Sonia Couoh

It is a film that pretends to be a metaphor for an entire country and that questions our values, desires, and, above all, our idiosyncrasies; all this with a lot of black humor and framed in that little personal hell to which we all belong and that, for better or for worse, we all have: Family

Valeria's joy at becoming a first-time mother is quickly taken away when she's cursed by a sinister entity. As danger closes in, she's forced deeper into a chilling world of dark magic that threatens to consume her.

After turning 40, César is invited to a culinary contest in Cancún, but a bitter discovery threatens to destroy his family as well as his chances to win the competition.

The imprint of the past is made present by the return of three migrants to a community in the upper Mixteca region of Oaxaca, where the three stories intersect.

In the near future, a popular uprising in Mexico City interrupts a wedding held at the home of a wealthy family. After the riots have been quashed, they discover the bride has gone missing and plea with the military to help locate her.

In her younger years, Rebeca's boyfriend left for the United States but promised to return and marry her. Seventeen years later, he reappears to keep his promise and have a wedding. As she prepares for the ceremony, Rebeca takes stock of a life spent waiting in a village where she can no longer remain.

Fede is an overweight man, who finds it difficult to move around his own house. One day he finds in photography a way to change his life forever.

TV MX, the most powerful Mexican Television Corporation, discloses a scandalous story involving Governor Carmelo Vargas in serious crimes and illicit business. Governor Vargas worried about his political future, decides to clean his image and negotiates a billionaire secret agreement with the owners of the TV Corporation. Carlos Rojo, an ambitious young news producer, and Ricardo Diaz, TV network star reporter, are responsible for making a dirty campaign to change the image the public has of the corrupt Governor and make him, at any cost, a political star and a great presidential candidate. Mexican Television believes that democracy is a farce and has already placed one President... Will they do it again?

A young woman returns to her rural Mexican village after a few years away to find out if her first love can be revived.

Director Hatuey Viveros' beautiful film unfolds as a fascinating exploration of contemporary life in Mexico, searching to understand today's world, while portraying a younger generation who lack an understanding of their past. And as we journey with Aina on her own discovery, it becomes clear that the process of her search is just as important as the results.

Cecilia returns to the house where she lived with her aunt Matilda. Dreams, memories and hallucinations unleash a past that Cecilia had left behind.

Potosi, a rural town in Latin America, is the crossfire of the ravaging that has devastated the north of the country. An accident along a deserted road connects three stories, an 82 year old goat herder that has not shot his gun in 40 years, a woman who is a victim of domestic violence and a humble peasant living on guard to protect his family from the country’s war against organized crime.

Carmina and Ana are two sisters who face the bitterness of their parent's absence, living each day in loneliness but accompanied.

Eddie is an old rock'n'roller who lives tormented by his memories, which make him unable to live in the present.

A silent glimpse at love, blood, and other stuff that keep you awake at night.

The tiricia is an illness of the soul when the heart is saddened. A story of three generations afflicted with being tiricientas: Ita, Justa and Alicia – grandmother, mother and daughter – who have at different times suffered, tolerated and allowed abuse, dragging on the disease. Alicia decides to break the cycle, eradicating it for future generations.

Mexico City. 2002, 2006, 2010. A cop. A hostage. A wife. Corruption, violence, vengeance. Three destinies, during 30 days, during three Soccer World Cups. Three ways to fight in order to survive.

Alejandro Gerber Bicecci's "Vaho" (Becloud) tells the story of three childhood friends, Andres, Felipe, and Jose, and their lives in a dusty, run down corner of Mexico City. The boys were inseparable until they witnessed a tragedy that haunts them to the present day. The tragedy shaped each boy differently, and had a profound effect on their lives.

In her fifties, Betina finds love online and leaves her monotonous life to meet her virtual fiancé on the other side of the country.

Andres reaches the Mexican border to cross into the United Sates. There between each attempt, he discovers that Tijuana is a troubled city. As he waits there, Andres is not only confronted with his feelings and what he left behind, but also with those he meets.

A young man dies by electrocution, but his body remains alive for a few days.

Four ambitious and beautiful young women. From four very different corners of Mexico. Just like hundreds of others, they are caught up in the frenzy that sweeps the nation when Alejandro Mateos, one of the country's most powerful producers, dreams up a nationwide talent search to cast the lead in his next big movie. But all this is news to Alejandro's on-again, off-again lover, Eva Gallardo, a diva of epic proportions, who expected to get the part. While Eva schemes to nail down the role, our four leads begin their own journey on the road to fame.