Kamal Bose

出生 : 1915-01-01,

死亡 : 1995-10-01

参加作品

Chauraha
Director of Photography
Amar a 12 yr old orphan works in a hotel and at night, studies at Masterjis school Kalinath a pimp murders one of his customers and the innocent Amar is convicted instead of Kalinath. After many years, Amar (Jackie Shroff) returns after completing his sentence and finds everything changed. The school had made way for a gamble-house. He comes to know that Kalinath is dead and his son Baba Bhatti (Danny Denzongpa) is one of the leading criminals. Amar brings the crooks to book and the gamble-house now makes way for 'Insaaf Ghar'. Amar falls in love with Poonam (Ashwini Bhave), an honest inspector's sister. Amar comes across a poster of Badrinath, who is contesting the elections. He identifies him instantly, he is the pimp Kalinath, Amar and his friends Kidnap Kalinath alias Badrinath two days before the elections. What happens next? View 'CHAURAHA' to know the remaining part.
Dayavan
Director of Photography
A tale of near Biblical proportions, telling the story of Dayavan, a heroic do-gooder who dedicates his life to helping those less fortunate then himself.
Gone to Waste
Cinematography
Jamal and Pratap are close friends until one is sentenced to five years in jail and the other becomes involved in gang activity.
Janbaaz
Director of Photography
Rana Vikram Singh has two sons, police officer Rajesh and fun-loving playboy Amar. Rajesh has gone through a traumatic experience of losing the girl he loved when she succumbed to drug addiction. He vows to fight this menace.
Vakil Babu
Cinematography
Shekar is a sculptor who is blind. He eventually falls in love with Kalpana though his insecurities make him kill her ex lover who he thinks is having an affair with her. What is Shekar's fate now?
Qurbani
Director of Photography
A cabaret dancer and singer, Sheela (Zeenat Aman) has two admirers: a small-time thief Rajesh (Feroz Khan), and a young, eligible widower, Amar (Vinod Khanna). Both are best friends and does not know that they love the same woman.
Heeralaal Pannalaal
Director of Photography
The movie starts with two innocent and kind hearted guys named Heeralal and Pannalal. They are famous among criminals as they have helped police in capturing them several times. Heeralal is in search of his parent’s killer but has no idea of him at all. Pannalal is in search of his father. Heeralal meets with a girl named Ruby and falls in love with her. Pannalal falls in love with Ruby’s friend, Neelam. Kalicharan, who is a renowned criminal has decided to teach a lesson to Heeralal and Pannalal for interfering in their business. But instead Kalicharan is forced to run from the police. Police commissioner, Premlal is very happy with the guys and wants to protect them from Kalicharan and his friend, Panther’s anger.
Bairaag
Director of Photography
Dilip Kumar in Triple Role
Dharmatma
Director of Photography
Wealthy, powerful and influential Seth Dharamdas leads a financially secure life in a palatial mansion. He is known to come to the aid of all people who are beyond any hope of assistance, and this leads to him being known as "Dharmatma". But Seth Dharamdas does have a number of skeletons in his closet, and a parallel life as a gangster. The only person Dharamdas hates and fears is none other than his very own son, Ranbir, who has sworn that he will never compromise with his father's dark career, and threatens to expose him. Dharamdas has never conceded surrender or defeat at the hands of any mortal, and will never even consider to do so - even if this means the death of Ranbir.
Anari
Director of Photography
A young couple struggle with poverty, but a job opportunity which cancels their financial woes leads to new tests of character
Annadata
Director of Photography
After the passing away of her father, a local physician, Aarti takes it upon herself to dispense medicine, as well as sew clothes, and looks after a child named Kundan who has lost his legs to paralysis. She has a admirer in Arun, who secretly loves her, would like to marry her, but knows that he is poor and will be unable to afford a family, as he is a mere painter. Then an elderly man enters Aarti's life, he is ill, she offers to look after him until he gets better and leaves, but he does not leave, as he has nowhere to go, and she allows him to stay. Then good luck smiles on them as Arun sells one of his paintings, and he is able to get artificial legs for the child. What Arun and Aarti do not know is that the elderly male is really a very wealthy man named Ambarprasad, who had run away from his home when he was accused of having sex with his protégé, a young woman, who he had brought up. The question is what is Ambarprasad up to now?
Apradh
Director of Photography
Romance between a beautiful thief and a race car driver
Dastak
Director of Photography
Tells the story of newly weds Hamid and Salma. They move into a rental flat next door to the local red light district. The flat had been the former home of a well known mujra and qawali singer, Shamshad. Men still come to the door in the hope of seeing Shamshad and do not seem too put out by seeing Salma despite her protestations. The couple struggle to live within the bounds of their own moral code while the earnings of prostitution seem to be flaunted around them. Hamid gets more and more angry and seemingly unable to reconcile his morality with the immorality of the world and at one point beats his wife and then rapes her making her into a 'whore' of his fantasy. The story here bears resemblance to the later 'Ek Chadar Maili Si' by the same director and seems to explore the complex world of women and sexuality as viewed by Indian men: mother, goddess, whore. This film also explores the ethos of prostitution in its reality and as a metaphor for the outside world.
