Paul Vega

Amelia is a young nursing assistant who finds herself without a job; her friend Cecilia (a nurse) proposes that she replace her in the care of an elderly millionaire who is looking for a person to help him. When Amelia goes to don Víctor’s house to introduce herself, she meets a bitter and authoritarian man who treats her with coldness and indifference. The atmosphere of the spacious and elegant house changes little by little when Don Víctor discovers that behind Amelia there is a young woman with a firm personality who is not without sympathy and good nature. And having overcome the initial resistance, Amelia begins to perceive a special interest on the part of Don Víctor and both expand their conversations and speak from their different perspectives of conceiving life and, despite the differences, the relationship becomes closer.

Tato just moved back home penniless. He decides to sell his bedridden mother’s house. Now he must build a replica of his mother’s bedroom to create the illusion that she is still in her home.

A family dad with no technology knowledge is fired by his new boss, a young millennial. In desperation to don't lose his home and after learning that his wife is pregnant, he decides to become a YouTuber, for what he will need the help of his two misunderstood kids.

What happens if you join a discouraged music lover with an exasperated romantic counselor and his hot friend recently arrived from Miami? Or a woman desperate to be a mom with a single father and a failed husband in the middle? Or a woman who just wants to have fun with a man who only thinks about her? The result is a very funny romantic comedy where the characters discover that it is never too late to become Lovers of Love.

At age ten, Paolo asks his mother he wants to meet his father, an unknown soccer player who retired early due to an injury. The boy does not know it, but the reunion with his father and with his discipline, incites in him a change of character that will turn him into the professional soccer player that all Peruvians know well; the warrior, the fighter. Paolo with the help of his neighborhood friends and with all the support from his mother, manages to overcome obstacles and fulfill his dream.

The remains of a male body that disappeared during the years of political violence have been exhumed, but nobody claims them. Now the only clue to his identify is the picture of a smiling girl found in his shirt pocket. Only a blurred photograph, a snapshot of a time and a memory…

A young girl convinces herself that she will die on the same day that her brother will be born.

Ella – well she has a name too – Luna (Patricia Garza), is actually about her much older husband and painter Alfredo (Paul Vega), and his choice of actions/reactions after she decides to leave him for a lover that he wasn’t aware of. Alberto has been going through a creative crisis and is under pressure to complete a series of paintings for a forthcoming show. It is nevertheless also plain to see that he’d been treating Luna, who’s also his model, largely as an object of desire and obsession – capturing with camera her every movement in the house when she’s not posing for him, and memorising her every physical feature, moles and warts included – he’d apparently counted twenty seven moles on her body. When Alfredo tracks down and entraps the lover she’d wanted to elope with (Rómulo Assereto), he’ll discover that they both have more in common than merely desiring the same woman…

The movie follows the life of Enrique Aet, an engineer whose main obsession is to improve communications between the Peruvian jungle and Lima.

Four middle class couples ranging from late teens to middle aged. All they can think about is sex but will they make it through the day?

前作から2年。CIAのパメラ・ランディは、ベルリンである事件の調査を行っていたが、何者かの襲撃を受け、調査チームの一人が死亡。時を同じくして、ボーンたちにも危険が迫る。人目を避けてインドのゴアで暮らしていたジェイソン・ボーンと恋人のマリーに刺客が迫り、マリーは殺されてしまう。ボーンはCIAが自分を始末しようとしていると推測してCIAを追い、CIAのパメラは現場に残されたボーンの指紋から襲撃犯はボーンだと考えボーンを追う。そしてベルリンとモスクワを舞台に、次第に「トレッドストーン計画」に隠された真実が明らかになっていく。

President Fujimori's government is on its way out, and the citizens of Peru are struggling to get by, often engaging in unscrupulous means to get ahead--or just to make a buck. Rafo is a struggling filmmaker who supports his girlfriend Laura. He encounters a Spanish con artist posing as an executive for a major phone company, the Spaniard draws Rafo into an elaborate scam.

フランス中西部で遺跡を発掘していた調査隊が、14世紀の地層から当時存在しない遠近両用メガネのレンズと、助けを求めるメモを発見する。なんとそれらは行方不明になった調査隊の指導者、ジョンストン教授のものだった。やがて、教授が偶然発明されたタイムマシンの実験に関わっており、その過程で消息不明になったことが判明する。教授の息子であるクリスたちは、SOSに応えるため危険な過去への旅に出発する。

Ana is a rich, repressed housewife. Much to her annoyance, her husband rents out their garden to a soap-opera production, and goes away on a business trip. In her dull solitude, Ana follows the shooting from her window, and soon becomes just as engrossed in the soap-opera as her two maids. When accidentally mistaken for an actress, she ends up being cast for a role -to the great dismay of the other actresses and her maids. The set soon becomes dominated by gossiping, intrigues and blackmail, while the boundary between her real world and the make believe world of soap-operas begins to blur. Ana finds herself entangled in a real life soap-opera all of her own when she tries to get everything back to normal before her husbands comes home.

When she was 17 years old, Natalia married Don Matias following her parents desires. But it wasn't until Father Santiago arrived to this little town that Natalia felt in love for the very first time.

Through out six different and yet parallel stories that take place during the corrupted goverment during the 90s in Peru, Lombardi tells the moral decomposition that ran through all classes and generations of the peruvian society.