Kevin Willmott
出生 : 1959-08-31, Junction City, Kansas, USA
略歴
Kevin Willmott (born August 31, 1959) is an American film director and screenwriter, and professor of film at the University of Kansas. He is known for work focusing on black issues including writing and directing Ninth Street, C.S.A.: The Confederate States of America, and Bunker Hill. His The Only Good Indian (2009) was a feature film about Native American children at an Indian boarding school and the forced assimilation that took place. In Jayhawkers (2014), he followed the life of Wilt Chamberlain, Phog Allen and the 1956 Kansas Jayhawks basketball team. Willmott has collaborated with Spike Lee, with whom he shared an Academy Award for Best Adapted Screenplay for BlacKkKlansman. The two again collaborated in writing Da 5 Bloods, released worldwide digitally on June 12, 2020.
Self
Chasing Chasing Amy examines the complex legacy of Kevin Smith's "Chasing Amy" on LGBTQ+ people and its life-saving impact on director Sav Rodgers.
Self
A look at the extraordinary achievements and contemporary legacy of Oscar Micheaux, a pioneer of the African-American film industry.
The Narrator
A photographer and a writer cross paths.
Producer
The incredibly powerful and timely true story of the all-black Twenty-Fourth United States Infantry Regiment, and the Houston Riot of 1917. The Houston Riot was a mutiny by 156 African American soldiers in response to the brutal violence and abuse at the hands of Houston police officers.
Writer
The incredibly powerful and timely true story of the all-black Twenty-Fourth United States Infantry Regiment, and the Houston Riot of 1917. The Houston Riot was a mutiny by 156 African American soldiers in response to the brutal violence and abuse at the hands of Houston police officers.
Director
The incredibly powerful and timely true story of the all-black Twenty-Fourth United States Infantry Regiment, and the Houston Riot of 1917. The Houston Riot was a mutiny by 156 African American soldiers in response to the brutal violence and abuse at the hands of Houston police officers.
Writer
ベトナム戦争からほぼ半世紀。ともに戦った4人の黒人退役軍人が、隊長の亡骸と埋められた金塊を探し出すために戦場へと舞い戻る。スパイク・リー監督作品。
Screenplay
差別が色濃く残る時代、コロラドスプリングスで初めての黒人刑事として採用された主人公が、白人至上主義団体「KKK」への潜入捜査を行なう。まさかの実話をスパイク・リー監督が映画化したクライム・サスペンス。
Writer
Narrated by Bill Kurtis, this documentary that explores the life an accomplishments of William Allen White.
Director
Narrated by Bill Kurtis, this documentary that explores the life an accomplishments of William Allen White.
Executive Producer
A modern day adaptation of the ancient Greek play Lysistrata by Aristophanes, set against the backdrop of gang violence in Chicago.
Writer
A modern day adaptation of the ancient Greek play Lysistrata by Aristophanes, set against the backdrop of gang violence in Chicago.
Writer
A group of unlikely allies modernized college sports and changed a small Midwestern town, serving as a parallel to the Civil Rights movement that would transform the entire American society.
Director
A group of unlikely allies modernized college sports and changed a small Midwestern town, serving as a parallel to the Civil Rights movement that would transform the entire American society.
Dr. Warrington Avery
In 1939, a group of African American intellectuals come up with an ingenious and unlikely response to Jim Crow America -- leave the planet and populate Mars. Using technology created by George Washington Carver, a three-person crew (plus one rambunctious robot) lift-off in Earth's first working spaceship on a mission that will take them to a world not unlike present-day America. Their spacey adventure illuminates some hard truths about American culture, and threatens to undermine the time-line of history along the way.
Producer
In 1939, a group of African American intellectuals come up with an ingenious and unlikely response to Jim Crow America -- leave the planet and populate Mars. Using technology created by George Washington Carver, a three-person crew (plus one rambunctious robot) lift-off in Earth's first working spaceship on a mission that will take them to a world not unlike present-day America. Their spacey adventure illuminates some hard truths about American culture, and threatens to undermine the time-line of history along the way.
Director
In 1939, a group of African American intellectuals come up with an ingenious and unlikely response to Jim Crow America -- leave the planet and populate Mars. Using technology created by George Washington Carver, a three-person crew (plus one rambunctious robot) lift-off in Earth's first working spaceship on a mission that will take them to a world not unlike present-day America. Their spacey adventure illuminates some hard truths about American culture, and threatens to undermine the time-line of history along the way.
Writer
In 1939, a group of African American intellectuals come up with an ingenious and unlikely response to Jim Crow America -- leave the planet and populate Mars. Using technology created by George Washington Carver, a three-person crew (plus one rambunctious robot) lift-off in Earth's first working spaceship on a mission that will take them to a world not unlike present-day America. Their spacey adventure illuminates some hard truths about American culture, and threatens to undermine the time-line of history along the way.
