Diane Bertrand

参加作品

Baby Blues
Director
薬指の標本
Screenplay
When she is slightly hurt in the factory where she works, Iris quits her job and finds a new one as an assistant in a laboratory of a very peculiar kind. Without fully grasping what is at play around her, she gradually engages in a disturbing love affair with her enigmatic employer.
薬指の標本
Director
When she is slightly hurt in the factory where she works, Iris quits her job and finds a new one as an assistant in a laboratory of a very peculiar kind. Without fully grasping what is at play around her, she gradually engages in a disturbing love affair with her enigmatic employer.
A Saturday on Earth
Writer
A series of seemingly unconnected events and 50 important speaking parts make this film a jigsaw puzzle to be solved by the viewer. Martin and Claire were separated in childhood, and are brought together by a series of coincidences. A tragic car crash is central to the story, but seemingly unimportant events can hold great significance. Through a montage of different film stock and techniques director Diane Bertrand creates pieces of a puzzle, from which the viewer has to piece together a story. That's the premise of the film, and it is solvable. You just have to work a bit...
A Saturday on Earth
Story
A series of seemingly unconnected events and 50 important speaking parts make this film a jigsaw puzzle to be solved by the viewer. Martin and Claire were separated in childhood, and are brought together by a series of coincidences. A tragic car crash is central to the story, but seemingly unimportant events can hold great significance. Through a montage of different film stock and techniques director Diane Bertrand creates pieces of a puzzle, from which the viewer has to piece together a story. That's the premise of the film, and it is solvable. You just have to work a bit...
A Saturday on Earth
Director
A series of seemingly unconnected events and 50 important speaking parts make this film a jigsaw puzzle to be solved by the viewer. Martin and Claire were separated in childhood, and are brought together by a series of coincidences. A tragic car crash is central to the story, but seemingly unimportant events can hold great significance. Through a montage of different film stock and techniques director Diane Bertrand creates pieces of a puzzle, from which the viewer has to piece together a story. That's the premise of the film, and it is solvable. You just have to work a bit...