Claudia Celedón
出生 : 1966-08-15, Santiago, Chile
略歴
Claudia Irene Celedón Ureta (born 15 August 1966) is a Chilean television, film, and theater actress. She is the winner of an Altazor Award for best theater actress for her role in the play Mujer gallina, and was awarded at the Cartagena International Film Festival for her role in Old Cats. She is the mother of the actress Andrea García-Huidobro (es), and ex-wife of Cristián García-Huidobro.
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Andrea
Cristina and Susana have been best friends since high school. Now, both over 30 years old, they are still living like they did in their teenage years. Or maybe they never grew up.
Ximena
Since their parents split up, Sara and her younger sister live with their mother, whose new partner is a woman. Everyday life for the four of them is hardly any different than it is for other families. But not everyone sees it that way – Sara's father in particular has his doubts. As Sara’s 13th birthday approaches, she feels rather overwhelmed: her first crush, a body in the midst of changes and to top it off, conflicts over loyalty with her parents.
Girlfriend 1
Tommy and Manu are two thirty-something hustlers who sell audiovisual projects to major brands. They try to make as much money as possible with little work. They're on the road for their latest venture in Northen Chile which may very well be a dead end.
Luisa
This story involves prom night, high school unrequited love, love triangles, and mysterious murders.
Maria Jesús
Hugo is a young man who has been left at the altar, in what was to be a three-day celebration arranged by his manipulative mother-in-law. In addition to keeping up with his overprotective father demands and crossing paths with an ex-girlfriend, he soon realizes that it is better to be alone.
An intense religious drama set during the Pinochet regime and based on a true story.
Mamá de Javier
Continues the romantic story of Javier and Angela, who, after having sworn eternal love and having their first child, decide to divorce.
Javier's Mother
When Angela gets pregnant, Javier proposes to her, but Javier's new intern wants more than his guidance.
Patricia
Javier wants to forget his ex. But it's impossible when she's always on line. Getting drunk and partying it's the only solution. Or not.
Rosario
Isidora, an old woman, discovers that her mind is quickly deteriorating. At an apparently relaxed dinner table, she will desperately try to hide her state from her daughter, a demanding woman who awaits any sign of senility in order to take way everything she has.
Pilar
Raquel has been the live-in housekeeper for a kind, reasonably wealthy family for half her life, and the joyless repetition of the job has begun to take its toll. Increasingly dependent on painkillers, Raquel resorts to pranks and childish avoidance to antagonize the family’s college-age daughter and a procession of new servants, all in the hopes of protecting her precarious power within the home. Her antics successfully push everyone away, until new maid Lucy actually pushes back.
Susana
Gaspar is a young, lonely cinematographer. Unable to deal with his sister and sick grandfather he spends his time with Susana, an actress working on a opera. When he meets Alvaro, an idealistic traveler, Gaspar's life changes. They embark on a adventure that help them unearth the fragility and value of human existence
A couple with an empty life make up a story about the new maid, in order to satisfy their own sexual obsessions.
No Place in Anywhere can deal with many issues. It is a personal journey through image and time. It is the portrait of the "La Matriz" neighborhood in Valparaíso. It is the encounter between reality and fiction. It is the constant search to find a truth within the documentary. It is a musical rehearsal. It is the constant preparation of a documentary. It is a documentary of questions more than answers. A silent face, an empty road, a winter landscape, the wind moving the leaves of a tree, a wall, the sea, the street of a neighborhood, all of them intend to "create through the record" a unique truth for each viewer.
Maria, Carmen's Mother (segment "Secretos")
A young and excentric radio DJ airs a successful program in which diverse calls come in from anonymous listeners, who reveal their love stories, all charged with mix-ups, disputes and passion.