Director
Set in Kansas during the early 1900s, a teen-aged Native American boy is taken from his family and forced to attend a distant Indian "training" school to assimilate into White society. When he escapes to return to his family, Sam Franklin, a bounty hunter of Cherokee descent, is hired to find and return him to the institution. Franklin, a former Indian scout for the U.S. Army, has renounced his Native heritage and has adopted the White Man's way of life, believing it's the only way for Indians to survive. Along the way, a tragic incident spurs Franklin's longtime nemesis, the famous "Indian Fighter" Sheriff Henry McCoy, to pursue both Franklin and the boy.
Writer
Peter Salem, a former Wall Street executive recently released from prison, returns to his ex-wife and children in the small town of Bunker Hill, Kansas. Soon after he arrives, the town's electricity and power are shut off, and there is no way to communicate with authorities outside of town. The town's militant past is reawakened and forces coalesce to protect citizens from an unseen enemy. The town's fear leads to the creation of a posse of gunmen, resulting in torture, illegal searches and eventually, murder, against which Salem must stand.
Director
Peter Salem, a former Wall Street executive recently released from prison, returns to his ex-wife and children in the small town of Bunker Hill, Kansas. Soon after he arrives, the town's electricity and power are shut off, and there is no way to communicate with authorities outside of town. The town's militant past is reawakened and forces coalesce to protect citizens from an unseen enemy. The town's fear leads to the creation of a posse of gunmen, resulting in torture, illegal searches and eventually, murder, against which Salem must stand.
Writer
Through the eyes of a British "documentary", this film takes a satirically humorous, and sometimes frightening, look at the history of an America where the South won the Civil War.
Director
Through the eyes of a British "documentary", this film takes a satirically humorous, and sometimes frightening, look at the history of an America where the South won the Civil War.
Expert
A mockumentary about the search for a mysterious creature known as Inflata-boy.
Producer
The inhabitants of a deteriorating section of 1968 Junction City, Kansas known as "Junk City" bemoan their existence and revel at the history of their neighborhood during its 1940's heydays when legendary jazz musicians regularly played its clubs. In 1968, the area has diminished to strip clubs and juke joints inhabited by Vietnam War draftees that pass through from nearby Fort Riley. Heads of the group include a wino who lost a leg in WWII, a taxi dispatcher, a saloon owner, and a crazed bag lady. The younger generation is represented by a young prostitute who is trying to get off the streets, but is forced to continue to work by a no-good boy friend and the need to feed her baby. Martin Sheen also appears as a white minister who prefers the people in the area over his own congregation.
Writer
The inhabitants of a deteriorating section of 1968 Junction City, Kansas known as "Junk City" bemoan their existence and revel at the history of their neighborhood during its 1940's heydays when legendary jazz musicians regularly played its clubs. In 1968, the area has diminished to strip clubs and juke joints inhabited by Vietnam War draftees that pass through from nearby Fort Riley. Heads of the group include a wino who lost a leg in WWII, a taxi dispatcher, a saloon owner, and a crazed bag lady. The younger generation is represented by a young prostitute who is trying to get off the streets, but is forced to continue to work by a no-good boy friend and the need to feed her baby. Martin Sheen also appears as a white minister who prefers the people in the area over his own congregation.
Director
The inhabitants of a deteriorating section of 1968 Junction City, Kansas known as "Junk City" bemoan their existence and revel at the history of their neighborhood during its 1940's heydays when legendary jazz musicians regularly played its clubs. In 1968, the area has diminished to strip clubs and juke joints inhabited by Vietnam War draftees that pass through from nearby Fort Riley. Heads of the group include a wino who lost a leg in WWII, a taxi dispatcher, a saloon owner, and a crazed bag lady. The younger generation is represented by a young prostitute who is trying to get off the streets, but is forced to continue to work by a no-good boy friend and the need to feed her baby. Martin Sheen also appears as a white minister who prefers the people in the area over his own congregation.
Huddie
The inhabitants of a deteriorating section of 1968 Junction City, Kansas known as "Junk City" bemoan their existence and revel at the history of their neighborhood during its 1940's heydays when legendary jazz musicians regularly played its clubs. In 1968, the area has diminished to strip clubs and juke joints inhabited by Vietnam War draftees that pass through from nearby Fort Riley. Heads of the group include a wino who lost a leg in WWII, a taxi dispatcher, a saloon owner, and a crazed bag lady. The younger generation is represented by a young prostitute who is trying to get off the streets, but is forced to continue to work by a no-good boy friend and the need to feed her baby. Martin Sheen also appears as a white minister who prefers the people in the area over his own congregation.
Screenplay
The story of Wimbledon tennis champ and civil rights activist Arthur Ashe