Safar
Director of Photography
Neela and Avinash are medical students, and are attracted to each other. But Avinash is poor and wants Neela to live a comfortable life. When Neela, who tutors Monto Kappor, meets his elder businessman brother, Shekhar, he instantly falls in love with her. He goes to propose marriage with her and meets her brother.
Khamoshi
Director of Photography
Colonel Sahab is a doctor in a psychiatry ward and Nurse Radha (Waheeda Rahman) is heart-broken after a civilian patient, Dev Kumar (Dharmendra), whom she cared for, pouring out her love and affection, leaves the hospital, as she had been unable to keep her heart separate from her professional work and had fallen in love with her patient. Next Arun Choudury (Rajesh Khanna), a writer and poet enters as a patient, suffering acute mania after being rejected by his lover, Sulekha. After refusing to take his care, Radha relents and starts nursing him. In between while caring for Arun she reminisces her past and tells a story of how she took care of injured brave army soldiers when she was posted in Laddakh during the Sino-Indian war of 1962.
My Love
Director of Photography
Raj Kumar falls in love with the beautiful, Indian singer Sangeeta Thakur when she comes to tour Kenya, but his father wants him to marry his wealthy childhood friend, Rani, instead
Anokhi Raat
Director of Photography
A young woman agrees to marry a much older man in order to save her grandfathers home.
Bandini
Director of Photography
During the British Raj of the 1930s, a prison-doctor falls in love with a convict who eventually reveals the story of her past and her connection to a freedom fighter.
Kabuliwala
Director of Photography
A poor Afghani leaves his family behind to earn a living as a dried fruit vendor in India. Profoundly homesick, he befriends a young girl who reminds him of his own daughter. Meanwhile, the locals are distrustful of all foreigners.
Immortal Stupa
Camera Operator
Documentary on the Great Stupa at Sanchi, built by the Emperor Ashoka, and adorned with some of the finest examples of Buddhist art in the world.
The Test
Director of Photography
The postmaster of a village receives a check for 500,000 rupees, for the purpose of bequeathing it to the village’s most upstanding citizen.
Sujata
Director of Photography
A girl from the Untouchable caste is adopted by an upper-caste family, and does not learn of her background. This proves problematic when she grows up and falls in love with an upper-caste man, who is in love with her as well.
Apradhi Kaun?
Director of Photography
A wealthy man, suspected of murder, is killed before he can be arrested. Everyone in his household is under suspicion. A private investigator looks into the case and finds himself falling in love with one of the suspects.
Musafir
Director of Photography
The story is about a house consisting of three families who live in it. It is three stories linked by the house.
Devdas
Director of Photography
Childhood sweethearts grow up in a small village with a love-hate relationship which changes to love when they mature.
Naukari
Director of Photography
The comic, tragic and heartrending saga of Ratan Kumar Chaudhary, who leaves his village, aging mom and seriously ill sister, to obtain employment in Calcutta, only to end up in a tiny tenement apartment full of other unemployed youths.
Two Acres of Land
Director of Photography
An impoverished man and his young son travel to Calcutta and look for work, in order to make money that'll save their ancestral land from being seized by a corporation.
Parineeta
Director of Photography
In Calcutta at the turn of the century, two families (one wealthier than the other but both belonging to the same caste) live in adjoining properties. Their respective patriarchs fall out over the repayment of a loan and the intervention of a member of a lower caste in the families' financial arrangements. The rift causes much heartache to the younger members of the families, two of whom have secretly plighted their troth to each other.
Pehla Aadmi
Cinematography
It was 1943. Burma was under Japanese control. In Pegu, a small place near Burma lived two Indian families. They were neighbors Kumar and Lata loved each other. Their parents were also willing to see them engaged. Suddenly one day, it came out in the news paper the Netaji Subhas Chandra Bose had called on the people to give him blood so that he could give them freedom. Kumar was reluctant but later on he decided to join the INA.
Anjangarh
Cinematography
When a local mining company has the audacity to provide its workers a fair wage for a fair day's work, and lets its workers unionize, the kingdom's villainous potentate is less than pleased. After considerable pressure, the company agrees to blame unrest in the region on a blameless worker collective. (Synopsis by Jonathon Crow at AllMovie)