Arthur Hopkins

参加作品

When My Baby Smiles at Me
Theatre Play
Bonny Kane and 'Skid' Johnson are vaudeville performers in the 1920s. The two of them suffer marital difficulties when Skid gets an offer to appear on Broadway while Bonny gets left behind on the road. Things get worse with Skid's increasing drinking problem and the fact that the press has reported him to be spending a lot of time with his pretty co-star.
Swing High, Swing Low
Theatre Play
In Panama, Maggie King meets soldier Skid Johnson on his last day in the army and reluctantly agrees to a date to celebrate. The two become involved in a nightclub brawl which causes Maggie to miss her ship back to the States. Now stranded, she's forced to move in with Skid and his pal Harry. She soon falls in love with Skid. Skid gets a job playing the trumpet at a local club and becomes a big success. Fame and fortune go to his head which eventually destroys his relationship Maggie and his career.
His Double Life
Screenplay
Priam Farrel is a celebrated artist but a social recluse. When his valet dies of a sudden illness, a mix-up leads to the body being identified as Farrel's. The timid artist then assumes the identity of his former servant, but finds himself faced with constant dilemmas as a result.
His Double Life
Producer
Priam Farrel is a celebrated artist but a social recluse. When his valet dies of a sudden illness, a mix-up leads to the body being identified as Farrel's. The timid artist then assumes the identity of his former servant, but finds himself faced with constant dilemmas as a result.
His Double Life
Adaptation
Priam Farrel is a celebrated artist but a social recluse. When his valet dies of a sudden illness, a mix-up leads to the body being identified as Farrel's. The timid artist then assumes the identity of his former servant, but finds himself faced with constant dilemmas as a result.
His Double Life
Director
Priam Farrel is a celebrated artist but a social recluse. When his valet dies of a sudden illness, a mix-up leads to the body being identified as Farrel's. The timid artist then assumes the identity of his former servant, but finds himself faced with constant dilemmas as a result.
Redemption
Producer
Feyda is a man of wealth and has many fine qualities, but he is powerless to resist gambling and beautiful women. Feyda falls instantly in love with Lisa, who is engaged to his dear friend Victor.
Redemption
Theatre Play
Feyda is a man of wealth and has many fine qualities, but he is powerless to resist gambling and beautiful women. Feyda falls instantly in love with Lisa, who is engaged to his dear friend Victor.
Paris Bound
Producer
Jim Hutton and Mary Archer are two liberals who are content to remain faithful to each other in spirit only. They are married with all the ritual of a church wedding, the bride believing that each should be allowed perfect freedom in personal contacts. Complications arise when these ideals are put into practice.