Sofía Álvarez

Sofía Álvarez

出生 : 1913-05-23, Bogotá, Colombia

死亡 : 1985-04-30

略歴

Carmen Sofía Álvarez Caicedo, better known as Sofía Álvarez (Bogotá, Colombia May 23, 1913 - Mexico City, Mexico April 30, 1985) was a Mexican film actress and singer of Colombian origin. Born and raised in Colombia, she moved with her family to Mexico in 1928. Her film debut was a small part, in the role of a prostitute in Santa (1930), the first talkie of Mexican cinema. Popularly known as the lady of the long braids, she enjoyed popularity during the 1930s and 1940s as an actress and singer. Subsequently she performed with Mario Moreno Cantinflasin the popular film Ahí está el detalle (1940). In the 1940s, Álvarez is characterized by her interpretation of elegant ladies in films like El sombrero de tres picos and México de mis recuerdos (1943). She performed with the popular Pedro Infante in three films: Si me han de matar mañana (1946), La barca de oro (1947) and Soy charro de Rancho Grande (1947). One of her most celebrated films was La Reina de la Opereta (1945). In 1950 she left the cinema to continue as a radio singer. She returned to the cinema between 1957 and 1966, when she retired from the scenes. Her last film was El Gángster (1965), with Arturo de Córdova. She was noted for her excellent voice also that delicate features that printed her characters.

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Sofía Álvarez

参加作品

El Hombre Búfalo
Julieta
After a threat, a journalist stops publishing. His search for justice leads him to meet his destiny and a mythological being who takes care of the abandoned childhood.
Ana and Bruno
Betsy Rocola / Viuda Negra / Plañidera 1 / Plañidera 3
Ana, a nine year old girl, arrives with her mother to an isolated beach with the intention to rest and to know the sea. There, she discovers that they are under a terrible threat, therefore she is obligated to look for help with her father in order to save her mother.
Crónica de un desayuno
Associate Producer
A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.
The Heart of the Night
Paralítica II
A young deaf-mute who lives and has intercourse with a blind man much older than she, inevitably attracts a shy driving instructor a strange, hallucinatory underworld, populated by those beings whose mutilation, impaired physical differences, have become rejected of society.
Los dos cuatreros
Two wandering cowboys are falsely accused of murder.
The Gangster
Margot / Maggie la verde
An old gangster returns from the United States to Mexico City to live with his sister-in-law and his two nephews, where he will face the daily life of a middle-class family.
Tres muchachas de Jalisco
doña Lupe
Divorced Dad's planning to remarry, so Daughter #1 notifies Mom and Daughters #2&3. Then parents, daughters and boyfriends act out for 80 minutes.
A tiro limpio
La ley del más rápido
Young gunslinger gets his hero on. #2 in a series ("El Puma.")
El puma
Son of a ranching family returns home after studying in the city for a law degree. He sides with the peons in a labor dispute and his father disowns him; he sets up a law office in another town. First of three movies in a masked-avenger series.
Un corazón en el ruedo
Raquel de Alba
Famous bullfighter rises from humble beginnings, finds himself enmeshed in an emotionally-draining romantic triangle.
Ángeles de arrabal
Lupe, La Tapatía
Small-time crooks and bargirls, and also their mothers, get involved in a situation over some stolen jewels.
La hermana impura
Outsider comes to visit a remote village as a representative of an oil company. Once there, he discovers that the man who owns the land he's interested in has a daughter who's identical to a bad, troubled woman from his bad, troubled past.
Soy charro de Rancho Grande
Cristina
La barca de oro
Ranch-heiress chooses a husband.
Si me han de matar mañana
Romantic triangle during the Mexican Revolution.
La niña de mis ojos
Classic movie of Mexican cinema.
La reina de la opereta
Mexico of my Memories
Rosario Medina
After listening to the waltz "Carmelita", dedicated to his wife, President Diaz instructs Don Susanito seeking the composer Chucho Flores to give her a piano. Don Susanito located Chucho, a bohemian who lives drunk and surrounded by poets and artists. Don Susanito was named patron protector of artists and aspiring young stars of the stage, which leads to a series of adventures in the middle of songs, dances and loves.
Flor de fango
Wicked man seduces virtuous young woman; she leaves home in disgrace. Etc.
You’re Missing the Point
Dolores del Paso de Lastre
Cantinflas, the boyfriend of the servant of a rich industrial man, gets into the house in order to kill a mad dog. Suddenly this man appears so the servant tells him that Cantinflas is his wife's brother (Leonardo), who had been lost for years. The rich man then remembers that his father in law's testament could only be paid when all brothers get together, so treats Cantinflas, a real bum, as a king.
Martín Garatuza
Sixteenth-century swashbuckler helps a young woman claim a rightful inheritance in the face of opposition from her father's widow and co-conspirators.
Shadow of Pancho Villa
Valentina
A 1933 film.
Santa
Prostitute 1
Santa is a beautiful and very humble young girl living in Chimalistac, a small and quiet spot south of the 1930's Mexico City. After Santa is cheated by arrogant soldier Marcelino, she's rejected by her family and friends and expelled of Chimalistac. Santa finds shelter in a whorehouse and becomes a cinic and bitter woman, mistreated by bullfighter "Jarameno" and silently loved by blind pianist Hipólito.