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Shocking scenes are revealed in the Nagasaki Women's prison.
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Takeshi Ijuin leaves for Chicago to be a cameraman, and a few years later returns to Japan. But he only learned the technique of homicide in Chicago. When he visits the graveyard with his father to pray at his mother's tomb, his father is shot by someone. Now he thirsts for revenge.
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A coward boy fencer becomes invisible and matchless through a magic pill.
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「東海道お化け道中」の浅井昭三郎が脚本を執筆し、「笹笛お紋」の田中徳三が監督した妖怪もの。撮影は「刑務所破り」の今井ひろしが担当した。
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As a child, Okin the one-armed one-eyed swordswoman was disfigured by Lord Daizen-dayu, who was after her family's most treasured possession, the famed Drenched Swallow sword. As an adult, she has become a skilled swordswoman and lives a carefree life with her adopted family. One day, Okin saves a girl from a group of yakuza, and in doing so, gets involved in a grand conspiracy involving religious leaders, government officials, the yakuza and Lord Daizen-dayu, the man who killed her father and mutilated her body...
Cinematography
In feudal Japan, gangsters chase a young girl who might testify against their boss. When the gangsters murder the girl's grandfather on sacred ground, the door is opened for the Yokai Monsters to step in.
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Ichikawa Raizo’s last film. He plays a Yakuza enforcer who kills a man on his boss's orders. He’s then sent to a provincial town to lie low, only to be caught in another war orchestrated by his original boss who has set him up.
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Set up to be the patsy by a rival gang, Furuta Makoto attacks the yakuza boss he thinks is responsible for his father’s murder. He then learns it was all a plot to take over his father’s turf and he seeks vengeance against the puppet master behind the entire conspiracy. His quest for justice leads him to prison where he must fend off the attack of a master assassin before he can make his escape and go after the true killer!
Cinematography
『妖怪百物語』に次ぐ「妖怪」三部作の第二弾。1751年、伊豆半島に4000年の眠りからさめた西洋妖怪・ダイモンが現れた。生き血を求めて人々におそいかかるダイモン。その正体を見抜いた河童や油すましたちは日本妖怪軍団を組織、圧倒的な力を持つダイモンに健気に挑んでいく。
Cinematography
Film directed by Kenji Misumi
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Isazo is a traveling gambler and living legend in the world of yakuza, known for his swordsmanship and bravery, his impeccable manners, and his brilliant talent in gambling. One late fall at an inn in Kiso Fukushima, Isazo befriends a young boy whose mother turns out to be his old love Yoshino, with whom he was not unable to consummate a marriage due to the class differences between them.
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日独伊三国同盟が結ばれた昭和15年、上海。日本陸軍の諜報員である次郎はスパイ容疑をかけられ、本土へ強制送還されてしまい、身柄を拘束される。そこで元外相の高倉と出会うが、すべては重要情報が海外に漏洩した事件を調べる次郎の上司・草薙の策略だった。次郎は釈放された高倉を監視するため、彼のボディガードとなって接近。次郎はドイツの武官と連携し、日本に潜入した英国情報部のボス、暗号名“キャッツ・アイ”を捜す。
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Cinematography
大魔神シリーズ第三弾。非道な領主のもとで強制労働をから逃げ出した村人たちを救うため、四人の子供たちが禁足地の山中へ向かう。領主側は追っ手を放ち、子供の一人が命を落としてしまう。そしてついに、山の武神像が動き出す。 吹雪の特撮が印象的で、大魔神がその宝剣を初めて抜いたことでも話題になった。今回は子供の涙によって魔神が動くというのが新味だが、虐げられた良民の祈りが魔神に通じ怒りが爆発という基本パターンから脱却しきれず、新しいインパクトを与えるには及ばなかった。本作でシリーズは終了し、大映の特撮時代劇は妖怪シリーズへと移る。『マグマ大使』のガム役で知られる二宮秀樹が鶴吉を好演。
Director of Photography
日本陸軍のスパイ養成機関、中野学校を卒業して、中国北部に派遣された次郎。だが上司の草薙中佐は彼を日本に呼び戻し、神戸港を出発して日本軍の新兵器を極秘輸送中だった軍用船の爆破犯を次郎と別のスパイ、杉本に追わせる。杉本は神戸港に警備員となって潜入。尾行した夜警のひとりが派手に遊んだり、上海にある親日派新聞社の神戸駐在員と会っているのを見て、その夜警を怪しいとにらむが、第2の軍用船爆破事件が発生する。
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[Period covered: 1616] Kirigakure Saizo (Mist Saizo) returns for the final time as he sets out to assassinate Tokugawa Ieyasu in order to avenge the death of Lord Sanada Yukimura. But first he must contend with Ieyasu’s own ninja group led by the powerful Fuma Daijuro, who has a score to settle with the men of Iga that dates back 280 years to the war between the Genji and the Heike at the Battle of Dan-no-Ura. Tremendous fighting and great plot twists highlight this exceptional look into the lives of the mysterious ninja of Japan.
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Blind swordsman Zatoichi, jailed briefly, is implored by another prisoner to aid him in proving his innocence of a crime for which he is sentenced to death. Zatoichi is reluctant to get involved, because he knows how often such involvement has led to trouble in the past. But events conspire to thrust him repeatedly into involvement, and gradually he comes to believe in the man's innocence and determines to free him.
