Lee Chang-dong
出生 : 1954-04-01, Daegu, South Korea
略歴
Lee Chang-dong (born July 4, 1954) is a South Korean film director, screenwriter and novelist. He won the 2008 Special Director's Prize at the Asian Film Awards and has been nominated for the Golden Lion and Palme d'Or. Lee served as the minister of Culture and Tourism in the South Korean Government from 2003 to 2004.
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Writer
Caught up in anxiety, eight-year-old Chul in school tells his teacher that he is going to the bathroom but runs straight home.
Director
Caught up in anxiety, eight-year-old Chul in school tells his teacher that he is going to the bathroom but runs straight home.
Self
A portrait of the South Korean screenwriter, director and producer Lee Chang-Dong through his work, this documentary provides a thematic analysis of his films, most of which have been selected for and received awards at the Cannes Film Festival.
Executive Producer
Jung-il and Soon-nam were just ordinary parents who raised two lovely kids. It was not until their son Su-ho’s sudden death the family started to break apart, with all the happiness gone at once. While the pain seemed to grow every day, the bereaved families around the family try to console them at their best. Based on the true event of Sewol Ferry disaster which killed more than 300 people in Korea.
Director
Deliveryman Jongsu is out on a job when he runs into Haemi, a girl who once lived in his neighborhood. She asks if he'd mind looking after her cat while she's away on a trip to Africa. On her return she introduces to Jongsu an enigmatic young man named Ben, who she met during her trip. And one day Ben tells Jongsu about his most unusual hobby...
Executive Producer
Deliveryman Jongsu is out on a job when he runs into Haemi, a girl who once lived in his neighborhood. She asks if he'd mind looking after her cat while she's away on a trip to Africa. On her return she introduces to Jongsu an enigmatic young man named Ben, who she met during her trip. And one day Ben tells Jongsu about his most unusual hobby...
Screenplay
Deliveryman Jongsu is out on a job when he runs into Haemi, a girl who once lived in his neighborhood. She asks if he'd mind looking after her cat while she's away on a trip to Africa. On her return she introduces to Jongsu an enigmatic young man named Ben, who she met during her trip. And one day Ben tells Jongsu about his most unusual hobby...
Thanks
Promising fund manager Jae-hoon is at the brink of losing everything when his company goes bankrupt. Overwhelmed by despair, he takes an impulsive trip to Australia where his wife and son live. As his trip nears its unexpected end, Jae-hoon gets a chance to look back on his life.
Producer
A bullied girl becomes friends with a new kid during a break, but when classes start up again, their new friendship is nearly ruined when the bullying continues.
Producer
海辺の村に赴任してきた警官のヨンナム(ぺ・ドゥナ)は、少女ドヒ(キム・セロン)と出会う。ドヒは血のつながりのない継父ヨンハ(ソン・セビョク)と暮らし、日常的に暴力を受けている。村全体が暴力を容認しているなか、ひとり立ち向かっていくヨンナムは、ドヒを守ってくれる唯一の大人だった。ヨンナムも少女の笑顔に癒されてゆくが、やがて激しく自分に執着するようになったドヒの存在に少し戸惑いを憶える。ある日、偶然にもヨンハはヨンナムの秘密を知り、社会的に破滅へと追い込んでゆく。ヨンナムを守るためドヒはひとつの決断をするが・・・
Executive Producer
After being kidnapped as a small child and raised by the five men who abducted him, a teenage boy is now forced to join their life in crime.
Himself
Director Chung Ji-Young criticizes the thought that older directors have difficulties in making certain movies. Actress Yoon Jin-Seo agonizes over her identity as an actress. In 2009, before the movie "Unbowed" was made, they met and planned a documentary about Korean movies, including the processes a Korean movie goes through and difficulites. "Ari Ari the Korean Cinema" is a documentary with interviews of Korean directors, actors and actresses.
