Miguel Aceves Mejía

Miguel Aceves Mejía

出生 : 1915-11-14, Chihuahua, Mexico

死亡 : 2006-11-06

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Miguel Aceves Mejía

参加作品

Juntos Otra Vez
Miguel Aceves Mejía
Los apuros de dos gallos
Two con-artists run roughshod over the local economy of a small town they visit... but then they fall in love with two young women related to the rich landowners who are the target of their primary swindle.
Dos gallos y dos gallinas
Two brothers are trying to raise emergency cash by doing cockfights and horse-races. They meet two sisters.
Camino de la horca
Gloomy, fatalistic grown-up western.
El asesino enmascarado
Hero vs bad-guy western.
Si yo fuera millonario
White-collar criminals conspire to prevent a shmuck from collecting an inheritance.
El rey de la pistola
Western heist movie; a complicated bank job goes bad, and two groups of thieves fight the sheriff and each other.
Los cinco halcones
Five cowboy avengers avenging. Cowboyishly.
Martín Santos el llanero
A farmer aspires to marry the daughter of the local aristocrats, but she think he's beneath her. It take a long time for things to settle into a groove so life can run smoothly again for all concerned.
Asesinos de la lucha libre
Cowboy sheriff investigates the murder of a crooked lucha-libre promoter.
Los valientes no mueren
Charro-dude wants his sister to marry into professional city-folk and move into the upper classes... but she's in love with somebody from their own social stratum.
Paloma brava
Paloma is bound and determined to kill the heck out of the guy that dishonored her sister, but mistaken identities and stuff.
¿Dónde estás, corazón?
Three female singers in the 1920s pursue their careers.
Viva Chihuahua
Respectable guy uses a pseudonym when he wants to cut loose in a neighboring town. A friend of his picks up the pseudonym habit, and they take turns pretending to be the same person, until their cover stories get too snarled to continue.
El buena suerte
An acquaintance from Venezuela visits the owner of a Mexican ranch, causes upheavals in the love-life of the foreman.
¡Viva quien sabe querer!
Ranchera singer and his sidekick travel to Argentina to mix it up with a playboy who bragged to them about the tour he'd book for them.
Bala Perdida
Daniel is let out of jail for his mothers funeral. During his furlough he kidnaps his son and takes him to a movie set where a western is being shot.
Las canciones unidas
Film clips of songs by performers from around the world.
Viva la parranda
Three con-artists chase after the absconded girlfriend of one and butt heads with two female swindlers working the same marks.
Los fanfarrones
Three young ladies become the owners of a rough and tumble cowboy bar that they're not well-equipped to manage.
Three Black Angels
Ángel Reynosa
Three Black Angels (Spanish: Tres angelitos negros) is a 1960 Mexican comedy film directed by Fernando Cortés and starring Miguel Aceves Mejía, Yolanda Varela and Pedro Vargas.
Me importa poco
Anthropologist goes to small town to do field work supporting her theories about the primitive/subhuman origins of machismo.
El ciclón
Cowboy revenge-drama, paired with a love triangle between two Mexican fellers and a rather unpleasant gringa.
Blame Me
A Mexican steer rancher goes to Spain to get some bulls he bought but that were never delivered. He meets a flamenco dancer during his stay in Madrid and falls for her.
Mi niño, mi caballo y yo
Nun tries to heal the relationship between a six-year-old boy and his estranged father.
El cariñoso
Romcom with music: owner of an auto-repair shop woos the owner of a beauty parlor.
Sabrás que te quiero
Famous singer becomes desperate to figure out which of three women helped to launch his early career with anonymous mentoring and support.
Beneath the Sky of Mexico
Romantic triangle. One of the guys is a very bad man.
Música de Siempre
Producer, director and projectionist watch an assortment of musical numbers and brainstorm about framing narrative that could contain them all.
Amor se dice cantando
Mexican singer touring Argentina wins a country estate in a poker game.
La feria de San Marcos
Two men and two women meet and pair off (m/w x 2) during the town Festival in San Marcos. Later, weddings.
Guitarras de medianoche
Wealthy land-owner poses as a bandit, robbing only his own properties, to get the romantic attention of a woman who lives down the road.
Tú y la mentira
Struggling musician finally reaches the big time, then a scheming gold-digger gets her hooks into him.
Cuatro copas
Upper-crust city gal falls for a rough-edged working-class guy, so she follows him to his home town and masquerades as a peasant/Indian local to win him over. All very stalky and classist.
Rogaciano el huapanguero
Itinerant folk-singer returns to his home town, gets caught in two intersecting love triangles. It ends badly.
Hay ángeles con espuelas
Two brothers butt heads: one's a gadabout charro playboy and the other's a priest.
Let the Swallows Touch Me
A Mexican singer travels the world and finds love in Argentina.
El gallo colorado
A young street vendor who is a cockfighting aficionado, attracted by the image of one of them, settles on the ranch of its owner where he falls in love with the foreman's daughter. All the problems happen and some that afflicted the ranch in the past are solved by him.
¡Que seas feliz!
Andrés
Career criminal hooks up with famous singer because she looks like a long-term meal ticket.
Historia de un amor
Singer relives her love-life in flashback: she adopts another woman's illegitimate daughter, she gets married, the grandparents of the baby raise a fuss, etc.
Tú y las nubes
A los cuatro vientos
Career-biography of a fictional ranchera singer, played by Rosita Quintana.
Camelia
Cantante (uncredited)
A woman of low estate is beloved of a promising young man, but sacrifices her love for him in order to protect his future and reputation.
Letters to Ufemia
Small-town rom-com from a female POV.
Ella y Yo
Cantante
Pedro Muñoz is a womanizer that does not escape one until Irene Garza arrives and makes him to see his luck, while the aunt of her tries to separate them.
Por querer a una mujer
Ranch melodrama: romantic triangle leads to multiple murders.
De pecado en pecado
This post-World War II drama, (released to a world-wide audience on July 9, 1949), is definitively unique for the caliber of each of its contributing writers, who are clearly better-known for their cinematic talents in black and white . For instance, the film's Director Chano Urueta ( who became an acclaimed actor in his own right), actually co-wrote the script along with one of its principal actresses, namely Esther Fernandez, as well as adding in the literary abilities of a well-known movie-producer of the era named Luis Marique.