Malla Malmivaara

The Singer is a film about the all-time favourite singer in Finland, Olavi Virta. A man who rose from poverty all the way to the top and became an artist who was dearly loved by the Finnish people. A man who loved beautiful women and was loved by beautiful women. A man who enjoyed speed, American cars, applause and alcohol and who finally lost everything but his unique voice.

Eevi works in a beauty parlor, leading a humdrum life in the suburbs of Helsinki with his husband Kari, a wannabe rocker. After the jackpot, the couple agrees to carry on with their lives as before, without telling anyone about the stroke of luck. But the money is burning holes in their pockets and that’s hard to hide. Their opinions about themselves and their relationship are put to the test. Everyone seems now to have a strange attitude towards them – although they try to pretend to be the same people as before. Do the millions bring happiness after all?

Through the eyes of two 12-year-old boys, the sexual revolution arrives in a conservative and religious small town in Northern Finland.

Ella’s friend Pate has hard time learning multiplication tables. With a little help from his friends, he decides to be a rockstar so he wouldn’t need to study anymore but his manager could study for him. Soon music industry has big plans for Pate aka Paterock.

The movie is about the Lokomo laborer, and group of friends that dreams come true and a thirst for fast-paced life that take decades.

Mirccu has a dream job as the PR coordinator of a record company. When her boss, the music mogul Martin threatens to fire her, she is forced to find her own way to success. Together with her football-playing boyfriend Roba who is recovering from an ankle injury she has to reflect whether the good times are really over, and to what lengths they are willing to go to survive. She is given one last chance to prove herself by successfully launching the career of an obnoxious fifteen-year-old teenage star-to-be with the code name Dirty Bomb.

Kid's sing along animation with songs by a somewhat popular kid rap duo Ella & Aleksi

The director Lauri Nurkse tells that Veijarit is a film about "arjensietokyvyttömyys" (= inability to tolerate everyday life) and about the Peter Pan complex. The main actor Mikko Leppilampi says it's about "kolkyttoistavuotiaat" (= thirtyeenagers = people of thirty behaving like teenagers). An immediate reference point is the commedia all'italiana of the 1950s and the 1960s, the black comedy often exposing the infantile stage of development of the Italian male. Saku and Ässä are anti-heroes, but we never fail to sense the humanity behind their shallow and crazy ways. Veijarit is a satire and a parody of a superficial way of life, but there is a vitality in the protagonists that we feel can lead them to a more meaningful stage of existence after the prolonged youth full of sound and fury. There is a motif of transcendence in the imagery of flying: will the balloons carry me or will they burst.

Jalil is 17-year-old boy living with his Iranian family in a suburb near Helsinki. Though he has lived in Finland all his life, it seems hard for him to find acceptance among the "native" Finns. At home he faces the opposite problem. His parents demand him to respect Iranian cultural traditions. Jalil is about one day in the life of a boy standing on the edge of two cultures. On this summer day big things are bound to culminate; religion, identity, love.

Two 18-year old girls from a christian fundamentalist community flee to a city for a summer job.

Tom, a wide-eyed, innocent sixteen year-old, finds himself an unwitting accomplice in a deadly game of vengeance and death when he befriends Artur - a Chechen man, hell bent on revenging the torture and murder of his family - on the streets of Tallinn.

Two Chinese university dropout audiophiles set out on a quest to decode a mysterious message received from the Moon, but quickly find themselves fighting against the mother of all conspiracy theories – the Illuminati.