Pierce Rafferty

略歴

From Wikipedia, the free encyclopedia. Filmmaker Pierce Rafferty (born 1952) grew up in Connecticut and moved to New York City in 1982. Some of his relatives include grandfather Marvin Pierce, president and later chairman of McCall Corporation, the publisher of the popular women's magazines Redbook and McCall's; and an early New England colonist named Thomas Pierce, also an ancestor to Franklin Pierce, the 14th President of the United States. Pierce attended Phillips Academy Andover and briefly attended Yale University. Pierce and his former spouse, Margaret Crimmins, founded Petrified Films, Inc. in 1984, a pioneering independent stock film footage library that held the Elmer Dyer Film Library, Warner Bros. and Columbia Pictures' feature film outtakes. Pierce spent more than a decade organizing and cataloguing vaults all over NYC that were filled to the ceilings with cans of film. Located in New York City's The Meatpacking District, Petrified licensed archival footage to film, television, and commercial producers before being acquired by The Image Bank. The Image Bank was later acquired by Getty Images. With his brother Kevin Rafferty and Jayne Loader, Pierce made the cult classic film The Atomic Cafe (1982). He is now Director of the Henry L. Ferguson Museum, Fishers Island, New York Description above from the Wikipedia article Pierce Rafferty, licensed under CC-BY-SA, full list of contributors on Wikipedia​

参加作品

Heavy Petting
Heavy Petting
Writer
Celebrities and creatives -- including musician David Byrne, performance artist Spalding Gray, comedian Sandra Bernhard, radical activist Abbie Hoffman, and poet Allen Ginsberg-- recall their earliest sexual experiences.
The Atomic Cafe
The Atomic Cafe
Producer
A disturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.
The Atomic Cafe
The Atomic Cafe
Director
A disturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.