Himself
Prominent film critic Tony Rayns has long been a supporter of Korean cinema. This film illustrates Rayns’ affection for Korean cinema through interviews of Korean cineastes that have a special affinity for him, including JANG Sun-woo, LEE Chang-dong and HONG Sang-soo among others.
himself
Discover the roots of Korean cinema. A cinema who surprised by the success recorded in the major international festivals. Interviews to five famous Korean directors, to get to know closely the evolution of Korean cinema. Through their words, their pictures and their stories. The Korean cinema has tendency to describe both the society, the past and the modern. The world of west cinema knows these directors through the journey of some of their movies. What do we know about their thoughts, their life, their culture and their way of working? The documentary focus on it.
Writer
Grandmother Mi Ja works part-time as a caretaker, and struggles to raise a teen grandson by herself. Despite her tough situation, she speaks softly, dresses fashionably, and approaches the world with child-like curiosity. Enrolling in a poetry class, she endeavors to capture life in verse form, but her simple dream of completing a poem is stalled by the early signs of Alzheimer's disease and the heavy financial and emotional burden of her grandson's shocking wrongdoing.
Director
Grandmother Mi Ja works part-time as a caretaker, and struggles to raise a teen grandson by herself. Despite her tough situation, she speaks softly, dresses fashionably, and approaches the world with child-like curiosity. Enrolling in a poetry class, she endeavors to capture life in verse form, but her simple dream of completing a poem is stalled by the early signs of Alzheimer's disease and the heavy financial and emotional burden of her grandson's shocking wrongdoing.
Writer
1975年、よそ行きの格好をした9歳のジニ(キム・セロン)は、父(ソル・ギョング)と一緒にソウル郊外にあるカトリックの児童養護施設の門をくぐる。彼女がシスターに施設の案内をしてもらっているうちに、父親は黙って去って行ってしまう。そのことにショックを受けたジニは食事にも手をつけず、周囲に溶け込むことも頑として拒んでいた。
Producer
1975年、よそ行きの格好をした9歳のジニ(キム・セロン)は、父(ソル・ギョング)と一緒にソウル郊外にあるカトリックの児童養護施設の門をくぐる。彼女がシスターに施設の案内をしてもらっているうちに、父親は黙って去って行ってしまう。そのことにショックを受けたジニは食事にも手をつけず、周囲に溶け込むことも頑として拒んでいた。
Producer
When an American woman begins a dangerous relationship with an attractive immigrant worker, in order to save her marriage, she finds her true self.
Executive Producer
「スキャンダル」のチョン・ドヨンが渾身の演技でカンヌ国際映画祭主演女優賞に輝いた感動の人生ドラマ。最愛の息子を失い、理不尽な運命に打ちのめされたヒロインの魂の彷徨と再生への道のりを、抑えたタッチで丁寧に綴ってゆく。共演は「グエムル -漢江の怪物-」のソン・ガンホ、監督は「オアシス」のイ・チャンドン。シングルマザーのシネは、幼い息子ジュンと2人で、亡き夫の故郷・密陽(ミリャン)に引っ越し再出発を誓う。自動車修理工場の社長ジョンチャンは、シネの気を惹こうと何かと世話を焼くが、シネは彼を俗物男と評して冷ややかな対応。そしてようやく新生活も落ち着きを見せ始めたとき、思いもよらぬ悲劇が彼女を襲う。
Screenplay
「スキャンダル」のチョン・ドヨンが渾身の演技でカンヌ国際映画祭主演女優賞に輝いた感動の人生ドラマ。最愛の息子を失い、理不尽な運命に打ちのめされたヒロインの魂の彷徨と再生への道のりを、抑えたタッチで丁寧に綴ってゆく。共演は「グエムル -漢江の怪物-」のソン・ガンホ、監督は「オアシス」のイ・チャンドン。シングルマザーのシネは、幼い息子ジュンと2人で、亡き夫の故郷・密陽(ミリャン)に引っ越し再出発を誓う。自動車修理工場の社長ジョンチャンは、シネの気を惹こうと何かと世話を焼くが、シネは彼を俗物男と評して冷ややかな対応。そしてようやく新生活も落ち着きを見せ始めたとき、思いもよらぬ悲劇が彼女を襲う。
Director
「スキャンダル」のチョン・ドヨンが渾身の演技でカンヌ国際映画祭主演女優賞に輝いた感動の人生ドラマ。最愛の息子を失い、理不尽な運命に打ちのめされたヒロインの魂の彷徨と再生への道のりを、抑えたタッチで丁寧に綴ってゆく。共演は「グエムル -漢江の怪物-」のソン・ガンホ、監督は「オアシス」のイ・チャンドン。シングルマザーのシネは、幼い息子ジュンと2人で、亡き夫の故郷・密陽(ミリャン)に引っ越し再出発を誓う。自動車修理工場の社長ジョンチャンは、シネの気を惹こうと何かと世話を焼くが、シネは彼を俗物男と評して冷ややかな対応。そしてようやく新生活も落ち着きを見せ始めたとき、思いもよらぬ悲劇が彼女を襲う。
