Maurice Nasil

Victor Vautier is incorrigible: he's in constant motion, working several cons at once, using different names and changing disguises. He's charming and outrageous, incapable of uttering a sentence that isn't embellished or an outright lie. His life goal is to make enough money to build a sea wall to protect Mont-Saint-Michel. Charlotte, a parole officer, shows up: she's young and seems taken in by Victor. He discovers she lives above the Senlus Museum, where her parents are the curators. With two pals he decides to steal a priceless El Greco triptych and then ransom it back to the cultural ministry. What will Charlotte do when she realizes he's used her to make a fortune?

Victor Vautier is incorrigible: he's in constant motion, working several cons at once, using different names and changing disguises. He's charming and outrageous, incapable of uttering a sentence that isn't embellished or an outright lie. His life goal is to make enough money to build a sea wall to protect Mont-Saint-Michel. Charlotte, a parole officer, shows up: she's young and seems taken in by Victor. He discovers she lives above the Senlus Museum, where her parents are the curators. With two pals he decides to steal a priceless El Greco triptych and then ransom it back to the cultural ministry. What will Charlotte do when she realizes he's used her to make a fortune?

A man makes clumsy attempts to marry his naive young ward.

An escaped convict makes a remote gas station his safe haven. But soon the cunning, devious wife of the owner seeks a chance to use him to get what she wants.

In 1942, a French prisonner of war in Germany decide to escape to France using a cow hold by a lunge as a decoy. He cross all Germany in this way.

Back from the war, Marceau Le Guern remembers. Educated in an orphanage run by Dominican brothers, he fell into misery when he left it. His only asset was his good looks, which did not escape the attention of Madame Alice, a shady woman who persuaded him to pose for pornographic photos meant for lonely aging women. Marceau also served as a gigolo before the war and captivity put an end to this juicy business. Now he wants to start a new life, all the more as ha has found love in the person of a pure young lady named Dominique. But Madame Alice won't hear of it...

Jean Michaut is a bargeman who lives nearby an old barge cemetery named "Bras-Mort". He is in love with Monique, the daughter of a wealthy boat owner. The girl returns his affection but runs her head against the wall of her family's class prejudices. Her "nearest and dearest" prove indeed prepared to do everything to separate the two lovers. But Monique will not buy in. On the contrary, she leaves her intolerant family to live with Jean among simple, more tolerant bargemen.

Suppose lost and found objects could talk... But they can! At least four of them... : -A statuette of Osiris remembers how two ex-lovers, a model and a good for nothing who claimed to be an Egyptologist, met again one Christmas Eve. -A violin has things to say about Raoul, a humble policeman who lost Solange, a widowed grocer he loved, to a god-dam seducing busker also named Raoul. -A scarf was witness to an eerie romance between a young madman and girl he had saved from suicide. -A funeral wreath lets us know how it caused a young woman to believe her lover dead. After having told their respective story, the objects return to their customary stillness.

The evocation of Paris in the 1920s mingles with the rapid rise of the irresistible Caprice, a talented singer, and her tumultuous love affair with Jeff the composer. A photographer nicknamed Bagnolet, a gentle anarchist, gently monitors the activities of Caprice, who has become Lady Paname and, in the absence of morality, makes love triumph.

The story of the Swiss soldier, Henri Dunant, who was responsible for the founding of the Red Cross, and who was offered the first Nobel Peace Prize.

Political intrigue and psychological drama run parallel. The queen is in seclusion, veiling her face for the ten years since her husband's assassination, longing to join him in death. Stanislas, a poet whose pen name is Azrael, is a suicidal anarchist, his imagination haunted into hate by longing for this queen who's drawn apart. He enters her private quarters intent on killing her then himself, but they fall in love, in part because he looks like the king. Stanislas wants her to regain political power by appearing to the public, and she tries to convince him to find hope and escape. All the while, the queen's enemies plot to keep the lovers together but to thwart their plans.

1946, a man walks in Lyon. He makes a pilgrimage to the places of his childhood. Another man, Edmond Gonin, recognizes him. It was Jean-Jacques Sauvage, whom he had ousted in a "radical" way with a young heiress. Only Savage is not dead, and here he is on the scene of his first love.

Following a trivial road accident, Ariane, an international adventuress, falls in love with Bernard Fleuret, a young artist-painter with diseased lungs. Being pursued by the police, she chooses to hide in the sanatorium where the young man is treated. Ariane proves so smitten by love that she finally changes her ways: she decides to let herself be arrested, sure as she is she will be reunited with her loved one later on.

In 1919, Pierre Darmont, a handsome, much-loved piano virtuoso, falls in love with Anne Morris, a young woman who shares his tender feelings. But, quite inexplicably, after an unforgettable night, Anne vanishes without trace. Twenty years later, Pierre, at the peak of his glory, has become embittered. Unable to recover his unhappy love affair, he has collected women without ever committing himself to any. Until some night he meets the eyes of a beautiful young lady, who happens to be the spitting image of his great love...

A florist in a nightclub in Montmartre, a good, naive man is manipulated by a gang of gangsters who use him to smuggle drugs.