Nina Simone

The story focuses on Newark's Baraka family and its involvement in social activism, poetry, music, art and politics.

ウッドストックが開催された1969年の夏、160キロ離れた場所で行われたもうひとつの歴史的音楽フェスティバル「ハーレム・カルチュラル・フェスティバル」にスポットを当てた音楽ドキュメンタリー。スティービー・ワンダー、B・B・キング、マヘリア・ジャクソン、ニーナ・シモンらブラックミュージックのスターが集結し、30万人以上が参加しながらも、その様子を記録した映像は約50年間も地下室に埋もれたままになっていた。4度のグラミー賞受賞者で、エミネムやジェイ・Zのプロデューサーとしても知られるアミール・“クエストラブ”・トンプソンが初監督を務め、黒人の歴史やカルチャー、ファッション、音楽の大々的な発表の場となった同フェスティバルの全貌を、貴重な映像や当時のインタビュー、そして約50年の時を経てこの映像に初めて触れる当時の参加者たちの証言を交えながら描き出す。2021年サンダンス映画祭でドキュメンタリー部門の審査員大賞と観客賞を受賞。

Tells the inspiring story of how six iconic African American female entertainers – Lena Horne, Abbey Lincoln, Nina Simone, Diahann Carroll, Cicely Tyson and Pam Grier – challenged an entertainment industry deeply complicit in perpetuating racist stereotypes, and transformed themselves and their audiences in the process.

A black essay on trains, beaches and space occupation.

Do I Look Like a Lady? (Comedians and Singers) presents a dynamic checkerboard of moving image footage featuring African-American actors and singers from across the 20th century: from Jackie “Moms” Mabley to Eartha Kitt, Whoopi Goldberg, Whitney Houston, and several others. The video focuses on their individual voices as they express heartbreaking roles, pointed lyrics, sharp jokes, and strong statements of resistance to the dominant culture. The work is a powerful, and often riotous, reflection on the roles of black women in the United States.

The life, legacy and musical accomplishments of singer, musician, pianist, songwriter and Civil Rights activist, Nina Simone through interviews with over 50 of the subject’s friends, family, band members, lovers and fellow activists. The film has been called the best of the three Nina Simone films by The New Yorker Magazine.

The film chronicles Nina Simone's journey from child piano prodigy to iconic musician and passionate activist, told in her own words.

The documentary tracks the diva's difficult progress as she emerges from the tough, testosterone-fuelled world of the big bands of the 30s and 40s, to fill nightclubs and saloons across the US in the 50s and early 60s as a force in her own right. Looking at the lives and careers of six individual singers (Billie Holiday, Ella Fitzgerald, Peggy Lee, Sarah Vaughan, Nina Simone and Annie Ross), the film not only talks to those who knew and worked with these queens of jazz, but also to contemporary singers who sit on the shoulders of these trailblazing talents without having to endure the pain and hardship it took for them to make their highly individual voices heard above the prejudice of mid-century America.

Two incredible concerts from 1965 and 1968 showcasing the multifaceted diva in all her glory. Simone shines as a jazz vocalist extraordinaire on “Tomorrow Is My Turn,” as a definitive folk interpreter on Bob Dylan’s “The Ballad Of Hollis Brown” and as a passionate civil rights activist on both the epic “Four Women” and the scorching “Mississippi Goddam.” This DVD is a must for Nina Simone fans as she displays all of the qualities that made her both a supremely gifted jazz singer and pianist as well as the “High Priestess of Soul.”

The Legend, on Nina’s life and music, was made in France by Frank Lords and it is told in large part by Nina Simone herself. It is an honest portrayal based on her autobiography “I Put A Spell On You,” that shows Nina at her mightiest and at her most vulnerable.

Ronnie Scott’s opened in 1959 to provide a place where British Jazz musicians could jam. Eventually, American music musicians such as Johnny Griffin, Roland Kirk, Al Cohn, Stan Getz, Sony Stitt, Benny Golson, Donald Byrd, and Ben Webster played at the club making it the legendary Jazz club it is today. Today, the club still books the greatest Jazz acts in the world, but also plays host to such diverse musicians as the talented Nina Simone. This film features Nina Simone (vocals, piano) delivering an intense emotional performance at the legendary Ronnie Scott’s in Soho, London on November 17, 1985. Simone is an eclectic musician, who adds a soulful mystique to whatever material she interprets. This brilliant performance at Ronnie Scott’s is testament to this fact.

Nina Simone was one of the greatest female vocalists of the 20th Century. She was equally at home singing jazz, blues, soul, gospel or pure pop. Nina made four appearances at the Montreux Festival between 1968 and 1990.

An imaginatively choreographed dance interpretation of the ballad by Nina Simone explores four common stereotypes of Black women.

Constructed from a wealth of archival footage, the documentary follows Dr. Martin Luther King, Jr. from 1955 to 1968, in his rise from regional activist to world-renowned leader of the Civil Rights movement. Rare footage of King's speeches, protests, and arrests are interspersed with scenes of other high-profile supporters and opponents of the cause, punctuated by heartfelt testimonials by some of Hollywood's biggest stars.

The Harlem Cultural Festival, also known as "Black Woodstock", was a series of music concerts held in Harlem, Manhattan, New York City during the summer of 1969 to celebrate African American music and culture and to promote the continued politics of black pride. The concerts took place in Harlem's Mount Morris Park on Sundays at 3PM from June 29, 1969 to August 24, 1969. The manifestation came soon after the Watts Riots, and the assassinations of Malcolm X and Martin Luther King.

Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.

This is a montage of different images from the JFK, Martin Luther King and Bobby Kennedy triumphs and assassinations, all three events being observed by Lyndon Johnson as the dark figure who is plotting the anti-black rights movement.

The great Nina Simone performs live at the Montreux Jazz Festival in 1987.