Roman Ledenyov

In Russia in the late 1960s, Elena will do anything to see that her son Yuri succeeds as a pianist: she longs for him to win a competition that will send him to Paris. To ensure his success, she denies her love for an iconoclastic painter for whom she models, prostitutes herself to a Party figure, encourages her son to break with his true love because the girl is a Jew, and, in general, behaves in paranoid ways, believing, for example, that a new lodger, Evgeny, is a KGB spy. She also has her own family secrets, which she will go to any length to keep her son from learning.

The film is a play based on the novel “An Ordinary History” by Ivan Goncharov directed by the Sovremennik Moscow Theater. The main roles were played by Oleg Tabakov, Mikhail Kozakov, Lyudmila Ivanova, Anastasia Vertinskaya and others.

Germany in 1943. The Berlin worker Klaus Hartung is deployed as a soldier to the Eastern front during World War II. During a tour, he is captured by a Russian patrol. While in captivity, Hartung comes to the conclusion that he has to come through and actively take part in the effort to end the war. He consents to abduct a German officer together with two Russian soldiers. During their adventurous mission, the men who at first had been enemies, become sincere friends.

The film tells about the inhabitants of the Russian city of Tsaritsyn-Stalingrad-Volgograd. The film consists of three novellas, united by the theme of love and the scene - a city on the Volga.

Various dwellers of the Russian forest: Leshiy (forest goblin), Vodyanoy (water spirit), Ovinni (barn spirit) Domovoy (house spirit), Anchutka (gremlin) and Rusalka (mermaid) meet at Baba Yaga's chicken-legged hut and receive an esteemed guest who appears from nowhere. They gather around one table to say goodbye to the old year and welcome the new, that is until the guest grows bored with their antics and seeks fun elsewhere.

Two young directors adapted the short stories of two Russian authors whose works had been banned for decades, and so their film ended up in the censor’s vault as well – for twenty years. Both tales look back to the post-revolutionary era: 'Angel' speaks tragically of the brutality and destruction of the time, and 'The Homeland of Electricity' captures its haunting grotesquery.

An important event is taking place in a small provincial town, an elderly rich prince arrives. The local "lioness" Maria Alexandrovna Moskaleva decides to marry him to her daughter Zinochka. But the "noble" Mordassov society is by no means inclined to voluntarily give up its positions: after all, in the head of every mother who has a marriageable daughter, the dream is to get a rich man as a son-in-law.

The war ended a long time ago, but for the heroine of the film, the former pilot, only those years were filled with genuine meaning. She deeply feels discord with reality, lack of contact with her daughter. She doesn't manage to adapt to this peaceful, everyday life, she doesn't lose her piercing desire to fly...

Based on a novel by Vsevolod Vishnevsky. January 1917. The workers and peasants of Russia, hunted by the tsarist government in the trenches, forced to defend alien interests of the king, the landowners and exploiters-capitalists. Bolshevik worker Yakov Orel, selflessly performing party mission, said the soldiers the truth about war, about revolution, about what the overthrow of the autocracy does not mean the liberation of the workers from the yoke of landlords and capitalists exploitation. For example, one regiment of the film reflects the events that took place in the whole of the Russian army between February and October 1917.

An idealistic high school graduate goes to work on a state farm on the Kazakh steppe, only to clash with its authoritarian leader.