Himself
South Korean cinema is in the throes of a creative explosion where mavericks are encouraged and masters are venerated. But from where has this phenomenon emerged? What is the culture that has yielded this range of filmmakers? With The Nine Lives of Korean Cinema, French critic, writer and documentarian Hubert Niogret provides a broad overview but, nevertheless, an excellent entry point into this unique type of national cinema that still remains a mystery for many people. The product of a troubled social and political history, Korean cinema sports an identity that is unique in much modern film. Niogret's documentary tells of the country's cinematic history - the ups along with the downs - and gives further voice to the artists striving to express their concerns, fears and aspirations.
Writer
Oasis is a love story of two young people abandoned by families. A young man released from prison visits the widow of the man he killed drunk-driving. There he meets her daughter, wheelchair bound with cerebral palsy. Will these two lost people find a way to make their relationship work?
Director
Oasis is a love story of two young people abandoned by families. A young man released from prison visits the widow of the man he killed drunk-driving. There he meets her daughter, wheelchair bound with cerebral palsy. Will these two lost people find a way to make their relationship work?
Writer
1999年春。鉄道の高架下で男ヨンホは全てを失ったいま、過去を振り返っていた。3日前、ヨンホは危篤状態にある初恋の相手、スニムを見舞う。数年前には行きずりのバーのホステスにスニムの面影を見る。さらに3年前、新米刑事のヨンホのもとにスニムがやって来るが、彼はそっけなく追い返してしまう。その4年前には兵役についたヨンホを訪ねたスニムだが面会許可がおりなかった。そしてその1年前、青年ヨンホはスニムとこの高架下で互いの将来を語り合っていた。
Director
1999年春。鉄道の高架下で男ヨンホは全てを失ったいま、過去を振り返っていた。3日前、ヨンホは危篤状態にある初恋の相手、スニムを見舞う。数年前には行きずりのバーのホステスにスニムの面影を見る。さらに3年前、新米刑事のヨンホのもとにスニムがやって来るが、彼はそっけなく追い返してしまう。その4年前には兵役についたヨンホを訪ねたスニムだが面会許可がおりなかった。そしてその1年前、青年ヨンホはスニムとこの高架下で互いの将来を語り合っていた。
Writer
Returning home and finding his town drastically changed, a former soldier falls in with gangsters.
Director
Returning home and finding his town drastically changed, a former soldier falls in with gangsters.
Writer
Activist and law school graduate Kim is being persecuted by the mid-’70s Park regime for trying to write a book about Jeon Tae-il, a union activist who immolated himself at age 22 to protest government hypocrisy.
Assistant Director
Moon Chae-Ku and his friend Kim Chul try to bring the body of Moon's father back to his native Kwisong Island for burial. Their ferry is intercepted by resentful islanders who will not let the boat dock, because of the father's political activities in the 1950's, informing on Communist sympathizers. Kim Chul, through flashbacks, recalls people and events from his island childhood.
Writer
Moon Chae-Ku and his friend Kim Chul try to bring the body of Moon's father back to his native Kwisong Island for burial. Their ferry is intercepted by resentful islanders who will not let the boat dock, because of the father's political activities in the 1950's, informing on Communist sympathizers. Kim Chul, through flashbacks, recalls people and events from his island childhood.