Anne-Sophie Bion
略歴
Anne-Sophie Bion is a French film editor best known for her work in the 2011 silent film, The Artist, directed by Michel Hazanavicius.
On 24 January 2012, Bion received an Academy Award nomination for Best Film Editing for her work in The Artist. She was jointly nominated with Hazanavicius in the category.
Source: Article "Anne-Sophie Bion" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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Five nuns set their sights on winning the cash prize in a major cycling race to raise money to renovate a dilapidated hospice. The only hitch is that none of them can ride a bicycle.
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Tell It Like A Woman comprises of seven segments that are directed by female directors from different parts of the world and shot in Italy, India, Japan, and the U.S. Each segment is an inspirational and empowering story about women, by women, for everyone.
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Elise thought she had the perfect life: an ideal boyfriend and a promising career as a ballet dancer. It all falls apart the day she catches him cheating on her with her stage backup; and after she suffers an injury on stage, it seems like she might not be able to dance ever again. A heartwarming and inspiring story that tells us how sometimes, the worst thing that could happen may turn out to be the best.
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Driss and Manuel both grew up on the same council estate. An estate where the sense of belonging to your patch is much stronger than the sense of belonging to a country, a nation or a culture... Manuel has assimilated this belonging, and he has even benefited from it and built his life on it. Driss, meanwhile, has shunned it. They will both have to face up to the consequences of their decisions – because they will each have a price to pay…
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In 1967, during the making of “La Chinoise,” film director Jean-Luc Godard falls in love with 19-year-old actress Anne Wiazemsky and marries her.
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ぶどう畑を所有し、栽培、醸造、瓶詰を一貫して行うワイン生産者ドメーヌである家の長男ジャンは、世界を旅しようと10年前に家を飛び出したが、父親が倒れたと知らされ故郷に戻ってくる。家業を継いだ妹のジュリエット、ほかのドメーヌにむこ入りした弟のジェレミーと再会して間もなく父親は他界する。相続などの問題が噴出する中、ぶどうの収穫時期を迎えた彼らはワイン造りに挑む。
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1999年のチェチェン。ロシアの侵攻によって両親を殺害された9歳の少年ハジは声を失ってしまう。たった一人でさまよっていたところを、EU職員のキャロルに保護されたハジ。そんなハジには生き別れた姉と弟がいて……。<ミシェル・アザナヴィシウス監督が『山河遥かなり』にアイデアを得て、現代のチェチェンを舞台に声を失った少年とEU職員の女性の奔走を描く感動ドラマ。ロシアの侵攻が原因で両親がこの世を去り声まで失ったチェチェン人少年が、EU職員の女性と出会い、生き別れた姉と弟を捜すべく必死に生きる姿を映し出す。>
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Xavier is a 40-year-old father of two who still finds life very complicated. When the mother of his children moves to New York, he can't bear them growing up far away from him and so he decides to move there as well.
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Die-hard fans of the 1980s, Vincent and Antoine run a company that supplies doubles of faded stars throughout the whole of France. What starts out as a promising business venture ends up as a calamity when Vincent and Antoine have over forty engagements booked but no one to attend them. They then have a brainwave. Why not get in touch with the real stars of the 1980s and persuade them to make a comeback? Why make do with an imitation when you can have the real McCoy?
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The story of the successful publicity campaign that made it possible for the French film The Artist (2011) to win five Academy Awards: an intimate look at what happens when a silent, black-and-white French film astounds Hollywood.
Director of Photography
The story of the successful publicity campaign that made it possible for the French film The Artist (2011) to win five Academy Awards: an intimate look at what happens when a silent, black-and-white French film astounds Hollywood.
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サイレントからトーキーへと移り変わるころのハリウッドを舞台に、スター俳優の葛藤と愛を美しいモノクロ映像でつづるサイレント映画。アカデミー作品賞、監督賞、主演男優賞など5部門を受賞。
1927年のハリウッドで、サイレント映画のスターとして君臨していたジョージ・ヴァレンティン(ジャン・デュジャルダン)は、新作の舞台あいさつで新人女優ペピー(ベレニス・ベジョ)と出会う。その後オーディションを経て、ジョージの何げないアドバイスをきっかけにヒロインを務めるほどになったペピーは、トーキー映画のスターへと駆け上がる。一方ジョージは、かたくなにサイレントにこだわっていたが、自身の監督・主演作がヒットせず……。
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Occupied France; Lebrac leads a play war between two rival kid gangs, but a girl he likes, who's Jewish, is in danger of being discovered by local Nazi sympathisers. Lebrac and the village must now respond to the reality of what's happening.
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In his film "Women Are Heroes", photographer JR takes his audience into some exceptional women’s lives. Because there are, most of the time, the first victims in war-time and left to their own during peace-time, JR pays tribute to those women who, in spite of the hurdles, keep smiling, keep fighting and keep hoping a better life. From Rio’s shantytowns to Kenyan slums, passing by Indian and Cambodian streets, he offers a fresh look at their struggles and expectations. Displaying their portraits via huge montages on their neighborhood’s walls, JR sublimates those extraordinary destinies and sheds the lights on those strong and moving personalities, too rarely recognized enough.