Miwa Takada

The son of a besieged Shogun in war-torn 17th century Japan travels to Spain to buy weaponry from the king.

Kenji Matsushita is a reportage writer. While he was interviewing the tattoo contest, he met a woman with a tattoo of a large snake, Kinue. Kineda is the mama of the bar and the wife of the president of the earth-moving company, Mogami. She was a sympathetic woman, and Kenji was drawn to her body and spent the night together. The silk branch was found in a dismembered corpse in the bathroom of her apartment, and the carved torso of the snake disappeared. Since the bathroom was completely closed, the investigation was stopped. So Kenji consults with his lover, Nobuko's older brother, Kyosuke. Kyosuke is a genius, and he solved the mystery of the closed room without difficulty. However, the criminal cannot be identified yet.

The film takes place in the popular tourist spot of Karuizawa. A working class student named Junichi becomes a waiter there in order to mix in with the upper classes. A stylish Roman Porno directed by Konuma, commemorating Nikkatsu's 70th anniversary.

Film directed by Kenji Misumi

大映「妖怪」シリーズの第一弾。一つの怪談を語るたびにロウソクを消していく"百物語"から物語は始まる。悪徳商人・但馬屋が、長屋と氏神の社殿を取り壊して女郎宿を作る計画を立てた。長屋の住人は反対するが、悪代官と結託した但馬屋は強引に計画を進める。

Two devious retainers are competing to take control of a fief when the current Lord dies, but involving Kyoshiro in the conflict against his will is the textbook example of a bad idea - especially when the collateral damage starts to tick him off.

シリーズの第17作で、後に「ブラインド・フューリー」としてアメリカでリメイクされた。座頭市は、旅先で出会った瀕死の女性からその幼い息子を彼女の夫の庄吉に届けるよう頼まれる。彼女の死後、市は少年と目的地へ。途中、謎の男、赤塚多十郎と出会うが、その素性は公儀隠密だった。悪代官やヤクザに監禁された庄吉を救うべく、立ち上がる市だったが、友情で結ばれかけた赤塚と、ある事情から一対一の対決に迫られることに...。

日独伊三国同盟が結ばれた昭和15年、上海。日本陸軍の諜報員である次郎はスパイ容疑をかけられ、本土へ強制送還されてしまい、身柄を拘束される。そこで元外相の高倉と出会うが、すべては重要情報が海外に漏洩した事件を調べる次郎の上司・草薙の策略だった。次郎は釈放された高倉を監視するため、彼のボディガードとなって接近。次郎はドイツの武官と連携し、日本に潜入した英国情報部のボス、暗号名“キャッツ・アイ”を捜す。

Third film of the yoidore hakase series

戦国の世、丹波の国で謀反が起こった。前主を弑して新しく領主の座にのぼった左馬之助は、過酷な労役を領民に課し、さらには村の守り神たる魔神像をも破壊しようとした。だが、額にくいを打ち込んだ途端、突如として山崩れが起こり、作業にあたっていた人足たちは土砂に呑み込まれてしまう。左馬之助は魔神像の破壊をあきらめたが、前主の係累に対する追及はやめなかった。ついに遺子・忠文を捕らえた彼は、忠臣とともに磔刑に処することを決定する。忠文の妹・小笹は、唯一の心の拠り所、魔神像に助けを求めるのだったが……。映像化を考慮しないで作られたかのような演出に、特撮が見事に応えた傑作作品。４．５メートルという難しいスケールに設定された魔神像は、巧みな特殊撮影によって動き回り、素晴らしいリアリティを醸し出している。

Blind swordsman/masseuse Zatoichi befriends a young woman looking for her father, a village leader who has disappeared. As he helps her investigate the disappearance, Zatoichi also becomes involved with another young woman who is trying to help her brother, who has murdered someone at about the same time and place as the missing man was last seen.

Two sisters live with their family. The elder is reserved; the younger lively. Yet, the former is first engaged and all goes well until the young man disappears

Wandering samurai Nemuri Kyoshiro (Raizô Ichikawa) finds a bulls-eye on his back after befriending the shogunate's tightfisted financial adviser, Asahina, who's earned the wrath of the shogun's self-indulgent daughter for cutting off her allowance. The enraged princess promptly hatches a scheme to have Asahina bumped off -- along with his protector, Kyoshiro. Shiho Fujimura also stars in this installment of the enormously popular film series.

In 1963, Funaki Kazuo's debut song of the same name was released and then it was adapted to a movie based on Kenji Tomishima 's novel “Shake to Tomorrow” with the same title, produced by Daiei with this song as a motif. Singer and actor Funaki Kazuo also appears in the movie, which depicts the fun, love and heartbreak in a Japanese school.

人気痛快時代劇シリーズの第４作。上州・下仁田にやってきた座頭市。折しもその地では、地元の若い親分・佐吉の二代目の襲名披露が近く行なわれようとしていた。市が投宿した旅籠の娘のぶは、佐吉と恋仲にあったが、のぶの養父・島蔵は、かつて先代の親分と諍いを起こした末、やむなくカタギの旅籠の主人となった過去の宿縁があり、今なおやくざ渡世に未練を残していた。矢切の東九郎は、そんな島蔵をたきつけて、佐吉の襲名披露を兼ねた花会を邪魔しようと企む。

The Fencing Master tells the story of a man trying to survive as the only world he knows is becoming increasingly irrelevant. Danpei Ichikawa lives for swordfighting – he was once a renowned kabuki swordfight choreographer, and as the Chairman of the New National Theatre Company, he wants nothing more than to choreograph the swordfights for the modern plays put on by the company.