を指す時計の掛かった駅の待合室には、傲慢そうな重役夫妻、セールスマン、男女学生、オンリーさんの夏子、老夫婦、小粋な三十女と愛人、家出した田舎娘など足止めをくった乗客でごった返していた。この騒ぎから取り残されたように静かに佇む乳呑み児を抱いた時枝の側には、一本の手錠でつながれた刑事と殺人犯・森が立っていた。一同はバスで次の駅まで出ることになったが、いよいよ出発という時「銀行を襲撃して現金二千万円を奪った二人組のギャングが、この方面に立ち廻った形跡がある」という悪い知らせが入った。 動揺した乗客は次々とバスを降り、十四名を乗せたボロボロのバスが暗夜の中を出発した。ギャングと山崩れの恐怖に怯える夜が明けると、一同には明るさが戻ったが、時技と森だけは暗い表情を崩さなかった。行く手には、とうてい渡れそうもない朽ち果てた橋。しかしバリバリと音をたてながら、バスは危うくも橋を渡りきった。さらにバスが進むと、前方に青年が飛び出してきた。バスに乗り込んで来た二人連は、大きなボストンバックを提げていたー。
Director of Photography
A conflict between two yakuza families in Tokyo, the Izus and the Yoshidas, has recently broken out. When an Izu underling starts a fight with a Yoshida man, Fuyu, the Izu family sends Tsuruta, a senior member of the clan, to make a personal apology to Fuyu. Tsuruta discovers that the woman he is in love with is Fuyu's sister, Tatsuko. Tsuruta ends up gambling with a swindler, who is in fact Tatsuko's husband. (The general plot of the film was re-used for Seijun Suzuki's Kanto Wanderer).
Director of Photography
The first postwar war movie depicting the tragedy of a special force that shook the world at the end of the Pacific War, with thrill and speed
Director of Photography
A yakuza boss and his right-hand, Hawasaki, escape from prison. the film concentrates on their relationship, emphasizing loyalty and thier eventual betrayal, enroute they get involved in money trafficking, a cop killing and horse racing scams before the inevitable tragic ending. A patch-work production.
Director of Photography
A romantic adventure tale about a young guy working on a whale-hunting vessel and his love for a childhood sweetheart.
Cinematography
南部友助は自分の創設した南部産業株式会社の社長を退いたが、老いてもなお血気盛んで、娘たちには恋の狂言廻しをかってでていた。そんな友助をめぐり、様々な出来事が巻き起こる。娘夫婦が友助に内緒で見合いをセッティング。初恋の女性・八重ちゃんとの20年ぶりの再会。果たして友助の青春は甦るのか?
Director of Photography
A remake of High Noon (1952) as a Japanese jidai-geki sword-fighting movie.
Director of Photography
Japanese film.
Cinematography
どいつもこいつも皆くさい、睨まれた男女が十四人、流石の迷目明しエノケン旦那も首をひねった殺人事件。智恵蔵十八番の金さんシリーズ。
Director of Photography
Ebihara is a budding novelist entangled in a complicated web of relationships with three women from three different generations: Kazue, a coquettish teenage war orphan who tries to offer herself for money but is instead taken in by Ebihara, Koyabu, a middle-aged woman who has spent much of her life as the kept woman of a wealthy man, and Teruko, the modest daughter of Ebihara's former teacher who comes to rely on him after the death of her father.
Cinematography
Cinematography
Film about poet Ishikawa Takuboku