Robert Millié

参加作品

Clouds Over Conakry
Director of Photography
BB works as a political cartoonist at a liberal newspaper, his more outrageous efforts duly appreciated but not necessarily published by his boss. He's in love with the boss’ lovely, talented computer-scientist daughter, Kesso. But his choice meets with stiff opposition from his strict Muslim father Karamako, who is the chief of his village as well as imam of Conakry, especially when Kesso becomes pregnant with BB’s child.
Siraba, the Great Way
Director of Photography
The film centers on the plan of a government minister to build a road through a sacred forest and the local community's resistance to this project.
Sia, the Myth of the Python
Director of Photography
Kaya Maghan, the despotic king of Wagadou, follows the instructions of his priest by ordering the religious sacrifice to the Python God of Sia Yatabaree, the virgin daughter of a notable family. A gift of gold equivalent to Sia’s weight is given to her family as compensation for surrendering their daughter for the sacrifice. However, Sia runs away and finds shelter in the home of a mad prophet who has railed against the king. The king orders his top general to locate Sia, but the general is conflicted since Sia was engaged to marry his nephew, Mamadi, who is in battle on behalf of the kingdom. Mamadi returns and joins his uncle to do battle against the Python God. - Wikipedia, accessed 31 July 2021
Bye Bye Africa
Director of Photography
A Chadian film director who lives and works in France (Haroun) returns home upon the death of his mother. He is shocked at the degraded state of the country and the national cinema. The filmmaker decides to make a film dedicated to his mother.
Goï-Goï
Director of Photography
A dissolute man whose wife cheats on him seeks revenge to preserve his honor.
Keita! The Voice of the Griot
Director of Photography
It is an ordinary afternoon for young Mabo Keïta, at home, in Burkina Faso (West Africa). While his parents are taking a nap, he reads a schoolbook on the front porch when a stranger - an elderly man carrying his own hammock - appears for an unexpected visit. It turns out that the old man is a griot, a West African musician/entertainer whose performances include tribal histories and genealogies. The position of a griot is a time-honored one and passed down from father to son for many generations.
Maral tanié
Director of Photography
Directed by Mahamat-Saleh Haroun.
Massacres
Director of Photography
A European man sets up a business in Korea to deal in snuff films. The police quickly catch on to his dealings and attempt to hunt him down.
La politique du pire
Director of Photography
English Education
Director of Photography
After losing both her parents, young Sylvie is enrolled in a strict boarding school of Victorian English education. The school readily and willingly resorts to a very strict regime of correction and corporal punishment to discipline its female pupils and the young girls compensate for the rigors of their education by devoting themselves to all kinds of kinky schoolgirl sexual encounters.
Extramarital Affairs
Camera Operator
Bertrand is alone. His young wife Jenny is away from Paris for a few days. He's happy with the situation and finds himself quickly overwhelmed with women...without knowing that Jenny perfects her sexual skills as well. When Jenny returns they will admit their respective adventures and decide to pursue those adventures together, to break the monotony of the household.
My Wife Is a Whore
Cinematography
Solange feels no sexual pleasure with her husband. Learning that a very discrete brothel has opened nearby, she decides to "work" there to satisfy her needs.
Evenings of a Voyeur Couple
Director of Photography
French movie about a couple who get thrills off of watching themselves have sex. Soon they realize that watching the other spouse with different people might be an even bigger turn on.
Mistress for a Couple
Cinematography
Georges (Guy Bérardant) is head over heels in love with Claire (Julia Perrin), his lover. Since he still has nice feelings towards his wife (Brigitte) he would like to simply divorce, but she has the money. He decides to ask two killers Max (Joël Charvier) and Edmond (Dominique Aveline)) to do the job. Brigitte, being a gorgeous lady, has no trouble seducing both men and ruling them. So she asks them to kidnap Claire and have some fun with her. They film the scene and show it to the husband. The film ends in the usual orgy where the husband makes friend again with his wife who finally agrees on living with him and his lover.
Zizis In Madness
Cinematography
In a small country village, a beneficiary for a large inheritance requires proof of morality, unfortunately that won't be easy.
Brigade Call Girls
Director of Photography
A mysterious maniac is killing a madame's call-girls.
Velor tongue
Cinematography
Mark Philips is the owner and creative director of a club that specializes in live sex shows. Tired of the derivative routines he sees auditioned, he finds a new gem in Ingrid, a nymphomaniac kitchen lady who works in the backrooms of his club. Specializing in fellatio, he dubs her "Velor Tongue" and tries to make her a star. But the naive Ingrid proves harder to control than he'd imagined.
The Year 01
Director of Photography
The film narrates a utopian abandonment, consensual and festive of the market economy and high productivity. The population decides on a number of resolutions beginning with "We stop everything" and the second "After a total downtime will be revived-reluctantly-that the services and products including lack will prove intolerable. Probably: water to drink, electricity for reading at night, the TSF to say "This is not the end of the world, this is an 01, and now a page of Celestial Mechanics". The implementation of these resolutions is the first day of a new era, Year 01. The Year 01 is emblematic of the challenge of the 1970s and covers such diverse topics as ecology, negation of authority, free love, communal living, rejection of private property and labor.