Peter Harvey

Peter Harvey

プロフィール写真

Peter Harvey

参加作品

Dinosaurs, Myths and Monsters
Director of Photography
From dinosaurs to mammoths, when our ancient ancestors encountered the fossil bones of extinct prehistoric creatures, what did they think they were? Just like us, ancient peoples were fascinated by the giant bones they found in the ground.
Three Gorges: The Biggest Dam in the World
Director of Photography
Explores the plans for the construction of the monumental dam on China's Yangtze River, the structure that when completed in 2009 will become the Three Gorges Dam. It is slated to be 610 feet high, 1.3 miles across, creating a reservoir 400 miles and the largest power plant in the world.
The Zip
Director of Photography
A man wakes one day to find a zip on the front of his body. Dare he see what's inside?
Strawberry Fields
Director of Photography
An old man and a teenage boy, both neo-nazis are travelling across Germany to take funds to the party headquarters. On the way they encounter a young woman and things become difficult.
Ghost Dance
Director of Photography
Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. The film focuses on the French philosopher Jacques Derrida, who observes, 'I think cinema, when it's not boring, is the art of letting ghosts come back.' He also says that 'memory is the past that has never had the form of the present.'
Over Germany
Cinematography
In 1958, a boy from Scotland goes to Germany to visit his grandmother. As they tentatively come closer, facts begin to overwhelm fiction, forcing the boy to destroy his fantasies.
The Eternal Day of Michel de Ghelderode
Cinematography
Using the tricks of the Flemish playwright's own trade--puppetry, masks, and a Breughelesque sense of bizarre carnival, the collaborators succeeded in bringing about a rich and sardonic humor lurking at the edge of the playwright's macabre, death-obsessed imagination in an allusive homage.
Phoelix
Lighting Camera
An aged art connoisseur (Beaumont) and his young female neighbour (Coles), who has a job posing naked in a club, meet and exist in fantasy and reality. Although this raises certain much-discussed questions about the nature of representation, and about the construction of narrative and daydreams in films, 'Phoelix' tends to treat these as just pretty and pertinent issues, opting instead for a mannered concentration on detail.
Phoelix
Cinematography
An aged art connoisseur (Beaumont) and his young female neighbour (Coles), who has a job posing naked in a club, meet and exist in fantasy and reality. Although this raises certain much-discussed questions about the nature of representation, and about the construction of narrative and daydreams in films, 'Phoelix' tends to treat these as just pretty and pertinent issues, opting instead for a mannered concentration on detail.
Mass, or Monument for a Capitalist Society
Director of Photography
Mass was made during Sjöström’s years at the film department of the Royal College of Art, in cooperation with the London Filmmaker’s Co-op. Random or staged shots of people and settings in urban London are arranged and abstracted, double-exposed and solarized. The result is a dense texture filled with layers and associative dimensions. Mass is a film attempting to convey, by strictly filmic means, the cooped-up feeling of the individual in the grey mass of the city. The absurd concrete city landscape is visualized through the unspoilt and naked eye of the camera in a concentrated mosaic of images and sound.
Pieces of Time: Bogdanovich on the movies
Camera Department Manager
A Paul Joyce documentary with Peter Bogdanovich