Zahir Raihan
出生 : 1935-08-19, Feni District, Bangladeshi
死亡 : 1972-01-30
略歴
Zahir Raihan was a prominent Bangladeshi novelist, writer and filmmaker. He is considered to be the greatest filmmaker of Bangladesh. He is most notable for his documentary Stop Genocide, made during the Bangladesh Liberation War. He was posthumously awarded Ekushey Padak in 1977 and Independence Day Award in 1992 by the Government of Bangladesh. Raihan disappeared on 30 January 1972 trying to locate his brother, a notable writer Shahidullah Kaiser, who was captured and killed by the Pakistan army and/or local collaborators during the final days of the liberation war. It is believed that he was killed with many others when armed Bihari collaborators and soldiers of the Pakistan Army who were hiding fired on them when they went to Mirpur, a suburb of the capital city of Dhaka that was one of few strongholds for Pakistani/Bihari collaborators at that time.
Story
Little Kulsum’s curious mind questions the confusions around her.
Novel
The barren wife of a rich man allows him to marry a younger woman in order to have a child.
Original Story
A Delhi girl comes to her aunt's house, where she hears the reality of Bangladesh's independent story.
Story
A Bangladeshi film released in 1971.
Director
A Bangladeshi film released in 1971.
Writer
A documentary film about to resist the brutal action taken by Pakistan occupy army against general people of Bangladesh (previously East Pakistan) in between 26 March, 1971 and 16 Dec, 1971.
Director
A documentary film about to resist the brutal action taken by Pakistan occupy army against general people of Bangladesh (previously East Pakistan) in between 26 March, 1971 and 16 Dec, 1971.
Writer
A short documentary, charting Bangladesh's quest for freedom from Pakistan.
Director
A short documentary, charting Bangladesh's quest for freedom from Pakistan.
Producer
A political satire of Bangladesh under the rule of Pakistan metaphorically, where an autocratic woman in one family symbolizes the political dictatorship of Ayub Khan in East Pakistan.
Story
A political satire of Bangladesh under the rule of Pakistan metaphorically, where an autocratic woman in one family symbolizes the political dictatorship of Ayub Khan in East Pakistan.
Director
A political satire of Bangladesh under the rule of Pakistan metaphorically, where an autocratic woman in one family symbolizes the political dictatorship of Ayub Khan in East Pakistan.
Screenplay
A lawyer, son of a local decorator wedding cook, unwillingly got married with a rich father's goofy daughter & bring curse to his family.
Screenplay
Anwara is a 1967 Bangladeshi film which stars Razzak and Suchonda in lead roles. It is one of the six films where Razzak and Suchonda shared screen time
Writer
Anwara is a 1967 Bangladeshi film which stars Razzak and Suchonda in lead roles. It is one of the six films where Razzak and Suchonda shared screen time
Director
Anwara is a 1967 Bangladeshi film which stars Razzak and Suchonda in lead roles. It is one of the six films where Razzak and Suchonda shared screen time
Story
Behula is a 1966 Bengali film directed by Zahir Raihan and stars Razzak and Shuchanda as lead pair. It was based on the Hindu mythology of Behula, who fights vehemently to goddess Manasa for her husband Lakhindar's life.
Director
Behula is a 1966 Bengali film directed by Zahir Raihan and stars Razzak and Shuchanda as lead pair. It was based on the Hindu mythology of Behula, who fights vehemently to goddess Manasa for her husband Lakhindar's life.
Director
Bahana is a 1965 Indian Urdu film directed by Zahir Raihan under the banners Saregama. The film (Bahana), starring Sajjan, Meena Kumari, Anwar, Kumar, Pramila, Azurie, Sheela Vaz, was released in theatres in 1965. The film’s songs are composed by Madan Mohan Kohli and lyrics written by Rajendra Krishan.
Writer
Sangam is a Pakistani Urdu film released in 1964, directed by Zahir Raihan starring Rosy Samad, Khalil, Haroon Rashid and Sumita Devi. This is the first full-length colour movie made in entire Pakistan. This was the fourth film by Zahir Raihan (1935-1972) who later went on to direct more films in Urdu and Bengali during the 1960s. Zahir Raihan became one of the most important filmmakers of East Pakistan, which later became Bangladesh in 1971. Although Sangam was an Urdu film, but most of the cast, playback artistes and crew were from the Bengali-speaking Eastern province.
Director
Sangam is a Pakistani Urdu film released in 1964, directed by Zahir Raihan starring Rosy Samad, Khalil, Haroon Rashid and Sumita Devi. This is the first full-length colour movie made in entire Pakistan. This was the fourth film by Zahir Raihan (1935-1972) who later went on to direct more films in Urdu and Bengali during the 1960s. Zahir Raihan became one of the most important filmmakers of East Pakistan, which later became Bangladesh in 1971. Although Sangam was an Urdu film, but most of the cast, playback artistes and crew were from the Bengali-speaking Eastern province.
Writer
The story is about a girl who grows up almost like an orphan in a joint family of two brothers and their families. She has lost her mother (a sister of the brothers) in childhood and her father is a habitual gambler with a bad luck. She develops romance with one of the two cousins in the house.
Director
The story is about a girl who grows up almost like an orphan in a joint family of two brothers and their families. She has lost her mother (a sister of the brothers) in childhood and her father is a habitual gambler with a bad luck. She develops romance with one of the two cousins in the house.
Story
The emergence of the educated middle-class. Shawkat’s life as a bohemian artist perfectly illustrates the life of an artist in Dhaka during the 60s. When Shawkat’s father loses his job, and eventually dies, the reality of living in a capitalist society as an artist dawns on him
Screenplay
The emergence of the educated middle-class. Shawkat’s life as a bohemian artist perfectly illustrates the life of an artist in Dhaka during the 60s. When Shawkat’s father loses his job, and eventually dies, the reality of living in a capitalist society as an artist dawns on him
Director
The emergence of the educated middle-class. Shawkat’s life as a bohemian artist perfectly illustrates the life of an artist in Dhaka during the 60s. When Shawkat’s father loses his job, and eventually dies, the reality of living in a capitalist society as an artist dawns on him
Screenplay
