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Mak Yan-Yan

略歴

Yan Yan MAK is a Hong Kong based female award-winning director. She was born in the 1970s and graduated from the Hong Kong Academy for Performing Arts in 1998. Since 1993, as a student, Mak had worked for the film industry as a continuity girl, assistant director, production manager, art director and wardrobe designer. Her graduation short film Snapshots won the Distinguish Award at the International Short Film & Video Awards of Hong Kong in 1998. After directing number of short dramas for Radio Television Hong Kong, she established her own production company Lotus Film, to make her own film. Her debut feature film, Gege (Brother), although using a very limited budget, a small crew and an all non-actors cast, was awarded the FIPRESCI Award at the 25th Hong Kong International Film Festival, the POVEGLIA Award at the International Week of Film Critics of the 58th Venice Film Festival, the Woosuk Award at Jeonju International Film Festival in Korea, as well as the Ecumenical Hury Prize at the International Film Festival Bratislavan and Fribourg International Film Festival 2001. Her second film Butterfly was chosen as the Opening Film at Venice Film Festival Critics Week and Tian Yuan was awarded as the Best New Artist at the Hong Kong Film Awards in 2005. The film was also nominated at the Taiwan Golden Horse Awards in 2004 for Best Adapted Screenplay (Yan Yan Mak) and Best New Performer (Tian Yuan). Besides feature films, Yan Yan is also active in making short film. Her video projects 'Sarangi', 'Autumn Story', '2 Cartons of Alphabet H', 'August Story' (premiered at Tokyo International Film Festival 2006, awarded 'Best Drama' in South Taiwan Film Festival), 'So Poetic' and 'Angel Catcher' have participated in many international film festivals between 2001-2008. From 2005, after become the collaborator with Hong Kong singer HOCC (Denise Ho), Yan Yan has produced numeral music videos, music short films and TV Commercials. 'The Scarlet Robe' has won the 'Best Drama' in Big Screen Film Festival, China 2007. They had finished their first feature length film 'The Decameron' (a documentary about madness, under the music project '10 Days in the Madhouse') in 2009. Yan Yan has just completed her new feature 'Merry-Go-Round' (Dong Feng Po) which will be released in Fall 2010 at Hong Kong.

参加作品

The Great War: Director's Cut

The Great War: Director's Cut

Director

The Great War: Director's Cut (2013)

Slight @ Love More HK

Slight @ Love More HK

Director

Slight @ Love More HK

Producer

The story of two women, two generations apart, who coincidentally return to Hong Kong from San Francisco where they had their first, fleeting encounter on the streets as strangers.

Writer

The story of two women, two generations apart, who coincidentally return to Hong Kong from San Francisco where they had their first, fleeting encounter on the streets as strangers.

Director

The story of two women, two generations apart, who coincidentally return to Hong Kong from San Francisco where they had their first, fleeting encounter on the streets as strangers.

Writer

The Decameron

Director

The Decameron

Writer

The film follows a girl in Hong Kong between her uncle’s dressmaking shop and her studies; between young and youth. Based on a story by Wai Chan.

Director

The film follows a girl in Hong Kong between her uncle’s dressmaking shop and her studies; between young and youth. Based on a story by Wai Chan.

2 Cartons of Alphabet H

2 Cartons of Alphabet H

Writer

Two travelers’ (a Hong Kong independent director and a Japanese musician) motorcycle diaries in northern China from November 2005 to February 2006. Forget all the vital intellectual and history garbage and get down to the real simple, good human feeling – and express it in a simple language that reaches people. No bullshit! (Or all bullshit?) Under the sound of the motor, Yanyan’s visual and Dean’s music weaves into each other; and shows the healing power of the trip to both the Chinese and Japanese souls. Everybody, at a certain point, is a little lost and sometimes we just find a connection to someone that helps to re-inspire or center us. And that experience we'll never forget. It’s a special relationship in real life - a little bit more than friends but not an actual romance. They get each other and they both know it's not going to go anywhere.

2 Cartons of Alphabet H

2 Cartons of Alphabet H

Director

Two travelers’ (a Hong Kong independent director and a Japanese musician) motorcycle diaries in northern China from November 2005 to February 2006. Forget all the vital intellectual and history garbage and get down to the real simple, good human feeling – and express it in a simple language that reaches people. No bullshit! (Or all bullshit?) Under the sound of the motor, Yanyan’s visual and Dean’s music weaves into each other; and shows the healing power of the trip to both the Chinese and Japanese souls. Everybody, at a certain point, is a little lost and sometimes we just find a connection to someone that helps to re-inspire or center us. And that experience we'll never forget. It’s a special relationship in real life - a little bit more than friends but not an actual romance. They get each other and they both know it's not going to go anywhere.

Writer

Flavia is a thirtysomething married teacher. She has suppressed the memory of her adolescent lesbian fling with Jin and is stuck in a stifling marriage. A chance encounter in a supermarket with the playful and seductive singer Yip reawakens dormant feelings and she begins to think back on her teenage affair with Jin.

Director

Flavia is a thirtysomething married teacher. She has suppressed the memory of her adolescent lesbian fling with Jin and is stuck in a stifling marriage. A chance encounter in a supermarket with the playful and seductive singer Yip reawakens dormant feelings and she begins to think back on her teenage affair with Jin.

The Body of Book

The Body of Book

Director

The Body of Book - short film

Director

Ah Ming searches for his brother, who ran away seven years prior. The only clue is a single letter sent from the remote town of Qinghai. Once there, Ah Ming slowly wins the trust of the locals and talks to his brother's friends. Eventually he finds his brother's Super-8 film and a map of China marked with his travels. Recognising that he is unlikely to ever find his brother, Ah Ming fatefully follows in his sibling's footsteps. - Melbourne International Film Festival

Love Will Tear Us Apart

Love Will Tear Us Apart

Production Manager

The film gets under the skin of a very marginalized group: recent immigrants to Hong Kong from Mainland China. Belying the expectation that they will belong in a territory now returned to China's sovereignty, they find themselves lonely, frustrated, poor, and employable only in the most menial jobs, from elevator service staff to prostitution.

Director

1998 short by Mak Yan-Yan

Director

1995 short film