Janine Sutto

Marie, a Canadian editor specialized in testimonies of Genocide survivors, starts to receive anonymous large envelopes with the narrative of Ali, a young Palestinian who grew up in a refugee camp in Lebanon. Intrigued, Marie investigates the origin of these envelopes and finds out who is the anonymous writer. This is how she establishes a connection with Joseph, a Lebanese worker hired to paint the offices. A strange relation develops between these two persons who come from very different worlds. But after a while, Joseph abruptly disappears and Marie, overwhelmed by the mission fallen on her, starts a journey into the past, through a small village in Lebanon, in the heart of a bloodthirsty culture were lies the key of all the enigmas.

Two old friends and small-time crooks embark on a crime spree, but take an unexpected detour that could lead them down the road to redemption.

Bernard, an accountant in an upscale jewellery store, suffers from daily psychological abuse by his boss Vendôme. Thanks to his pal Robert, also victim of harassment by this cruel man, Bernard will toy with the consequence of a well-deserved retaliation at the expense of his boss. However, as not everything is perfect in this world, Bernard will also have to experience the sometimes less pleasant after effects of this ruthless act of revenge.

Michel is a Belgian inventor. He cares for his father, a paralysed writer, is married to a Congolese woman and is the father of an interracial child whom he reassures as to his parentage. He discovers at the age of 41 that he was adopted, actually having been born in Sainte-Cécile, Quebec. In the summer of 2000, he travels to Quebec, supposedly to sell some of his inventions. While on a near-impossible quest to find his birth family in the town where he was born, he crosses paths with Louis Legros, son of another inventor, in a meeting which will change their lives.

While on his honeymoon, a man who suddenly becomes impotent, tries to recover his virility.

A writer, Kamouraska is based on a real nineteenth-century love-triangle in rural Québec. It paints a poetic and terrifying tableau of the life of Elisabeth d'Aulnières: her marriage to Antoine Tassy, squire of Kamouraska; his violent murder; and her passion for George Nelson, an American doctor. Passionate and evocative, Kamouraska is the timeless story of one woman's destructive commitment to an ideal love.

An example of 1970's Maple Syrup cinema from Quebec, this whimsical and sexy tale revolves around two trickster roommates and the women in their lives who want to see them settle down.

Two bored Montreal housewives (Monique Mercure & Louise Turcot), with inattentive husbands (Marcel Sabourin & Donald Pilon), and lots of time on their hands, amuse themselves by paying the local tradesmen something extra to give them amorous attention. Their entertainment leads to frantic confusion, however, when one of the visiting gentlemen - shall we say - 'expires'. The housewives deal with their unpleasant situation quite energetically.

A young Montreal woman has an affair with a famous French author, and the experience helps to teach her a number of things about life and love.

A young Jesuit missionary reflects on his life and his faith while awaiting his execution at the hands of the Native Americans he came to convert.