Miguel Torrente

In the sequel to 'The world is ours', 'The world is yours' we have Alfonso Sánchez and Alberto López playing 'Los compadres', men from Seville with a good economic position. Using satire, the two Andalusian comedians caricature these two new characters, through pride and lack of culture, and make comments about the situation of men, women and the differences that Spain has with the rest of the world. Now, with 40 years on, they pose the following situation: you are a man of forty years who laughs at life, without really having a hard because everything you have had you squandered. The vision of the prototypical, casposa and sister in law of Spain.

Manuel Horrillo has visited for 7 years the fields where the clashes between the Spanish troops and the rebels of the protectorate took place during the so-called Rif War, a forgotten war of the Spanish collective imaginary.

Based on a true story. In the 70s, during the last stages of Franco's dictatorship, Txema, a basque construction worker, is arrested because of his connection to some terrorists who have just committed a murder. The secret service see in him an ideal candidate to infiltrate the terrorist band ETA and become a mole, so they try to offer him a deal if he will do so.

Barcelona in the 1930's: with extreme makeup and outlandish clothes, "La Moños" (Julieta Serrano) is a mysterious character of Las Ramblas. Pepi, a girl of nine years, is fascinated by this extraordinary woman. Using her imagination, and collecting the stories she has heard, passionate Pepi reconstructs the life of "La Moños".

Mario, a young and uprooted Menorcan fisherman, falls in love with Irene, a Barcelona socialite who spends her holidays on the island with her young daughter. After the ambiguous initial relationship, victim of the rumors and slander, she decides to leave him. Mario, unable to resign himself, follows her to Barcelona, where he finds her imprisoned in a marriage lacking in love, in which her husband, a rich and powerful industrialist related to shady business, holds her under the threat of separating her from her daughter.

In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later

A young woman marries a rich man and begins a new life in a little town in the Spain of the 20s. Feeling trapped and bored, she begins a relationship with her husband's stepbrother.

Adapted from the novel by Juan Marse, the film shows two distant worlds in the Spain of the 50's, the suburban and the bourgeois, which are related through two characters, Manolo Reyes, vulgar motorcycle thief who aspires to escape poverty and Teresa Serrat, university student of bourgeois extraction seduced by the revolutionary cause.