Director of Photography
[Period covered: 1637-1651] This is one of the most complicated plots of any of the Shinobi no Mono films! This film tells the story of Saizo’s son, Kirigakure Saisuke, who after seeing his father die at the Battle Of Shimabara, grows up to be an expert ninja. Before he dies, “Mist” Saizo tells his children Saisuke, and Yuri that they are not really brother and sister. She, in fact, is the daughter of the late lord Sanada Yukimura, and must be saved from the shogun’s forces. In the chess match of spy versus spy, can Saisuke defeat the shogun’s chief strategist, Matsudaira Izunokami at his own game? Showing many exciting ninja tactics, it is not to be missed.
Cinematography
Abare inu is a 1965 action-comedy film directed by Kazuo Mori. It is the fourth film in the series.
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[Period covered: 1595-1600] Third film in the famous shinobi no mono series. We last saw ninja Ishikawa Goemon (Raizo Ichikawa), as he was about to be boiled alive. But a good ninja is both hard to find, and even harder to kill. With the help of the enigmatic Hattori Hanzo, Goemon lives to skulk another day, and sets his sights on bringing down the warlord who tried to turn him into soup – Toyotomi Hideyoshi. And as always, in the background, the suble hand of Tokugawa Ieyasu is pulling strings as he plots to rule all of Japan!
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Yoso is truly a lost classic, set in the Nara Era (710-794), from Kinugasa Teinosuke the same writer/director who gave us the recognized classic Gate of Hell (Jigokumon, 1952) & the milestone silent surrealist masterpiece A Page of Madness (Kurutta Ippeji, 1926).
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An entertaining historical drama featuring popular comedians from the Kansai region of the time, such as Makoto Fujita, Minoru Shiraki, and Gannosuke Ashiya. Raizo Ichikawa as the famous yakuza boss Jirocho.
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The Fencing Master tells the story of a man trying to survive as the only world he knows is becoming increasingly irrelevant. Danpei Ichikawa lives for swordfighting – he was once a renowned kabuki swordfight choreographer, and as the Chairman of the New National Theatre Company, he wants nothing more than to choreograph the swordfights for the modern plays put on by the company.
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釈迦の生誕から入滅までを壮大なスケールで描いた歴史スペクタクル。世を憂えて修行の道に入ったシッダ太子は、悪魔の誘惑を退けついに悟りを開く。だが彼に嫉妬するダイバ・ダッタは、バラモンの法力を以て、シッダ太子と仏教徒を様々な方法で迫害していくが......。
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The sequel to Daibosatsu tôge (1960) and the second of the trilogy follows the adventures of Ryunosuke Tsukue after he is blinded.
Director of Photography
大映版シリーズの第一作。富士を遠望する大菩薩峠の頂上、机竜之助は居合わせた老巡礼を一刀の下に切り捨てた。御岳山奉納試合で宇津木文之丞の命を奪った竜之助は霧の御坂で剣陣を突破すると、力ずくで手篭めにした文之丞の妻、お浜を伴って江戸へと出奔する。それは竜之助の流浪の旅の始まりだった――。
Cinematography
Set in the middle of the Edo period (1603-1867), this tragic love story takes its cue from a celebrated historical case tried by magistrate Tadasuke Ooka, whose shrewd legal decisions became the stuff of legend. Okuma Shirokoya, the daughter of a lumber merchant in Edo (today’s Tokyo), embarked on an affair and was executed after conspiring with her maid to murder her husband. (Source: https://festival.ilcinemaritrovato.it/en/proiezione/shirokoya-komako/)
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A demon-faced monster seeking revenge appears in the forms of a gigantic ox and a huge spider! The young Genji warrior protects the Fujiwara Clan and the beautiful lady in tragic love! A grand visual epic told with mesmerizing extravagance!
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狸の国。カチカチ山でやけどを負った父の泥右衛門を手当てするため、お黒は人間の栗助から薬を買っていた。お黒も栗助もお互いのことを気に入っているが、それを口にはしない。狸御殿では、人間との結婚を望むきぬた姫が、狸吉郎との見合いを嫌って家出してしまい大騒ぎ。ひょんなことから狸御殿に紛れ込んだお黒は、顔がきぬた姫と瓜二つなことから、姫の身代わりとして狸吉郎と見合いをすることになってしまう。お見合いは成功、二人の仲はどんどん近づいていくが、そこへ人間に相手をされず意気消沈のきぬた姫が帰ってきた。
Cinematography
Kitagawa Utamaro is a famous ukiyo-e artist known for his paintings of beautiful women. The courtesan who became his model became even more popular. Ocho, a resident of an apartment building, hears about this and secretly plans to follow Otose, the owner of Mizuta-ya, who became famous as Utamaro's model. At this time, the Kano school, headed by Kano Eikawa, which was under the control of the shogunate, is dissatisfied with Utamaro's fame and tries to compromise him…
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Film directed by Kenji Misumi.
Cinematography
Lord Mito Mitsukuni, the vice-shogun of the whole country, left the family estate and went on a trip to various provinces with his students Sukesaburo Sasaki and Kakunoshin Atsumi. At an inn in Sunagawa, Mitsukuni exposed and punished an evil judge who had fallen in love with a townsman's wife. However, on the night he stayed at Nihonmatsu Castle, Mitsukuni found out that this incident was a performance organized especially for him…
Cinematography
The swordsman again crosses paths with the murderous Devil Mask Gang -- who as the name suggests, all wear hideous devil masks.
Cinematography
In the first two films we learn the character's origins, including his childhood and how he learned his fighting skills. Later, he must face his friend, who has joined a gang of criminals.
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First of nine films based on the novel. The first live-action adaptation focuses on the origins of how Akadô Suzunosuke learned his skills as a swordsman.
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Directed by Senkichi Taniguchi